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As a fan of the rogue-like and monster catcher genres, Dicefolk is a treat. But while I love the design and enjoy the overall gameplay, the challenge could desperately use some retuning. But if you’re a glutton for punishment and don’t mind a ton of grinding, in that case, I can wholeheartedly recommend this challenging hybrid.
Tomb Raider I-III Remastered Starring Lara Croft takes a franchise that was flawed even in the 90s and does nothing interesting to update it. The new graphics are nice when they aren’t ruining the atmosphere of certain areas, but the modern controls somehow make these games a worse experience. There are plenty of great adventures out there starring Lara Croft. Her last trilogy was excellent, and even the 360-era titles, starting with Tomb Raider Legend, largely hold up. These original releases, though, have simply been eclipsed by far too many games at this point and are only really worth returning to if your nostalgia demands one more trip into these tombs.
Despite the clear effort that went into build diversity and satisfying naval combat, Skull and Bones’s core gameplay loops simply aren’t enough to stop this ship from sinking. Mindless grinds, tedious busywork, and a complete lack of any meaningful gameplay hooks outside of the core combat result in an experience that feels incomplete despite the plethora of Ubisoft checklists that there is to work through in your time at sea. If you’re someone who enjoys tinkering with builds and doesn’t mind grinding for materials in a constant pursuit of that next upgrade for hours on end, then you may find something to like here. Otherwise, this is a voyage into tedium-induced insanity that you can definitely afford to miss.
Anomaly Agent won’t leave you pondering its vast world or lore. Instead, it delivers a focused, high-octane blast of retro-infused action. The combat’s frenetic energy, the charm of its pixel art, and the genuinely funny moments of absurdity made it a blast to play from start to finish. While I wouldn’t call it a masterpiece, those craving a quick hit of adrenaline-fueled, laugh-out-loud thrills will find Anomaly Agent a worthwhile escape. And hey, sometimes a little mindless, time-bending absurdity is exactly what you need.
It’s not often we see a Game of the Year contender so early in the year, but here we are. Final Fantasy VII Rebirth is an unforgettable follow-up to one of the finest remakes ever produced. Deftly building upon the rock-solid foundation of its predecessor, it evolves the combat and progression systems in subtle yet exciting ways while setting you loose in a massive world that you’ll want to explore to the fullest. With countless activities to keep you busy and a gripping story that will leave both Final Fantasy VII veterans and newcomers alike on the edge of their seats, Final Fantasy VII Rebirth is an unmissable adventure. If you only buy one RPG this year, make it this one.
Developer Ironwood Studios’ first go at the rogue-like genre has not only come out fresh as it gets but also put such a unique spin on a classic crafting/survival formula that I sincerely hope the term “road-lites” takes off. Hardly a pothole was hit riding along the anomalous, unstable ridgelines, with a perfectly-tuned balance of cautious material gathering, intense and atmospheric car treks, and wild sci-fi worldbuilding. I was absolutely enamored by the “car”-acterization of the humble station wagon that’s your mobile base, with the Quirk system being a highlight of the various gameplay mechanics that made Pacific Drive’s number one character stand out, just as it should. Truly, I felt like it was me and my clunker-bucket against the world, or, at least, this hellish sci-fi melting pot we were stranded in. Ironwood Studios has a sunny, clear road ahead for them, so here’s hoping they keep on truckin’, knowing their first IP went off without a hitch.
Under Night In-Birth II is a fantastic fighting game experience when you focus solely on the core mechanics and how enjoyable it is to immerse yourself in the depths of its more intricate systems. Examining the package as a whole presents it as one that is perhaps a bit lacking on the content side, with there being a real absence of meaningful offline single-player modes to dive into, which in turn leads to a world that’s difficult to comprehend if you’re coming to this with no prior knowledge of the series. That being said, if you’re a fighting game purist who just wants a new fighting game to master that will offer hours upon hours of fun as you master its many interlocking systems, or you want something simple enough that you can enjoy a few casual rounds with friends here and there, then Under Night In-Birth II fits the bill almost perfectly.
Still, despite a number of parts of Islands of Insight not connecting with me fully, what always did was the puzzles themselves. They’re so consistently engaging that I found myself ignoring the parts of the game that I didn’t love so I could keep engaging with them. Islands of Insight is a great game to jump into for ten minutes just to knock a few puzzles out before going about your day or to get lost in for hours as you try to solve every match 3 puzzle you can find.
I had an absolute blast playing GUNVOLT RECORDS Cychronicle for this review. Not only does it feature fantastic artwork and a variety of pumping tunes to enjoy, but there’s plenty of challenge for all gamers. Plus, if I know Inti Creates, they’ll find a way to totally outdo themselves in any future musical adventures. So, if you love the Gunvolt series and want a refreshing change of pace, this is absolutely the game for you.
While it could use more enemy variety and some areas that are more open, Banishers: Ghosts of New Eden is a highly engaging action RPG featuring a love story I wanted to see through to its haunting conclusion. There are a lot of RPGs releasing in the first couple of months of this year, and with many of them being higher profile, it would be easy to overlook Banishers, but I hope players don’t do so. This is the exact sort of title we need studios to invest in more often.
More than anything, I feel amazing Metroidvanias need to strike a great balance between combat and exploration, where everything you accomplish is constantly bringing you one step closer to reaching the end of the game. I don’t feel that’s the case in Ultros. The rewind aspect of the game, combined with constantly losing platforming abilities and combat upgrades, makes the entire experience a painful slog. So even though I respect the ambition and creativity on display, ultimately, that’s not enough to elevate this game beyond its peers.
Though I enjoyed the comedy and references in Dungeons & Doomknights, I feel its audience is limited by how inconsistently fun the experience actually is. Not only is it mechanically rough at many times, but the combat itself just doesn’t satisfy. Once I realized all this, I admittedly soured over the adventure. That said, if you’re a hardcore fan of new examples of classic games, you’ll probably find something to justify checking it out.
Had more care been given to crafting a more handcrafted campaign that relied less on repetitive busywork and more on the cinematic set-pieces that we know the looter shooter genre is capable of when done right, then this may have been a different story, and the admittedly enjoyable combat would have had the chance to shine more had the activities surrounding it been remotely enjoyable or creative. As it stands, though, this is one of the worst campaigns ever to grace a videogame, never mind a live service, with an endgame that does the unforgivable and asks you to continue grinding out the same content that you’ve just slogged through. Rocksteady’s return should have been something to cherish, given the studio’s pedigree, but Suicide Squad: Kill the Justice League is instead a product that raises serious doubts about the studio’s future.
Tekken 8 offers a ton of ways to fight whether you want to head online or you’re looking for a fully featured single-player experience. A lot of them are just okay, but when you have this much variety, something is bound to stick, and even when some of its modes weren’t blowing me away, the fantastic combat at the center of this experience did. This isn’t a massive evolution for the Tekken series, but fans looking for their new fix will get what they want, while new players will find perhaps the most accessible Tekken yet.
Granblue Fantasy: Relink is a triumph and one of the most mechanically deep and rewarding action-RPGs in recent memory. It’s easy to pick up, yet difficult to master combat feels great in motion, and it’s all in service of a world and cast of characters that are more than worthy of your time and attention. Between the substantial single-player portion and the incredibly generous multiplayer offering, there’s a wealth of content on offer for those wanting to really invest and dig into the game’s many progression systems. If you’ve ever found yourself wondering what the result would be if Tails of Arise and Monster Hunter had a baby, Granblue Fantasy: Relink is the answer, and it’s glorious.
Prince of Persia: The Lost Crown is, in many ways, a new direction for this series, but there’s enough pulled from the past that it very much still feels like a Prince of Persia game. With excellent combat, some of the best platforming you’ll find in any Metroidvania, a fantastic world to explore, and a series of incredible powers to unlock, The Lost Crown keeps getting more interesting as you make your way through it. Fans of the series, the genre, or simply great games will want to check out Prince of Persia: The Lost Crown.
While Like A Dragon Gaiden: The Man Who Erased His Name undoubtedly suffers due to its smaller scale and a heavy reliance on the Akame Network to pad out its 12-hour story, there’s no denying how good it feels to see the Dragon of Dojima back in action – especially with the grab bag of gadgets he has at his disposal. And while this spin-off’s story is over a bit too soon, Ryu Ga Gotoku Studio’s penchant for spinning a compelling narrative shines through, showing Kiryu at his most vulnerable and setting the stage for what’s sure to be a momentous follow-up when Like A Dragon: Infinite Wealth launches next January.
Star Ocean The Second Story R is a true treat for both series veterans and newcomers alike, going far beyond the scope of traditional remakes and bringing The Second Story to a brand-new, and completely wonderful, level.
Overall, My Time At Sandrock is a great game. There’s tons to do, and it’s got plenty of depth. If I had played it on, say, PC or PS5, I’m sure it would have run fine (or at least serviceable). But I didn’t. I played it on the Switch. And the Nintendo Switch version of My Time At Sandrock is a crunchy, crusty, stuttering mess that I very much recommend that you stay away from.
More than just a cynical cash-in, RoboCop: Rogue City does an excellent job bucking the trend of mediocre movie tie-ins to give fans something spectacular. It’s a bloody and visceral love letter to 80s action herodom that leans hard into its source material and even builds upon themes only touched upon in the films. Add a satisfying amount of content in the form of a robust skill tree and a wealth of side missions, and you have a game that no RoboCop fan should miss.