Other than the portability – which, without tilt aiming, feels like an opportunity wasted – there's no compelling reason to pick the Switch port of Hello Neighbor over any others. Worse still is the feeling you've already seen all the best bits, just like an all-too-revealing movie trailer, but that's an issue with Hello Neighbor on all platforms.
We're not saying that We Happy Few is all style and no substance, but have you seen how bloody stylish it is?
Doom Eternal features all the raw, raucous action of the 2016 reboot, but for reasons we can’t comprehend, is dragged out to an interminable length. Technically solid, blistering in parts, but lacking in soul.
It may be clever, scary and intriguing, but Man of Medan rarely reaches the heights of its stablemate and elder sibling, Until Dawn. Perhaps its a case of difficult second album syndrome, or more likely, it’s just too weighed down by the tropes and trappings associated with the genre. (And the sooner Supermassive ditches its penchant for fourth-wall-breaking, creepy old narrators, the better.)
Like the movie it's loosely based on, World War Z is in no way scary. It's not even particularly compelling as a piece of horror. But like the movie, it is a relentless piece of AA action fluff that, if played with the right group of people, makes for a riotous and frenetic – if shallow – action tower defence game.
Horizon Chase Turbo is a slick, polished, pulsating love-letter to the arcade racing games of yesteryear. It's just a shame that in a genre known best for what felt like endless rolling roads, what's on offer here – thanks to its transition to tracks and unlock-to-progress mechanics – feels rather more repetitive in comparison.
Rugby 18 is a solid, workmanlike first effort at what is probably the most difficult sport to translate into a playable video game. It's not as easy to pick up or as slick as FIFA, but it puts in the hard yards and, for the most part, gets the job done. As a result, Rugby 18 is probably the best rugby game in 20 years.
The Signal From Tölva looks fantastic, with an intriguing setting and some interesting ideas working together for an incredibly strong start, but the game is quickly bogged down by it's inability to escape the vortex of open world busywork. Also, it contains a lot of robots.
From the promise of the Kickstarter and the people behind it, you might have expected Yooka-Laylee to be like a great band, getting back together for a new album after a long hiatus. What we've ended up with is something that feels like a cover version – of something a bit old-fashioned, not especially relevant today, and more than a little bit flawed – but if you loved Banjo-Kazooie, then you'll probably love the cover version just as much, and that's just fine.
Mark McMorris Infinite Air is by no means a bad snowboarding game. If you're looking for a challenging snowboarding simulator with a realistic approach to tricks (and failure) then this is absolutely the game for you, but if you're looking to lazily noodle a few buttons and feel like a superhero then you're likely to be disappointed. Additionally, the pretty but somewhat skeletal open world will probably suffer in comparison against upcoming titles like Steep and Snow.
My Friend Pedro is one of those activities – like skateboarding, or playing the guitar, or any form of dancing – that always looks that much cooler when someone else, someone more proficient is doing it. Don't let that discourage you, though. You'll still have a lot of fun playing a slick, stylish game built almost entirely out of those brilliant, cinematic, single-shot hallway fight sequences.
The Golf Club 2019 certainly isn't everybody's golf game, but if you're in the centre of the (admittedly small) Venn diagram of "prefers the intricacy of SKATE to the button-mashing of Tony Hawk's Pro Skater" and "is really hardcore into golf" then you're in for a massive treat.
It's hard to ignore the unsavoury taste that comes along with The Crew 2's social media-based progression system. That being said, most people will accept that it's just a somewhat topical stand-in for an experience point system – and skip through all of the awful vlogger posturing and horrid presentation – to find at its heart a knockabout arcade racer with the capacity to make you smile.
There's very little that's new in Easy Come, Easy Golf that wasn't in Everybody's Golf before it – save for its team mechanic and those frightening golf-baby clones – but that doesn't matter. None of that matters. The fact we've got a Clap Hanz golf game on a Nintendo console, at long last? That's a hole in one, for sure.
Lonely Mountains: Downhill excels as both an adrenaline-fueled racer and a zenlike exploration. It’s a signal of the game’s clarity of vision and tightness of scope that it can, somehow, succeed at both. A triumph of beautiful cinematography and spinning tyres alike.
Final Fantasy VIII isn’t without its flaws, and it spreads them fairly evenly across story, mechanics, and pacing. Happily, the speed boost on offer in the remaster fixes the pacing, which effectively papers over the cracks in the grind-heavy mechanics. What you’re left with is a fun, somewhat silly, and beautiful RPG. And on Nintendo Switch, you can play it anywhere. This really is the best way to play Final Fantasy VIII.
The career mode is a little underwhelming, but Grid's racing is as on-point as ever. A culmination of Codemasters' years of experience – combined with brilliant assists and that oh so clever Nemesis system, that makes trading elbows with competitors as much fun as the racing itself – make this an ideal motorsport sim.
Almost everything that's wrong with Untitled Goose Game – and to be fair, there isn't that much – is inherently wrong with the stealth genre in general, and a silly game about a goose wrecking someone's flower beds was never likely to change that. But what it does do, over and above other stealth games, is combine charming visuals and glorious audio with such a ridiculous and unique premise, it's impossible not to honk through this one with a massive smile on your face.
Don't let the endearing protagonist and lo-fi, vintage visuals fool you: Gato Roboto is a challenging, pedigree Metroidvania. But what sets it apart from its peers are the quality of life improvements that redress all of the genre's worst flaws, without blunting any of the barbs. This is a Meowtroidvania worthy of the name.
The cutesy presentation and pick-up-and-play feel of The Swords of Ditto belie its true nature: a fierce, fiendish, oft-frustrating roguelite adventure. You may not want to keep going around that loop forever, but luckily there's enough enjoyment to be found in the (minimum) half a dozen or more runs it will take you to beat the game for the first time that – if you do choose to stop there – you'll still feel rewarded by the experience.