David Soriano
The years have passed, accentuating the defects that Bullet Witch had in 2006. Did anyone want the resurrection of this game?
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RAID: World War 2 is PayDay 2 with Inglorious Bastards, but it does not end up having neither the charm of the game of robbery nor of the film of Tarantino.
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Unfortunately, Left Alive ends up being the heir of a period of Japanese development that we thought was extinct. Neither in stealth nor in shootings convinces.
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If the game was meant to be a tribute to the 25th anniversary of the film, little of it will be found. As a game of robberies, the rewind mechanics are interesting, but they do not work well enough to be satisfactory.
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Unwisely, Sony has decided to charge for a pack of five tech demos.
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Neither in its concept nor in its execution has convinced us the first Fallout Online, which perhaps should have looked a little more in the mirror of The Elder Scrolls: Online for its debut. Will it come back? Only time will tell.
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Beyond the comparative grievance with Mario Kart, All-Star Fruit Racing feels like a low budget karting game with nothing in particular beyond its juice mixer system for some unsurprising and ineffective power-ups.
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With the passage of a few hours of game already we will realize that the enormous size of the Generation Zero map does not do justice to the infinitesimal number of playable possibilities.
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The great Harley Quinn design is not enough for this episode that remind us the mediocre first season.
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A failed attempt to copy the Hotline Miami formula.
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Windbound starts off promisingly, but after a few hours it already seems to have shown everything it has to offer and from there we will only be hooked on solving its narrative mystery based on repeatability of objectives.
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Despite its lack of ambition, InnerSpace fulfills what it promises: a calm exploration title with much more underlying narrative than the average of its genre.
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After The Book of Unwritten Tales series, Black Mirror feels like a clear step back for the developer King Art Games.
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Far from remembering us at glorious times like those of Evolution Studios' WRC II: Extreme, Kylotonn is sinking in the mud the official license for not worrying to correct the gameplay.
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The years don't go in vain. de Blob was a game certainly revolutionary in 2008 for its mixture of physics and colour. Nowadays, it does not surprise and it ends up being repetitive.
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Because of its characters, Samurai Warriors: Spirit of Sanada is more recommended than the franchise before. Musou genre doesn't allow so many novelties, but we like de RPG elements..
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Controversial, blasphemous, sexualized and generator of agony in the user. Agony can be all these things, as well as an excellent recreation of a particular hell, but quite poor graphics and the simplicity of its game mechanics do not stand out as much as we expected, not even to be considered a horror game.
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It's a shame that Capcom did not want to include new features that would improve the game experience of these 3 classics.
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Ironically, just when we received patches for RiME at 4K, this port arrives, one of the worst we've seen and that does not do justice to the level demonstrated by Tequila Works the last month of May. Late, bad and expensive.
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The perfect game to experience the magic of Disneyland like never before. Well, like before. Exactly the same game as 2011, but in 4K and HDR.
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