And hey, you get to play as a goat. A purple goat. Take that Jon Blow.
Don't let those minor complaints put you off as this is a gentle and entertaining romp through a fantastically realised world. The art-style and characters make it a special experience and even though the final few levels are a bit of a let-down with their formulaic design, The Last Tinker is worth picking up just to drink in its handcrafted visuals and feel-good vibe - when was the last time someone said that about a videogame?
Before playing I didn't expect to be fully enraptured by Transistor, thinking the spectre of Bastion would haunt the experience too much. But neither did I expect Transistor to take that formula and evolve it into something so sublime and handcrafted that tears would roll down my cheek as the credits rolled. From its combat mechanics and customisation, to the narrative and the visually orgasmic art-style, this is an experience to be savoured, to lock yourself away in the confines of your gaming boudoir and revel in its luxurious design and perfection.
The potential was there for something truly special along the lines of Limbo or even perhaps ICO with your immobile brother, but there ended up not being enough reasons to care for the game or the characters within it. Nowhere Studios have an artistic eye that spoke in a unique and moving way to me at first but the technical problems voided that emotional connection and Monochroma ended up being a slog rather than a joy.
There's not many video games that treat war with the respect its participants deserve. Metal Gear is too preachy and ham-fisted while Call of Duty & Medal of Honour are bombastic dude-fests disinterested in reality. Valiant Hearts, by using the war as a backdrop and avoiding too much direct conflict, pays tribute to the 16 million that perished in The Great War 100 years ago and does it with humour, pathos and melancholy.
It makes progression through the long and winding career mode a touch tedious despite the excellent racing experience the game crafts. The more you play it the more it feels like a patched version of previous entries and less like a new iteration of the series. It doesn't mean you should avoid Autosport if you're looking for a return to form from Codemasters and the Grid name. Far from it. But it's a warning that the stripped down nature of this entry has taken away a bit too much to feel a complete experience even though the actual racing is the best I've played in years.
It means that for all Whispering Willows' atmosphere it can't deliver what it sets out to achieve. I don't often say games need to be longer but here, the experience needs more locations, more detail and more time to fill out its fiction to be able to tackle the themes it wants to tell.
Unless torturing your reflexive skills and muscle memory is a turn-on then Infinity Runner may be better left on the Steam shelf until it re-emerges onto a portable device. Either that or just run into a field of hungry cows and run like you've never run before - that's a real first-person endless runner experience.
The payoff for finishing the game isn't enough to make some of the levels worthwhile and it feels like Back to Bed is selling itself short by being constricted to just two campaigns. That said, Back to Bed is reasonably priced and if you're a fan of the art-style mentioned or want something a little different to play for a few hours then there's value here.
The world and characters are forgettable and uninspired without any of that deeper lore and storytelling Dark Souls is known and loved for. But despite those criticisms Lords of the Fallen is still worth a look if you're after challenging combat and a grisly dark medieval world to explore.
Aside from balancing the random elements of the game to make them less unfair, Crowntakers is a superbly focussed effort that can be enjoyed in short bursts or gorged on for multiple hour sessions. It's likely to be better consumed sparingly, like a good port, but it has a complexity greater than it initially appears. As a relief from overly-serious epic games about dragons and Frenchmen this is a welcome diversion.
Never Alone is a beautiful game, full of fairy tale delight and educational knowledge. It isn't as patronising as that might sound as it keeps the two well-separated enabling you to take or leave as much of the cultural content as you like. It struggles though with being a compelling video game with its slow start, short running time and AI issues. It comes away respectful of its inspiration and educational as well, but won't last long in the memory as a gaming experience.
I can't say that I found it satisfying and many, if not most, themes went well over my head, but I can see why so many find this genre of discovery simulator so immersive and compelling. The Old City has a tendency to get into your head and bones after a few hours and as this is the first of a trilogy, I'm eager to see where Leviathan will take me next.
It's an experience that truly stretched different parts of my mind in more satisfying way than Portal. Though the puzzles frustrate at times, most are put together thoughtfully and in a simple enough way that you can go away and figure it out on paper if you need to (I needed to, frequently).
Coming so soon after the first entry Blackguards 2 is a surprisingly packed improvement over the original, giving you the chance to dominate and rule over South Aventuria with all the bitterness and rage such a task would need. It won't suit all newcomers to PC TRPGs and yes, battles can be brutal and unforgiving at times, but for those with even the slightest bent towards getting knee deep in stats and tactical battles then Blackguards 2 is a worthy purchase.
I'm pretty sure this won't appeal to a lot of people. It can be bone-crushingly hard at times and difficult to get into. But by giving you the tools to craft your own escape and leaving you alone to sort it out, The Escapists is one of those classic hands-off games that encourages you to create your own story and incredible moments.
It's a comforting reminder that video games can still hark back to their traditional roots and produce an enjoyable experience without any overblown live-action trailer or day one DLC. This is a delight to play.
If the other two Chronicles games can build on this start then Ubisoft and Climax Games could show that just as with Child of Light and Valiant Hearts it's possible to make a smaller, superior experience.
Order of Battle: Pacific doesn't exactly shake up the strategy genre, but its focus on the Pacific theatre is a welcome one and I thoroughly enjoyed my time with it. A few neat features and the accessible nature of the game mean it's open for newcomers to the genre but also challenging enough for veterans.
A homage to retro classics is one thing but having gameplay that's both challenging and fun makes Axiom Verge special. If you grew up in that era, you'd be a fool to miss out on this and if you're new to the genre, I can't think of a better entry.