GGRecon's Reviews
Despite my reservations about the late game, Dragon's Dogma 2 remains an exceptional experience on almost all fronts and an adventure that you unequivocally won't want to miss.
The game certainly gets better as time goes on, and the story is well-told enough that it's worth experiencing for survival horror fans. However, it comes with the caveats that the overall gameplay leaves a lot to be desired, and its survival horror contemporaries just do a better job on nearly every front.
By offering a whole heap of challenging encounters, fun roguelite mechanics, and just another reason to jump into one of the Switch's best games, Splatoon 3: Side Order is a thrill. More boss fights would've been nice, but that doesn't take away an unshakeable desire to jump back in right now.
WWE 2K24 may be a big investment, but considering this is the best that this series has ever been, that may just be worth it to you. 2K24 is just as undeniable as the American Nightmare on its cover, and a capstone for several years running for great wrestling and great wrestling games.
While some of its looting mechanics feel a little stale in comparison to how it evolves other areas of the genre this likely won’t deter most players from seeing this intriguing story through to the end. Instead, Pacific Drive is one of the most intriguing games I’ve played in 2024 so far. It borrows concepts from the likes of STALKER and Firewatch, and combines them to create an accessible survival rogue-lite that’s a joy to engage with. Seeing your car gradually transform from a heap of junk to essentially a life support system is a satisfying experience, and only enhanced by the weird and wonderful world you get to drive it about in.
Mario vs Donkey Kong is a charming puzzler that’s great in short bursts, but the repetitive formula, short length, and occasionally frustrating controls leave it paling in comparison to other top-tier Mario outings on Switch.
Classified: France '44 is a strong debut from Absolutely Games that's worth a go if you're looking for hours of well-designed turn-based combat, varied missions and encounters, and a highly replayable campaign. However, it doesn't quite hit the potato masher on the head when it comes to exploring its WWII setting and creating a narrative about the human cost of war.
Every beat of this game still lands, and the developer was right not to fix what wasn't broken in the first place, developing and refining the definitive version of Brothers: A Tale of Two Sons. If you have never experienced the game before, you owe it to yourself to strap in for an evening for a beautiful story that will drag you through a motley collection of emotions.
Final Fantasy 7 Rebirth is one of my favourite games that I've played in a long time and does so much with its narrative that feels uncompromisingly ambitious and fresh.
For a small team to develop an ARPG as polished and as player-friendly as Last Epoch is astonishing. To do it with the complexity that the genre demands as a prerequisite is something else, and I'm truly, truly impressed by what's on offer at launch - and can't wait to see it grow.
Bandle Tale feels like a game some people will thoroughly enjoy, but others might grow tired of when the systems start piling on top of each other. It’s surprisingly complex, and about as long as the average big-budget RPG, but whether players will have the same patience for it remains to be seen. A lot of heart has gone into this game, and I really wanted to love it. As it stands, it’s a solid crafting RPG with a cute aesthetic that doesn’t really match the menu-heavy gameplay. It would be a lot more fun without systems like the auras restricting you from doing what you need to do.
There’s a lot to like about Foamstars, but there’s unfortunately a lot to dislike, too. I appreciate that it goes all-in on the candy-coloured visuals and embraces its silliness, and there’s something to be said for the adrenaline rush it provides in standard 4v4 matches. But with a poor story mode offering, wildly expensive microtransactions, and visibility issues that really hamper gameplay, I can't see Foamstars making waves in the sea of multiplayer shooters that already exist.
Helldivers 2 keeps kicking me in the rear end, and I can't help but respect it. Visiting its warzones often feels like a one-way trip, to the point where I'm surprised to make it through. My group chats are awash with war stories of hard-fought victories and those times I dropped an airstrike on my head. And through all of the chaos, like a grizzled veteran who's seen some s**t, I've got a smile on my face every time I drop.
Lysfanga: The Time Shift Warrior is a treat, and a very pleasant surprise. Combat is slick, challenging, and thoughtful all at once, while the story, despite some obvious twists, is well worth experiencing. Here's hoping Sand Door Studios can expand further on its scope next time around - or I'll have to loop back and play it again.
Banishers: Ghosts of New Eden is an example of Don’t Nod doing what Don’t Nod does best - deliver an enthralling, story-driven title that had me hooked in its world and characters from the opening titles. It’s elevated by inspirations from other titles with bigger budgets in this genre and is all the better for it with a stunning world that invites you to explore. The combat sections fall a little flat, and the run-time feels ever so slightly too long. However, the weight of the storytelling more than offsets these frustrations and will drive players through to see the ending of this magnificent adventure.
Airhead has redeeming qualities, including stunning art direction, an amazing soundscape, and a steady drip-feed of upgrades that serve to keep the gameplay loop fresh. Metroidvania fans who have the patience to stick out the frustrating gameplay will find themselves an incredible world to explore, and one that’s filled with an interesting story, concept, and secrets. However, the core gameplay loop quickly spirals from being an interesting gimmick to an infuriating irritation, and it’s not one that I can see most casual players enjoying all that much.
Suicide Squad: Kill the Justice League, live service ambitions aside, is a fun shooter that feels like the closest you’ll get to a virtual DC Comics theme park; it looks great, and it’s full of recognisable characters. And, like a theme park, much of it feels hollow, designed by a committee for a focus group that may not even exist anymore to keep them engaged and coming back. Despite this, and like every time I've been to a theme park, I've come away feeling like I've had fun, as forgettable as the specifics may be.
Granblue Fantasy: Relink was unfortunately a rather disappointing experience for me, which is a shame to say considering how excited I was for it all those years. It does offer excellent combat that achieves genuine variation between its vast cast of characters, and many spectacle-filled boss fights - but remains largely unengaging due to a bland narrative that barriers off much of its character development behind tedious text segments. There is likely to be plenty of life found within its extensive post-game segments, as players can team up to take down countless missions across numerous forms, but that grind might not be for everyone in the long run, especially if you're playing solo.
Persona 3 Reload is one of the best remakes I’ve ever seen - a faithful but stunning reimagining of a classic JRPG that will please Persona veterans and newcomers alike. With the only small negatives coming from Atlus’ dedication to recapturing the experience of the original, fans will without a doubt debate this being the best in the series after being reminded why Persona 3 is so spectacular.
Another Code: Recollection is a lovingly crafted remake of two underrated gems that helped to demonstrate the innovations of their original platforms, and adapted them to the current generation.