For £25 though you are getting your moneys worth. There’s a hefty amount of classic gaming here and if you can look past the somewhat iffy versions of your childhood titles and you aren’t too bothered amount what’s missing, the added extras and the included challenges may this your go-to collection if you’re playing on PS4. Anywhere else? You’ll find superior standalone versions of these games on the Xbox Store and Steam. Spend your money on those instead.
Onrush is an excellent reimagining of the driving genre. It’s Evolution Studios greatest hits smashed together with the ultimate competitive traits of the very best modern multiplayer games. It stands alongside its peers as a reason to invest in premium online services, laughs in the face of those who would dare pigeonhole it and demands your attention.
rather enjoyed my time with The Awesome Adventures of Captain Spirit. It’s essentially what you come to expect from Life is Strange condensed into a two-ish hour experience that isn’t going to cost you anything to play all the way to the end. It’s very obviously a prequel to something much bigger, and it ends a little abruptly which I found a little disappointing, as I was ready to play for another couple hours. What it has achieved is make me excited for LiS 2, more than I ever was before. I still have no real clue what the sequel might be, or how this plays into its story, but for now this was a touching experience I’m really appreciative of.
It simply doesn’t hold up ten years after release, and whilst we can kick back and enjoy the wanton destruction for a little while, it just isn’t enough to hold the attention for as long as the game is asking of you.
Runbow is yet another great port for the Switch and offers a fiendishly difficult but hysterical time. Grab some friends and get the best out of this game by playing with others.
Whilst it’s probably not going to be bothering Mario and Sonic atop the kart -racer leader boards anytime soon, it’s fun, full of vibrancy and a great choice to crack out over the summer months.
Bomber Crew is difficult and begins with a cumbersome tutorial and a fiddly control scheme. If you’re willing to stick it out past the tutorial though you’ll discover a rewarding, thrilling experience that keeps you focused and holds your attention better than most simulators of late, purely because you’ll just fail if you’re not paying full attention to every little cog in this particular machine. It’s fast and frantic and takes no prisoners and that’s just what it should be.
It’s all a bit crap then, but to be honest there are laughs to be had. I can’t recommend you go out there and buy this game. In a July like this there are so many actually good games to go out and try and that you can’t be spending money on turgid nonsensical garbage like Guts & Glory.
Mothergunship is a great game thanks to its genuinely brilliant gunplay, fantastic craftings mechanics and a steep-ass difficulty curve. It can be frustrating but it’s most assuredly never boring and earns an immediate place on your hard drive.
Semblance is yet another Switch title that’s easy to recommend. The excellent level design, the ‘platformer-is-a-mechanic’ headline lives up to its promise and then some, with a wondrous visual style and a heartbeat throughout which pumps the blood of a revitalised genre through every vein of its code.
1979 Revolution makes you think, and makes you thank whomever it is you believe in that the majority of us are born in a time and place of peace.
Overcooked! 2 then, whilst not a revolutionary leap from the first is still as madcap and downright ridiculous as its predecessor and then some. It’s still hilarious to play with friends and adds enough fresh elements and ideas to keep ardent fans delighted. It’s still hard as nails in some parts but the gentle easing in of new mechanics ensures you’re always ready for what’s to come. It’s now replaced Overcooked! on the top of our multiplayer game night lists, and if that isn’t high praise I don’t know what is.
Sadly, at this present moment I just can’t recommend Anamorphine. It’s powerful, intense and delicate in its depiction of mental health care with a touching and emotional journey, but your patience will be tested with its issues that sadly have to be ironed out before I can say it’s worth buying. I’m going to be keeping an eye on it, because there is a story here that is genuinely worth your time.
Road to Ballhalla then is a fun old time and whilst it isn’t going to blow you away in terms of original mechanics or gameplay, the smart and fiendish level designs, sense of humour and replay factors are enough for us to recommend it, especially if you’re going to want something to play on a journey. There’s enough here to keep your brain ticking over for a good while, and the sense of completion is hugely satisfying.
Polygod then is going to test your metal in every sense of the word and should you want a hardcore rogue challenge you’re not going to go wrong here. Krafted Games have um, crafted an experience that is partly ridiculous, partly wonderful and altogether just tough as balls.
Keep Talking and Nobody Explodes is a genius game to port to the Switch. It’s so absurdly entertaining, so enthralling and addictive that it’s knocked out Mario Kart 8 as our go to multiplayer game for the time being. Its unique aspects ensure that it’s an essential title to add to your Switch line-up, and is yet another port that’s found a brand new home. I now prefer playing it this way to VR, which is something I never thought I’d say as I ranked it as one of the best PSVR experiences a couple years ago.
F1 2018 then is another damn near spot on recreation of the worlds biggest motoring sport. It looks absolutely divine, is loaded with fan service and presented like a gift-wrapped set of car keys to a world that’s going to test your metal if you give yourself up to the absurdly detailed depth this game offers seasoned players. If you master F1 2018 and every single corner of its intricacies there’s every chance you could probably run your own F1 team in real life.
Ninjin Clash of Carrots is a blast in co-op, but difficulty spikes may put you off the challenge on your own.
The more I navigated my way through the game I realised that I can’t steer these characters into any kind of direction which would require me to dig myself out of a hole or to build my way back up. There’s very little peril and it makes the entire experience really rather uneventful.
As I was forcing myself to play through this game for the sake of the review my partner was watching on and having a right old laugh at me attempting to rip out teeth, quite literally. We’ve played the game together several times and came to a very strange conclusion that the game is far more fun to watch someone play than it is to play yourself.