Taiko no Tatsujin: Drum ‘n' Fun! gives Europeans a long-awaited taste of Japanese drum-fun. You'll want to consider forking out for the taiko peripheral to see the game at its best, but Switch's touchscreen makes this an easier recommendation than it would otherwise be. The motion controls should be avoided with extreme prejudice – they're simply unworkable – and a few odd design decisions, not to mention an excess of loading screens, take the shine off what is a beautifully bold and bouncy game. Fortunately, the Party Game section helps shore things up, offering short bursts of multiplayer fun as a credible stopgap until Rhythm Paradise arrives.
The quality of The Room and the atmosphere it conjures is undeniable, and it's certainly worth checking out if you haven't played before. It's a pleasure to see some well-implemented pointer controls added to a classic touchscreen title, and the fact that this seminal release is now available on a dedicated gaming device is cause for celebration. Be aware that it's a slight offering by home console standards, though – it's crying out to be part of a compilation release with its three sequels. Perhaps one for the Wishlist, then, but it's a winner while it lasts.
While its short-burst gameplay is perfectly suited to phones, Reigns: Kings & Queens arguably works just as well lying on the sofa with a single Joy-Con. It's addictive with plenty of depth to its deceptively simple systems, although like the mobile edition, it really is best enjoyed when played in small chunks. After several hours, repetition inevitably dulls its initial appeal, but if you haven't played it elsewhere, this is a great package that's well worth swiping right on.
We thoroughly enjoyed our illustrious career in data manipulation – if you've got the head for it (or if you've ever enjoyed an episode of Silicon Valley), 7 Billion Humans is as perfect an introduction to programming as you could hope for. It gives the layman an appreciation of clean, efficient code, and the writing will keep more savvy players entertained for the duration. It offers more puzzling variety than its predecessor, but if your brain simply isn't wired that way, you won't like it any better. If that's the case, we'd recommend sitting this one out and crossing your fingers that Tomorrow Corporation have something less esoteric in the pipeline.
If you're a fan of the original, you'll likely enjoy the minor tweaks and upgrades on offer, but don't dive in expecting a 'remaster'. You get couch co-op and a healthy framerate, although it doesn't look great on a TV and the original's excellent English voiceover is AWOL. Despite modest enhancements, the 3DS origins of this six-year-old game are plain to see, which may put off newcomers. It's a solid hack-and-slash experience, as it always was – we just wish it did more to earn that 'EX' addendum.
Smoke and Sacrifice is an attractive take on the survival genre with a diverting story examining our reliance on fossil fuels and class-dependent economies. Juggling your gear is more finicky than it should be, which is disappointing when inventory management is such a fundamental part of the game. However, if you're prepared to keep on top of things, and you have the fortitude to brave the oppressive smoke, there's plenty to enjoy in Sachi's quest and the core crafting loop.
Agatha Knife tackles vast subjects with surreal humour and delightful style but when it comes to the big questions, it doesn't offer much beyond sarcasm and a shrug. Fortunately, the writing is entertaining enough to make the adventure worthwhile regardless, and the comprehensive touchscreen execution on Switch makes it an ideal candidate for anybody wanting to dip their toe into the point-and-click pool, provided you're not put off by bad language or the odd splash of blood.
A certain historical perspective and a touch of nostalgia will go a long way to helping you appreciate Titan Quest and its quirks. That core loop of killing satyrs in four hits before finding rare loot that destroys them in one is as compelling as it ever was. Disappointing visual glitches and the occasional crash give the impression that everything is held together with nothing more than sticky tape and a prayer, but it was never enough to stop us playing. Handheld mode is a massive boon for any RPG and, as long as you're not expecting miracles, this Switch port delivers the core experience well enough to warrant investigation.
The Bunker puts legacy FMV games to shame, delivering a slickly produced psychological horror experience for the price of a trip to your local cinema.
Various factors accumulate to take the shine off Resident Evil 0 in comparison to the original game, but the Switch version showcases it at its best, and even though it doesn't reach the heights of 1 or 2, it provides a shot of old-school Resident Evil for those who like that sort of thing. It looks great on Switch and the ability to play on-the-go helps alleviate some of the frustrations inherent to its old-fashioned systems. Overall, it's very much more of the same, but if that's what you're after, Resident Evil 0 ticks the requisite boxes nicely.
As a group, Abba sits alongside only a handful of the world's biggest acts - The Beatles, Queen, and perhaps only a couple of others - with the cross-generational, mainstream appeal to support a multiplayer music game like this. We'd wager even non-aficionados will be drawn in by the sheer strength of this most familiar and indestructible of pop music songbooks, and the variety of modes here, machine-tooled over many years of iteration and repetition for the long-running Let's Sing series, offer enough variety to engage just about anyone who's ever tapped their foot to any of these tracks, Developer Voxler took absolutely no chances here; Let's Sing Abba is exactly what you think it is. And for that, we were thankful.
The best thing we can say about Toree 2 is that, as with its predecessor, we enjoyed every minute of our time with it.
Going in with diminished expectations no-doubt coloured our impressions, but our brief time with Toree 3D was undeniably delightful. For significantly less than the price of a decent cup of coffee, you get an enjoyably bite-sized, colourful 3D platformer with great music and a fun aesthetic that doesn't take itself seriously in the slightest — and it doesn't stick around long enough to get boring, or for its weak points (and inevitable lack of depth) to become an issue. Big studios who feel obliged to stretch games out for dozens of hours could learn a thing or two from its brevity.
Approached with the knowledge that this is a full-featured side-dish, you'll have a very good time hacking and slashing your way through Calamity Ganon's minions in Hyrule Warriors: Age of Calamity; just remember that despite its sparkling presentation, it is still not a Zelda game. What it is is a brilliant Zelda-infused Musou experience filled with varied and satisfying combat and Breath of the Wild additions that work beautifully within the boundaries of the Warriors template.
On paper, searching a large database of phone-filmed video clips doesn't sound too exciting, but Telling Lies offers an exhilarating few hours of detective work thanks to clever construction, strong performances and exceptional polish. Given that the game takes place almost entirely in windows on a virtual desktop computer screen (and would therefore seem 'at home' on PC), it survives the transition to Switch entirely intact. While there's not much incentive to reopen the investigation once it reaches its climax, uncovering Telling Lies' web of relationships and intrigue is a case definitely worth taking on.
Farming Simulator 20 won't be for everyone, but if you're after high-octane, instant gratification, why are you sniffing around something called 'Farming Simulator 20'? It requires time and devotion – if you're not one to enjoy the long, languorous journey you'd be better off sticking to more abstract farming sims. Once you get into its low-key repetitive groove, though, there's a wealth of wholesome, calming work to get lost in and a satisfying flow to cultivating a field, sowing seeds, harvesting, repeating and watching those numbers go up.
Mechanically-speaking, there's little you haven’t seen elsewhere, but it’s a good-looking, fun third-person romp dripping in slimy nostalgia, and the chance to spend time in the company of these old friends – some of them dearly departed – is too good to pass up if you've ever strapped on your school backpack and gone out to catch ghosts in the garden.
Remarkably solid and satisfying, SteamWorld Quest: Hand of Gilgamech is a card battler with an abundance of charm in its art, mechanics and writing. The presentation is slick, the dialogue's witty and the gameplay's addictive, although nothing about it feels particularly special – not in the way SteamWorld Dig 2 felt special. It does what it does well, though, and it's still a thoroughly enjoyable time in that universe. As long as you're not expecting anything revolutionary, we recommend anybody who likes turn-based battling or who enjoyed any previous games in the series check it out.
If you enjoyed Gunman Clive, this is a great expansion on the concept and well worth investigating.
It’s not without faults, but overall this ‘Nintendo-style solution’ to basic VR is well worth the asking price for anybody with even the tiniest bit of curiosity and brilliantly showcases the versatility of Switch.