Shattered Heaven takes inspiration from Darkest Dungeon and Slay the Spire, and does so without adding any particular innovations to the game formula. There is nothing wrong with this, especially if the end result is good. Besides, it manages to bring a mature narrative, including multifaceted characters and a well-written story. There are some flaws here and there, but all in all Leonardo Production's video game is well made.
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Assassin's Creed Mirage is not a remake of the first chapter of the series in disguise, as some might think, however the stated intention to pay homage to the origins of the series has been fully respected. With all that goes with it, for better or for worse. The more compact and not at all dispersive experience benefits not only the pace of play, but also that of the narration, which always manages to be focused on the figure of Basim. Unfortunately, many of the historical defects of the series remain, first of all the poor artificial intelligence of the enemies, while the structure of the main missions is all in all of a good level, with some small exceptions. A successful operation, however, the one carried out by Ubisoft Bordeaux.
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Armored Core VI: Fires of Rubicon is an almost perfect comeback for the mecha series by FromSoftware. Despite some frankly incomprehensible slip-ups, like the presence of invisible walls and uninspired stealth missions, this is one of the most hectic and satisfying mecha action games, as it offers heart-pounding boss battles and an incredibly deep customization system.
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F1 23 improves and expands almost everything from the previous iteration of the series, from the driving model to the physics of the single-seaters, even the multiple game modes are now – finally – abundant.
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Despite a plot all too devoted to fanservice and an excessive amount of secondary content, Star Wars Jedi: Survivor is still a solid action game with a satisfactory gameplay and a first class art direction.
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Wall World is a Dome Keeper clone, but it's a fundamentally bad one. Its progression system makes little to no sense, as the success of a run is almost exclusively linked to the acquisition of random upgrades. Ultimately, Wall World is a game that doesn't respect the players' time.
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Citizen Sleeper is a great mix of a narrative adventure and a tabletop game.
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After The Witch Queen, Lightfall is a step back for Destiny 2, both story-wise and in terms of its gameplay mechanics.
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A Space for the Unbound is a narrative adventure about issues as important as they are difficult to deal with, but it does so with extreme tact and elegance through a particularly apt allegory. Despite some flaws in the gameplay mechanics, rather repetitive towards the end of the game, the story of Atma and Raya is one worth experiencing.
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The Master of Magic remake is an ambitious project which, however, has never decided whether to be just a graphic restoration or a complete makeover of the original. It's still a decent 4X video game, but nothing more. Ultimately, if I had to choose between the remake and the original one, I would opt for the latter without hesitation.
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Victoria 3 is a complex grand strategy game, however Paradox Development Studio went above and beyond to make it accessible to anyone with enough patience to learn the basics of how it works.
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Gotham Knights has a lot of small issues, but the game works and it offers one of the best depictions of the Bat-family outside of comics.
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Biomutant on the PS5 is, for better and for worse, the same game published a year ago on other platforms. Its enhanced graphics are a nice addition, but the flaws of this action RPG still reside in its outdated gameplay formula.
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Immortality is a love letter to a certain way of making and intending cinema, but it's also an almost perfect experiment that aims to blend the languages of cinema and video game into a single one.
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I Was a Teenage Exocolonist is a storm of punches that hits straight in the stomach. It's a video game that monopolized my free time and that I'll continue to dissect well beyond my (current) fourth playthrough. It's a game that has crept between my mind and my heart, something that I'll hardly be able to chase away from there. Not that I'd want to, to be honest. Northway Games has managed to create something that transcends genres, a video game that I'd like to be enjoyed by as many people as humanly possible.
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Hard West 2 is a definite step forward in the right direction for the series.
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Despite being a jack of all trade (and master of none), Bright Memory: Infinite is still a game both frantic and visually impressive, but it's also very short. Maybe too short.
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Arcadegeddin is a fun and engaging roguelite/shooter. Be aware that there are still a bunch of minor bugs and glitches despite a long Early Access period, but hopefully the devs will fix them soon.
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F1 22 manages to improve on last year's game by evolving its driving model based on the new Formula 1 regulations. Unfortunately this happened to the detriment of the amount of content present in this iteration. Right now we have a foot in the new era, but the other is still in the past.
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Plagued with technical issues partially resolved patch after patch, Warhammer 40,000: Chaos Gate Daemonhunters has also problems in terms of balancing and AI. The boss fights are well done, but it's also a little monotonous as you find yourself playing the same dull couple of missions from the start to the very end of the game.
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