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However, if you like to march through corridors, blow through your enemies, and maybe get a few one-liners in along the way? Phantom Fury is going to be a good time. It's a legacy throwback that has done its homework, and while it didn't delight me it also never made me want to throw the dang thing in the garbage. It's some good lightweight fun. Let's just hope that this time around the title avoids becoming the main character of controversy, hmm?
As it stands, ArcRunner is not a bad game. I don’t think it’s truly dire by any stretch of the imagination, even with the font being kind of awful. But it’s just not a very good game either. It’s fine. And just fine doesn’t get much more than a tepid recommendation. There are a lot of games in this genre, and a lot of those are more fun to play with
If you’re fan of snappy, unique puzzle gameplay and short time commitments, Children of the Sun is going to absolutely be your jam. By consistently introducing new gameplay twists and building on its complexity, it creates an addictive gameplay loop where each stage asks the player to do a new kind of problem-solving and utilize the tools they’ve unlocked in a different way. Your mileage may vary depending on how much you enjoy trial and error, and the game could certainly have kept the ball rolling for longer than it does, but Children of the Sun remains a highly unique experience that’s well worth your time.
At a $15 price tag, it feels like a light weekend thing, something you can drill through in a few nights of idle play and then pick up again whenever you have a hankering for something similar. That’s… what it wants to be. And so I have to kind of give it up for that. There are frustration points, sure, but if you like this style of platformer it simultaneously doesn’t feel like something that’s been done a dozen times before and is fun to play start to finish. Not every game manages that.
As such, ultimately I face the difficulty of trying to put a numerical score to something that is either going to be an experience you love having that you cannot convince others to engage with or something you want to love that you can't bring yourself to enjoy. It's the difference between having a 5/10 that you should definitely try or an 8/10 you might really dislike. That's hard to score. So in this particular case, please don't focus on the score below. That's not really indicative. Bulwark: Falconeer Chronicles is an odd game that you will either really like and have a lot of fun with or it is going to frustrate the heck out of you, but I think ultimately I have to err on the side of it trying new things even if I don't think it totally sticks the landing.
South Park: Snow Day!’s most prominent issue is one of fundamentals. The game’s namesake is very much intact and handled exactly in the way you would hope as a fan of the show, but the meat and potatoes of the actual gameplay leave much to be desired. Its humorous, surprisingly robust roguelike elements and attention paid to its source material simply aren’t enough to offset the detriments to its simplistic combat and repetitive structure.
It’s rare that I say this, but this video game probably should have been a movie instead. Honestly that’s the biggest thing I felt during this whole experience, between the live action stars, the way the cutscenes are shot and paced, the way the gameplay felt almost like an afterthought, it truly feels like they were basically trying to make a movie but decided it must be a game instead. Now, that’s not to say there’s nothing to enjoy, far from it! I really enjoyed the writing and performances, but it likely says something that I had a lot more fun just rushing through on a second playthrough on easy to see the story differences than I did on my initial go on normal where I actually had to explore.
Astro Duel II is a quintessential example of a title providing exactly what it says on the tin. It’s a multiplayer-centric space combat fighter that sports a decent learning curve which thoroughly rewards mechanical skill and twitch reactions while still being easy to pick up and play. This naturally makes for a great time with friends, whether you’re working through its co-op stages together or going head to head with one another.
Maybe it'd be nice to say that we all should have gotten over Final Fantasy VII by now instead of fawning over the world and its characters. But far from being the simple note-for-note reprise of the original that it could have been, Final Fantasy VII Rebirth swings for the fences to be a big and original thing that feels like a full game even while it is, functionally, the middle. It has weaknesses like combat I'm not wholly sold on and maybe a bit too much start-and-stop through gameplay, but if you've been looking forward to the game, you will not be disappointed. And if you want to experience the full story, this is a really good time.
But with things as they are now, there are a few too many issues that come to the fore once you try to settle in for a longer player session. Visual clutter causes unnecessary confusion, movement feels unrefined, playing it in longer sessions borders on monotony, and its monetization leaves much to be desired. And despite it all, I’d like to see Foamstars succeed. There are good bones here, and ones that could easily lead to a strong title were they to get beefed up over the course of balancing and patching the game. With things as they are, however, Foamstars just doesn’t make as large of a splash as it needs to.
So at the end of the day, despite everything that made this look like it was going to be a disaster, Granblue Fantasy Relink is not just an alright game. It’s a really good game, a delight in terms of action RPG gameplay, and easily a title that you can start sinking a huge amount of time into whether you know this crew or not. I’m excited for the prospect of more, from more characters to more stories. And if you’re looking for a new RPG to sink your teeth to at the start of the year, you already have a strong example.
The list of things to find might seem a little short at first, but it’s remarkably devious and should keep you searching for a consistent stretch. If you see the scenes above and think “that looks like fun,” hey, you are probably going to have a good time.
Bahnsen Knights is something I’ve said I’ve wanted, I just wish it did it better. Short and cheap games seem like the ultimate cure for folks burned out by the current gaming landscape… but a single hour is perhaps too short, even most folks I know who appreciate shorter games would probably feel cheated, and that hour could definitely do with some improvements. They definitely tried and succeeded at having a unique and memorable voice, but this also means wearing its flaws on its sleeve. There’s some great scenes, and the aesthetics are absolutely on point, but at the end of the day I simply can’t find myself recommending this to anyone except those who’d look at the trailer and immediately know it’s their jam.
The only issue, really, is I think it is quite the specific niche for a game to fill. Unless you’re really into this game’s subject matter (Hey, if you like decorating housing in Final Fantasy XIV, you might just be one of these people), you’re probably going to pass on this. The game does try its best to give you the full experience without making it feel too much like real work, but for me at least, I spend enough time cleaning that I don’t really need to do it in a video game. Having said that though, I cannot deny that the experience is well-polished, and absolutely worth a buy if being a house flipper is your personal fantasy.
On a whole, I feel like Granblue Fantasy Versus: Rising is more sure of what it wants to be than its predecessor. It’s not trying to split the difference by being an RPG in one mode and a fighting game in others. On the other hand, the original’s RPG bona fides were a big part of what attracted me to the original, so it raises the interesting question wherein I both prefer the original for what it was trying to do while recognizing that the sequel is probably the better fighting game, which is what it’s trying to actually be. Taking into account the long tail of support for the original, the promise of more characters, and the surfeit of extra modes, this is almost a definite buy for fighting game fans, especially if you are a longtime fan of the original game. But it’s also a good buy if you’ve always loved fighting games but dislike threadbare stories or struggle with the controls. And with the sheer breadth of extra modes available, odds are good you’ll find stuff to love in here.
I’m in a weird spot with A Highland Song. On one hand, the game didn’t provide me with the kind of experience I was expecting from the trailer. On the other, what actually is here was an interesting and engaging experience. Exploring and finding the various ways forward constantly kept my interest, even through occasionally frustrating moments. The rhythm runs, while disappointingly uncommon, provided nice breaks from the core gameplay flow and some wonderful tunes to listen to alongside. While it wasn’t what I expected, it was a journey worth going on. The Scottish Highlands are calling, and it’s a call that you may just want to answer.
I came away from this with the impression that I really didn’t miss out on much. Turok 3 is a game that lost its identity, and it now comes as no surprise that the next game was a reboot where Turok was changed into a space marine. In trying so hard to be like the other big name franchises, it became little more than another copy and sadly faded into obscurity. That all said, it’s only just mediocre at its worst, and you still get to shoot grenades at dinosaurs, so at least it has that going for it.
If you’re looking for a metroidvania game to play that you haven’t played before, this game is going to deliver. It’s not without charm and it’s not wildly incompetent. But it’s a C- effort and that’s all the worse when you know that the studio is capable of delivering much better. Unless you’re in dire need of a new metroidvania or a big fan of the series it’s based upon, I wouldn’t rush to grab this one.
It’s hard to deny The Last Faith its place as a solid entry into the greater canon of metroidvanias, but its successes aren’t without any caveat. There’s no shortage of content, but that content is somewhat inconsistent in how fun it is to play through. Boss fights are addictive to learn, but leave the player wanting for more variety in their patterns. The standard metroidvania progression is fun, but the soulslike elements can feel tacked on. This is all to say it’s well worth the time for even seasoned metroidvania enthusiasts, but it can be hard to ignore the areas that needed a bit more refinement while spending said time with it. The Last Faith is a strong title with some clear stumbles, but quality still wins out more often than not, and I’m eager to see Kumi Souls Games’ next effort as a result.
With that main course being the old guard rubbing shoulders with the new, I’m looking forward to seeing these guys interact when Infinite Wealth eventually drops. The story isn’t perfect, but still spins a tale worthy of the Dragon of Dojima. Like a Dragon Gaiden: The Man Who Erased His Name may be a shorter game, but there’s a surprising amount of depth in that brevity. It’s been a good year for Like a Dragon, and a game that celebrates their leading man like this is worthy of your time and money. Go ahead and devour this, and get excited for Infinite Wealth.