Wonder Boy: The Dragon's Trap may be out of its time – it's rock hard, a little obtuse, and won't lead you by the hand – but benefits from a stylish and sensitive makeover that stays painstakingly true to the mechanically perfect original. The Dragon's Trap is a remarkable thing, then. Not only is it a retro remake that's actually not crap, it's as good as the day it first came out and even holds its own against modern releases.
Uncharted: The Lost Legacy is the real deal, folks. It separates the wheat from the chaff, takes everything that's great about Uncharted 4 and distils it down to its purest, most brilliant form. Nathan who?
As loathe as we are to re-open the old "are video games art?" debate, it's no exaggeration to say that Gris (along with the likes of Journey, Ico, and Everybody's Gone to the Rapture) is one of the examples you should roll out to prove that they most definitely are.
Pikuniku is an unbridled joy. It's rainbows, ice cream, long weekends and kittens, combined and distilled into their purest, most potent form.
Ape Out is a dynamo of a game, simultaneously stylish and meaty, that manages to succeed as both a technical demonstration of procedural generation – particularly that magical audio – and a bloody fun game to boot. Between this, Gris, and Pikuniku, Devolver Digital is absolutely crushing it right now.
Developer Adam Robinson-Yu began developing A Short Hike when he was feeling burned out working on another project. It's fitting, then, that what began as an act of self-care for the game's developer has blossomed into a welcome respite from the modern world that everyone should experience.
Dan Marshall has said publicly that if Lair of the Clockwork God doesn’t sell well enough, it will most likely be Ben and Dan’s final adventure. And if that’s how it transpires, then this game will be a fitting swansong. But if there’s any justice in the world it will sell hand over fist, because it’s a brilliant, joyous, clever and generous experience.
Hyper Light Drifter's a tough game and for that, it won't be for everyone. But if it already has your interest, your admiration, or your love, then it has – all hyperbole aside – found a perfect home on the Nintendo Switch.
Dirt 4 has one of the best career modes you'll see in the racing genre, at times closer to the do-whatever-you-want elements of Forza Horizon than the franchised motorsports games it seems outwardly more similar to. If you're a real stickler for speed and technical challenge you'll probably enjoy the 'proper' rally cars more than I did, but the beauty of it is that you can progress your career however the hell you want, which is delightful.
The cutesy presentation and pick-up-and-play feel of The Swords of Ditto belie its true nature: a fierce, fiendish, oft-frustrating roguelite adventure. You may not want to keep going around that loop forever, but luckily there's enough enjoyment to be found in the (minimum) half a dozen or more runs it will take you to beat the game for the first time that – if you do choose to stop there – you'll still feel rewarded by the experience.
Don't let the endearing protagonist and lo-fi, vintage visuals fool you: Gato Roboto is a challenging, pedigree Metroidvania. But what sets it apart from its peers are the quality of life improvements that redress all of the genre's worst flaws, without blunting any of the barbs. This is a Meowtroidvania worthy of the name.
Almost everything that's wrong with Untitled Goose Game – and to be fair, there isn't that much – is inherently wrong with the stealth genre in general, and a silly game about a goose wrecking someone's flower beds was never likely to change that. But what it does do, over and above other stealth games, is combine charming visuals and glorious audio with such a ridiculous and unique premise, it's impossible not to honk through this one with a massive smile on your face.
The career mode is a little underwhelming, but Grid's racing is as on-point as ever. A culmination of Codemasters' years of experience – combined with brilliant assists and that oh so clever Nemesis system, that makes trading elbows with competitors as much fun as the racing itself – make this an ideal motorsport sim.
Final Fantasy VIII isn’t without its flaws, and it spreads them fairly evenly across story, mechanics, and pacing. Happily, the speed boost on offer in the remaster fixes the pacing, which effectively papers over the cracks in the grind-heavy mechanics. What you’re left with is a fun, somewhat silly, and beautiful RPG. And on Nintendo Switch, you can play it anywhere. This really is the best way to play Final Fantasy VIII.
Lonely Mountains: Downhill excels as both an adrenaline-fueled racer and a zenlike exploration. It’s a signal of the game’s clarity of vision and tightness of scope that it can, somehow, succeed at both. A triumph of beautiful cinematography and spinning tyres alike.
There's very little that's new in Easy Come, Easy Golf that wasn't in Everybody's Golf before it – save for its team mechanic and those frightening golf-baby clones – but that doesn't matter. None of that matters. The fact we've got a Clap Hanz golf game on a Nintendo console, at long last? That's a hole in one, for sure.
It's hard to ignore the unsavoury taste that comes along with The Crew 2's social media-based progression system. That being said, most people will accept that it's just a somewhat topical stand-in for an experience point system – and skip through all of the awful vlogger posturing and horrid presentation – to find at its heart a knockabout arcade racer with the capacity to make you smile.
The Golf Club 2019 certainly isn't everybody's golf game, but if you're in the centre of the (admittedly small) Venn diagram of "prefers the intricacy of SKATE to the button-mashing of Tony Hawk's Pro Skater" and "is really hardcore into golf" then you're in for a massive treat.
My Friend Pedro is one of those activities – like skateboarding, or playing the guitar, or any form of dancing – that always looks that much cooler when someone else, someone more proficient is doing it. Don't let that discourage you, though. You'll still have a lot of fun playing a slick, stylish game built almost entirely out of those brilliant, cinematic, single-shot hallway fight sequences.
Mark McMorris Infinite Air is by no means a bad snowboarding game. If you're looking for a challenging snowboarding simulator with a realistic approach to tricks (and failure) then this is absolutely the game for you, but if you're looking to lazily noodle a few buttons and feel like a superhero then you're likely to be disappointed. Additionally, the pretty but somewhat skeletal open world will probably suffer in comparison against upcoming titles like Steep and Snow.