This is a game that understands the importance of fighting back against fascism and taking a stand as part of your own personal revolution, yet it’s often held back by gameplay that wants to distance itself from that idea as you fawn over cute puppies and fire off outlandish grenade launchers. Yet it’s still a start, and a bold step forward for a company that has long sat on the fence of political discussion. If you’re after more Far Cry, this delivers and pushes the formula forward into exciting new territory.
Death Stranding remains a bizarre masterpiece on PS5, and the director’s cut only further cements that reputation with a number of worthwhile new ideas that enhance the act of delivering packages across a picturesque landscape of nothingness. The story of Sam Porter Bridges is overblown and wondrous, taking hold of you and refusing to let go as you’re dragged into an adventure that takes the medium to places it has never been before. It’s mindless self-indulgence of the highest order, and it’s rare to see a game deliver upon its overarching ambition in such a bold, uncompromising way in the modern era. For that very reason, it deserves to be celebrated.
True Colors makes each moment matter as it forms the identity of a woman I came to care for and relate to in ways that few games have managed to achieve. This brings me back to the sibling bond between Alex and Gabe, and how it feels like a virtual replacement for the bond between myself and the brother I wasn’t able to bid farewell to. I had that chance here, and I can’t describe how much that means to me. Without being overly poetic or needlessly saccharine, I’m glad more games are engaging with how we can learn, grow, and love as human beings, and the rewards that come with accepting such hardships along the way. Life is Strange: True Colors truly is something special.
I love WarioWare: Get it Together for bringing this charming series back into the limelight. It introduces a bunch of excellent new microgames and a huge selection of returning characters I was so happy to see, yet the short campaign and lacking amount of extras can make the overall package feel underwhelming. Unless you’ve loved the series for decades, this one might be hard to recommend until the game is subject to a discount or two.
Ghost of Tsushima: Director’s Cut is the best version of an accomplished open world adventure with great characters, excellent combat, and a setting that is constantly inviting to explore.
Much like the real world, everyone’s hopes and dreams are different, and it’s this uniqueness that makes them so undeniably beautiful. It’s a poetic struggle, and stopping to appreciate the instances of silence on a road filled with tragedy and heartbreak helps Road 96 feel like something I’ve never played before. Road 96 feels like an experience created by a studio that understands the fragility of the world we exist in, seeking to project these issues onto a fictional world where comparing them with our own is all too easy. Subtlety isn’t the objective here, and by pulling no punches, this game manages to say something well worth listening to.
NEO: The World Ends With You is the sequel we’ve been waiting for. While its new cast of characters have a lofty legacy to live up to, they manage to cement themselves as equally memorable even if their own journey begins to intersect with one we know so well. Combat falls victim to repetition, yet the ideas that surround it are substantial enough that such flaws are easy to forgive. If you’re after a vast JRPG adventure, it’s time to surrender yourself to the underground and never look back. TWEWY is back, and I hope it’s here to stay.
Those looking for an easygoing yet surprisingly deep JRPG will be taken with Monster Hunter Stories 2, even if some of its more notable flaws are harder to forgive. But once you look past those, you’re left with a wondrous little adventure with an engaging battle system, lovable characters, and an emotionally resonant narrative that sunk its claws in far deeper than I ever expected it to. If you’ve never been able to vibe with the mainline games, give this one a punt.
If you’re after an anime-infused action romp in a similar vein to Akira or Sword Art Online, Scarlet Nexus is almost certainly worth a punt. However, there are a few caveats. Combat is excellent yet not without its flaws, while the story being told and characters you encounter don’t have nearly enough depth to feel emotionally resonant. The potential for something brilliant is here, but much like Code Vein before it, this is a game that seems determined to stop itself from achieving something truly special.
Intermission is an excellent expansion for the world of Final Fantasy 7 Remake, introducing Yuffie Kisaragi and expanding upon her character and history in ways that simply weren’t possible in the 1997 original. She absolutely steals the show here, bolstered up by a selection of compelling newcomers and a continuation of the main narrative that teases a tantalisingly exciting future for this ambitious project. I’m unsure when we will next see something from Final Fantasy 7 Remake, but if it’s anything like this - we’re in for a treat.
Its attachment to the past can hold it back from greatness, especially in regards to its dedication to bombastic set-pieces and a hesitation to explore its own ideas. Village is drenched in excellence throughout, but the occasional fumble stops it from reaching the heights of both its predecessor and the seminal masterpiece it is so desperate to imitate. There’s also not nearly enough big lady - she needs her own game.
Oddworld: Soulstorm is clearly a labour of love, and I can see that in everything it does. The ambition that bleeds into its story, characters, and gameplay are all evident, but the execution is just sorely lacking everywhere it matters. Perhaps my perspective on past games is warped by nostalgia, but this isn’t the road I imagined Abe and company going down. It’s in the right direction, but they’ve veered off course and landed themselves in a ditch.
It Takes Two is some of the most fun I've had with a game this year. Me and my partner screamed with endless delight at its conveyor belt of cute, innovative ideas for a genre that seldom tries new things outside of a few beloved exceptions.
Little Nightmares 2 builds upon everything that made its predecessor such a spooky delight, enhancing its scope and mechanical ambition in equal measure.
The Medium is an enjoyable survival horror that's held back by a lacklustre narrative and a signature mechanic that never reaches its full potential. Even with Silent Hill composer Akira Yamaoka's score ringing across the twisted soviet world, Bloober Team's latest project pales in comparison to the legends that came before it.
Atelier Ryza 2: Lost Legends and the Secret Fairy is a brilliant sequel that expands upon everything that made the original great, while forging a path forward that can be further expanded upon in the trilogy's final chapter.
This is the best Hitman has ever been, and IO Interactive is in a supremely confident place to conclude this trilogy with a bang. The gameplay formula birthed back in 2016 has reached a crescendo here, complimented by an avalanche of worthwhile improvements that make Hitman 3 a joy to play.
Fans of classic brawlers really can't go wrong with Scott Pilgrim vs The World: The Game – Complete Edition. It's gorgeous, satisfying to play, and has a positively banging soundtrack from pop/rock band Anamanaguchi that stands the test of time wonderfully.
Super Mario 3D World + Bowser's Fury is both a welcome return for a platforming classic and a novel expansion of what made the game so special back on the Wii U. There's a solid chance that millions of players missed out on its excellence back in 2013, so now is the perfect time to take it for a spin.
This is a great exercise experience for Nintendo Switch that makes excellent use of its motion controls, although the game doesn't introduce quite enough changes to stand out from its predecessor.