A Rose in the Twilight does a lot of things well. It crafts a story and a world that makes me care deeply about its central character, it’s visually spectacular when it’s not killing you with its hard-to-distinguish artwork, and it touches on moods and feelings that most other games don’t even attempt to venture into. For as much creativity as there is to be found throughout those aspects, there isn’t nearly enough in the actual gameplay. If the first half played more like the second half, it would have been an outstanding experience in spite of its short length.
Bye-Bye BoxBoy! is being billed as the last of the BoxBoy! trilogy and if this is where things truly end I think that's for the better. Qbby is great and this monochrome world is wonderful, but I feel as though its basic puzzle formula is on the cusp of getting stale. If we do see more of this boxed boy, I hope his next adventure is something more substantial.
I'm sure there is a demographic out there that Urban Trial Freestyle 2 will appeal to, but it is clear to me now that I am not a part of that key demo. While I can appreciate what they were going for here and I found myself really getting into the challenge, any feeling of joy I experience doesn't last for long when I'm faced with so many bewildering design choices.
If you love rhythm games, ignore the score below and pick it up for yourself because the music selection is outstanding overall and who knows when next we'll get something else like it. But know the game isn't nearly as good as it should be and you may spend far more time than you want repeating the same songs just to advance.
There is a certain type of person who is going to enjoy this, and Cooking Mama: Sweet Shot has the good fortune to arrive at a time when I write for Destructoid, a man whose basic enjoyment of video gaming is such a low bar to hurdle that it can essentially get a pass other writers probably wouldn't give it. I like the game, warts and all. Objectively, you should be able to tell for yourself it shows nary a whisper of growth or innovation since the series' debut. Subjectively, I'm somehow that giggling schoolgirl once more, fawning over a cake I just mini-gamed into existence.
There is more to this game, a lot more, but I just don't care. Cladun Returns: This is Sengoku! can be played for hundreds of hours, but these are hours I want to spend with something I actually like. There are a lot of facets here, including quests I can take, a bizarre Fortify feature, an art studio where I can customize characters and gear, and time challenges for each of the dungeons that make up the story mode. Again, all of that I should enjoy, and yet it just does nothing for me. If you can get into this game — and I recommend you play the demo before you buy — you'll probably have a lot more fun than I did. Which is to say you'll have any amount of fun at all.
There are issues with the game, but honestly, I think Ever Oasis is a blast. Building up my little spot of heaven, running errands for the residents, and venturing out into the great sandy plains outside my garden gate provide equal thrills. The longer I play, the more I enjoy it and that is far more uncommon than it should be. If this game is to be the first of a new franchise, it's a damn good starting point.
The combat here is good, really good, and for some, that may be all they need. For you, that may be enough to convince you to plop down your $40 for this game. For me, the fun in Tokyo Xanadu is buried beneath so much unskippable, unpauseable, and unmemorable story I can't in good conscience give it my full support.
With the easy 30-hour campaign behind me, I'm having a great deal of fun with the post-game content. There are new maps to unlock, new classes to discover, and daily quests I can conquer. I could easily stop playing now and dive into something a bit meatier, but the pleasant nature of Miitopia, as well as seeing so many poorly recreated famous faces in random roles, is a curio that deserves to be kept in my 3DS until I see it through to the very end.
The people behind The Darkside Detective obviously know how to make individual parts of a game. The artwork is splendid, the music should be on rotation on my iPhone, and, barring a few bugs, the easy-to-grasp point-and-click gameplay works. Its issues lie in the writing, the element that should be the glue that holds the package together. Its lightweight, cornball comedy opts for cheap and easy jokes I never really find funny. I'm not expecting the brilliance of Rex Stout with every word, but maybe aim higher than something I'd read on a Bazooka Joe wrapper.
It's not perfect, but Chicken Wiggle tickles the creative part of my brain that loves drumming up platformer levels when I should be doing actual work. The campaign can be better, a lot better, but the hours I'll spend with this game will not be going back over those levels. I'll be spending them making my own little masterpieces and that's the part this game mostly gets right.
One week isn't enough to really understand everything about this game. The campaign is complete, but there is much still to do with the post-game content, trophies and what I can only assume are many more mysteries I can solve. Danganronpa V3: Killing Harmony is not a game you should just read about or watch a Let's Play of on YouTube. It's a game that absolutely demands 40 hours or more of your time. You must experience it first-hand if you truly want to understand what Team Danganronpa is trying to tell us.
The title of “New Nintendo 3DS Edition” is a misnomer as there is nothing here that makes this edition any more special than those already available. And now that we know it will not be included in the Better Together cross-play campaign, it almost feels dead on arrival. There is a chance, down the line, Minecraft: New Nintendo 3DS Edition will actually be worth its asking price, but that time is not now.
The concept is simultaneously inventive and archaic, doling out moments of pure delight and agonizing frustration in equal doses. Culdcept Revolt is such a niche title – perhaps the most niche game in my gaming history – I can't tell you if you'll like it. What I can tell you is as someone who is a bit of a masochist for these types of games, I enjoy it very much.
I'm torn on Etrian Odyssey V: Beyond the Myth. I sincerely believe it could be the best entry in the series, that it has refined the formula to near perfection. But in perfecting what is already there, it makes no strides to further advance the series.
When I am unwinding after a long day and commute, Campfire Cooking is the exact type of game I want to play. A quaint and clever puzzler that is able to get a myriad of miles out of its simple concept, it's nearly perfect on my iPad and well worth the tiny asking price.
Creeping Terror is a short, serviceable title that pays tribute to a bygone era of horror gaming. That sentence is probably the nicest thing I can say about it.
I can't say Pokémon Ultra Sun is a must-play for fans, but it won't be leaving my 3DS anytime soon.
While it is short – it took me nearly an hour to reach the end – Gorogoa is worth a second and third trip not because there are new challenges to test, but because it gives me a chance to truly appreciate the clockwork-like precision of the puzzle design and the magnificent hand-drawn artwork found in every frame. It also gives me a chance to try and figure out just what the hell is happening in the story. This may be the fuzziest narrative I've ever had to tackle, open to a great many different interpretations, but that's just part of the game's elegance and brilliance. Even without understanding it, I can still safely say Gorogoa is one of the best puzzle games to ever grace my iPad.
Xenon Valkyrie+ is something I easily see myself coming back to whenever I have a free moment and my Vita in hand. It can be a cruel experience for sure and some alterations to the overall design would go a long way, but it's still a fun little game I can play seriously for hours or casually on a lunch break.