No number of superlatives can do this game proper justice, so I’ll cut to the chase: this game is nothing short of a masterwork that must be played. By all accounts, it is as much of an accomplishment as its predecessor. Like the game that came before it, it’s by no means perfect, but the number of new and creative things it does far outweighs that and turns it into something more important. Better still is that just about every new thing it does is well-conceived, fleshed out, and fun most of all. Even in moments of frustration or when things started to slow down, I was never anything less than enchanted by all of the new things it was doing. It’s like the game cast a spell that I was all too happy to be under. The Legend of Zelda: Tears of the Kingdom embodies what it means to be an outstanding video game.
I found very little to enjoy during my time with Lorena and the Land of Ruins. Through and through, it’s a very poorly made game that can’t really do any of the things it sets out to do well at all. Gunplay is poor because of an appalling lack of polish and bad game balance. Platforming is weightless, unsatisfying, and thoughtless. Then there’s the game’s moe aesthetic, which is completely ruined by incohesive, wooden, and massively dated visuals. The only thing I’d say is sort of a saving grace is the rather novel speedrunning element, but that’s only if you’re willing to put up with the many warts of gameplay. Lorena may be a treasure hunter, but all you’ll find in this game are duds.
If not for the still remaining translation quirks, I’d have been tempted to give this collection a perfect score. Mega Man fans have been clamoring for Battle Network’s comeback for a long time, and in almost every regard it was well worth the wait. Excellent online functionality and the restoration of lost content brings up each title featured to their definitive forms. With six RPGs featuring lots of content, it’s also an excellent value proposition. Mega Man Battle Network Legacy Collection is undoubtedly a collection done right.
It’s hard not to get the sense that Process of Elimination is a game that’s only ever content with punching below its own weight. In the moment of play, it can be a reasonably satisfying and fun visual novel that pays great respect to its contemporaries. However, it never becomes more than that because paying respects is all it seems interested in doing. Any genuinely interesting ideas it may have are buried under a cliched, predictable, and rote storyline filled with character archetypes you’ve almost assuredly seen executed better elsewhere. It just never lingers in the mind. This title may wear its heart on its sleeve, but it’s at the cost of any semblance of style or identity.
The Legend of Heroes: Trails to Azure is a sequel of higher highs and lower lows. I don’t think it’s as consistently enjoyable as its predecessor, but the game’s incredible emotional and gameplay highs bring it to something that I feel is on roughly even footing with Zero. I compared it to a roller coaster earlier, and I feel that’s an apt summation for the entire game. It’s bumpy and not all of it’s going to be enjoyable, but the thrills experienced make it absolutely worthwhile.
This game may yet be my favorite Inti Creates title of this era. A well-considered, refined, and lovingly realized tribute to Castlevania combined with the quirky, yet fully sincere personality of Gal*Gun makes for a one-of-a-kind platformer. Although I do have some grievances with the overall execution of parts of its level design and partner system, the smile I had on my face the majority of the time outweighs that many times over. Stylish, funny, and breezy all at once—Grim Guardians: Demon Purge is an easy recommendation.
Labyrinth of Galleria: The Moon Society satisfies with an engrossing story, great artwork, and compelling dungeon-crawling gameplay. It’s let down by not being much of an improvement over its predecessor and having many of the same problems. Poor yet constant tutorials drag down the pacing and battle mechanics never feel well-considered, although it’s never flat-out poor. If you played the previous Labyrinth game and didn’t like it, this will not convince you otherwise. That said, if you choose to stick with it in spite of its problems, you’ll find a clumsy game with a lot of heart.
As both a celebration of the series’ past and as a Strategy RPG in general, Fire Emblem Engage is masterfully and lovingly made. Though the story left much to be desired, addictive and airtight strategy gameplay kept me easily invested the whole way through. Much-needed enhancements to the presentation and its return to more simplified and straightforward structure make this my favorite outing for the series in a long time.
The few improvements made to Persona 3 Portable cannot begin to make up for how half-hearted this remastering effort feels otherwise. Shoddily redone audiovisual aspects compromise its atmosphere and painstakingly crafted emotional beats. Things that should have been improved simply weren’t. I implore you to play Persona 3 if you haven’t already, it’s one of the most fulfilling and characterful JRPGs ever made. However, don’t make this disappointing version your first experience.
As a longtime fan of the Blue Blur, I am overjoyed by Sonic Frontiers and what it represents for the series moving forward. With solid new gameplay ideas, an engaging and rewarding story, one of the best soundtracks in the series, and a good length, it’s some of the most fun I’ve ever had with a Sonic game. What holds it back are inconsistent visuals, a general lack of polish in some places, and not being particularly newcomer friendly. That being said, it’s a game I can still recommend with ease because of the sheer amount of heart it has, and how addicting it is when taken on its own terms. It’s a new frontier, and the air has never been so fresh.
My only complaint with Little Witch Nobeta is that I wish there was just more of it to enjoy. Even for a Souls-like game, it’s pretty short and I clocked in about 9 hours before the credits rolled. That said, within that time span, I was left consistently impressed by its razor-sharp level design, strong enemy and boss design, and smart application of its unique mechanics. Nobeta may be little, but she leaves a big impression.
Splatoon 3 is an incredible game that further evolves an awesome twist on the competitive shooter genre. Unfortunately, it’s let down by what is perhaps its most important component, the terrible and limiting online functionality. Luckily, the game is fun enough that I think legging through the exhausting online problems is worth it, and it has an excellent single-player mode to keep you occupied as well. Expressive, vibrant, and endlessly indulgent in its uniqueness, Splatoon 3 is very much a worthy follow-up to its predecessors.
The Legend of Heroes: Trails from Zero is yet another solid game in Falcom’s rich legacy of RPGs. Issues like the lack of an English dub, slow game speed, and the strange sidequest system add up and do bring the experience down somewhat. Despite these issues, Trails from Zero is a game that manages to successfully and smartly craft an experience that stands out from its contemporaries.
Warriors Orochi 3: Ultimate Definitive Edition is a strong remastering effort of what is one of the Musou franchise’s best entries. I was overwhelmed by the addictive and plentiful amounts of content on offer, as well as some frantic and varied gameplay. The few cracks that display the game’s age are small potatoes when stacked up to how much of a blast it all is. If you want a quintessential Musou game that is practically never-ending, you’ve come to the right place.
At its best, Xenoblade Chronicles 3 is the peak of Monolith Soft’s sterling record of RPGs. They’ve taken many criticisms of past games in stride and created a game that felt like an evolution in many respects, rather than a compromise. That said, it does end up stumbling into some of the same trappings that have held back past games, while bringing in fresh problems of its own. Xenoblade Chronicles 3, for better and for worse, puts the magic and weirdness of the Xeno series on full display.
Azure Striker Gunvolt 3 is a game that wants to evolve the series, but is founded on the flawed principle of trying to fix what wasn’t broken to begin with. For each improvement it makes, there is a new problem present that holds it back from ever reaching its fullest potential. This game was a long time coming, which is why it’s disappointing for me to say that the wait wasn’t entirely worth it.
While it hits a few snags, Sonic Origins is a compilation that runs with absolute confidence in itself. Smooth gameplay and smart new features make for the best ways to experience each of these games. Sonic might be 31 years old, but with this collection, it looks like he hasn’t aged a day.
Though at times it plays things too closely to the original game for its own good, that’s in testament to how rock solid it was to begin with. Even 35 years after the fact, this game is still unlike anything else you’ll find in the bullet hell genre. While the restrictions to multiplayer hold back its fullest potential, Pocky & Rocky: Reshrined is otherwise the golden standard for how to do remakes.
You don’t see puzzle games that are as ambitious and well-executed as Puyo Puyo Tetris 2 very often. While not every single idea it offers fully sticks the landing, the broad majority of it vastly outclasses the majority of games that are like it. Puyo and Tetris have been around for a long time, and if you want the best of both worlds, look no further.
The House of the Dead: Remake is utterly disappointing. While the addition of Horde Mode is a net positive, it’s brought down by ugly visuals, poor performance, and worse controls. In my entire time with the game, not once did I ever feel the heavy weight of the game’s faults lifted so I could enjoy myself. There is some brilliance to be seen here, but that’s courtesy of what the original game was, not what the remake mostly fails to uphold. The House of the Dead is better enjoyed elsewhere.