Miguel Moran's Reviews
Monster Menu: The Scavenger's Cookbook is a dish that aims to bring together various ideas from dungeon-crawling JRPGs, roguelikes, and cooking games, but only a few satisfying flavours from each of those emerge. Only JRPG addicts with a trained palette will be able to find the enjoyment here to warrant digging into the entire dish.
OTXO puts a roguelike spin on the familiar Hotline Miami murderfest formula, but it doesn't quite nail the landing. While moment-to-moment combat is fast and flashy and unforgiving, there isn't enough care put into the roguelike structure of the experience to make new runs feel justified or exciting.
Neptunia: Sisters VS Sisters has some fun ideas and absolutely beautiful visuals, but with an incredibly flawed combat system that fails to learn from its predecessors, we're ultimately left with another clunky spinoff that fails to move the needle for the franchise. There's so much room for exploring new, exciting, and impactful ideas in the world of Neptunia, but Neptunia: Sisters VS Sisters is adamant in taking another step sideways rather than pushing the series forward.
The DioField Chronicle delivers a unique real-time spin on the usual tactics RPG experience, but it's marred by a boring story, unlikable characters, and inconsistent presentation. While the one saving grace is the addictive and always rewarding combat, missions fail to deliver the evolution or variety that some might expect. Overall, it's an interesting game, but not an altogether great one.
Chrono Cross is an incredible game that has been deserving a remaster for far too long. It's a shame that, after all these years, it had to arrive in such a sorry state. The Radical Dreamers Edition does some minor work in improving and upgrading the experience, but with such poor optimisation, it's a headache to enjoy the experience. Longtime fans might be able to forgive the issues and savour the incredible visual novel side-story Radical Dreamers, but a game as iconic as this deserves better.
Phantom Breaker: Omnia has addictive gameplay and a shocking amount of depth. The blend of simple attack inputs and advanced fight systems creates a beautiful blend. Aesthetic issues like inconsistent character art are easy to overlook if you're just here to fight some friends - but controller input issues and a command list buried five menus deep are big blunders that I doubt anyone could easily overlook.
GetsuFumaDen: Undying Moon is a gorgeous game with solid side-scrolling combat, but its genre shift to the roguelike form hasn't paid off. The progression system is slow and the upgrades you obtain are pretty deal, leading to a roguelike experience that doesn't do enough to incentivise sticking with it for very long.
I can't imagine anybody was clamouring for it, but I'm still happy El Shaddai: Ascension of the Metatron was ported to PC. It's a shame when games are lost to time, and even though this one has some clunky combat and repetitive gameplay, it's still one of the most artistically inventive and stunningly original games of the Xbox 360 and PlayStation 3 era.
Was Uppers worth the years-long wait to be able to play it in English? Probably not. Even as a fan of the titles Honey Parade Studios puts out, there's something disappointing about the way Uppers is too scared to fully commit to the gritty, hot-blooded front that it puts up. By having one foot in there and another firmly planted in the same-old T&A antics of the studio, it fails at truly capturing either aesthetic successfully. It's still a fun brawler with satisfying combat, and it looks amazing on PC, but there are plenty of areas where it could be improved on.
Kandagawa Jet Girls follows the unfortunate pattern that many of HONEY∞PARADE GAMES latest titles have fallen victim to. There's style and charm galore, with sharp character visuals, fun music, and a charming anime-as-hell story mode. The actual gameplay, though, is rough at every possible edge, presenting a half-baked version of a truly interesting idea that simply wasn't executed on well. There's a lot to love with this game, but unfortunately, there's plenty to dislike as well.
It's clear that the developers of Banner of the Maid have a lot of love for the historical French period they've adapted in this game. Unfortunately, the gorgeous character art and intricate story is hampered by a rough localization and awkward gameplay systems. The intriguing characters are hard to follow thanks to awkwardly translated dialogue, while the upgrade and faction mechanics of the game only serve to bloat the experience. Banner of the Maid has plenty of solid ideas, but only a few of them truly shine through.
Dragon Star Varnir's dark world of witches and warfare is unlike anything else Compile Heart and Idea Factory have put out. Unfortunately, the experience is brought down by less than stellar visuals and doesn't make the most of its main gameplay innovations.. There's an interesting story to unfold here, but actually playing the game to get to it might be a challenge best left unmet.
Gato Roboto is far from purrfect. The boss fights are a delight, challenging me every step of the way and rewarding me for patience and determination. Everything else, though, is just a bit too safe and unoriginal. From familiar environments to basic upgrades and uninventive gameplay, Gato Roboto is an okay, standard Metroid-style game. In a world where so many titles fall into that genre, though, you can easily find something similar to play that has a bit more originality to it.
Super Dragon Ball Heroes: World Mission is a card collector's dream thanks to the astounding volume of cards and characters in the game. Unfortunately, bringing those cards into battle isn't nearly as satisfying as collecting them, as long-winded duels and shoddy enemy AI ruin the simple to learn yet hard to master nature of the card game. Fans of Dragon Ball will still have a good time here, as long as they're willing to put up with a lot of waiting and repetition.
The Princess Guide is an adorable, energetic game. It has gorgeous art and fun, well-written characters. It's just marred by grinding through messy and poorly designed combat. The AI squad-mates that are so integral to the action have terrible AI that make it impossible to consistently coordinate any of their actions. There's massive heart and care put into the narrative and visual design of The Princess Guide, but that is weighed down by how frustrating it is to play the game.
London Detective Mysteria does a few things new within the genre of otome dating sims, but at the end of the day, it isn't anything revolutionary. If you've played an otome game before, then this one will be more of the same, for better or worse. The silly cast of characters and attempts at dramatic detective plotlines are interesting, but not executed entirely well. Fans of the genre will be able to happily add this one to your pile, but if you need convincing to try out a game like this, London Detective Mysteria isn't the one for you.
Gal Metal has some great ideas, but fails to execute them soundly.
Dandara is a beautiful game with a fresh movement mechanic, but it doesn't come together as well as I had hoped. Leaping across platforms is satisfying when it works, but aggravating when it doesn't, and even when the leaping does what you want it to do, you'll find annoying backtracking or bizarre navigation puzzles to overcome. There are some great moments in Dandara, but the headaches you have to deal with to get to them aren't always worth it.
Demon Gaze 2 expands and improves on everything from the first game, but when the first game was the video game equivalent of 3am fast food, though, those improvements don't amount to a ground-breaking new title in the genre. Demon Gaze 2 is just a fairly decent, quirky JRPG.
I was so ready for an action RPG entry in the Neptunia series to come along and scratch my itch, but instead it puked on my lap and barely touched the itch. I had so much fun with the story and characters, but with better combat and more consistent performance, this game could've been something special.