Rob Larkin
The Long Dark sets a standard for survival games in its core gameplay loop. The tone and feel of the game is top notch and the challenge is brutal in a hostile and frozen world. Unfortunately, there is also another dimension to the game that cheapens the experience. It takes a frustrating amount of trial and error to figure out the mechanics of how you are meant to do something, even when the goal of what you are meant to do is fairly clear. There is also the missed opportunity to utilize the story mode to walk through these mechanics, instead letting the tale try to stand alone. Try to stand as it might, it instead falls rather flat with a progression and narrative that made little sense. There is a very good game in the center of an overall experience that ends up less than the sum of its parts at first glance, but one that if you are willing to put in the struggle and slog through to the other side can reward you with one of the better survival simulations there is.
Apart from the humor, the well done mechanics, the unique presentation, the sanitation, the medicine, education, wine, public order, irrigation, roads, the fresh-water system, and public health, what have Here Be Dragons or the Romans ever done for us? My only real criticism is that while there is little to fault on that first go, the game does struggle to offer real replayability. It's an excellent strategy game. So play it once through for that good trip and let that be enough.
The AWE expansion is a fantastic addition to the Control base game. Everything about it is just that shade better than the original content. It delivers a horror experience that is a step above, a new weapon that offers something really unique, and a final showdown that is bigger and badder than anything you've done in this game yet. It's a few more hours of a good game, that this time around takes a slight step forward to be even better.
The gameplay of Faeria is top notch, adding a whole new layer of depth to the Collectible Card Game genre in bringing the map itself in as a critical piece of the strategy.
Urban Flow is the best kind of puzzle game: one that is easy to pick up, difficult to master, and lovingly developed exactly for the hardware on which it runs. It's not perfect, but has so much to offer and it so well done in places it's easy to overlook the few warts. It is a welcome addition to the Switch library and a great example of why this console is so good at what it does.
The core of the game is excellent, the gameplay is fun, progression balanced, it has personality, and presents as much difficulty as you are willing to chase flawless runs through the levels. However, there are small quality of life challenges that hold the game back when receiving its due.
The scope and ambition of this game are a level above the previous one. Even if its execution is only slightly more askew this go round, it's no failure to bullseye a much more lofty goal, a shot that still hits the target for an excellent gaming and storytelling experience.
It's not a bad game, and is fun for a weekend, but it doesn't offer enough to justify it's price tag.
The game is just as good as it was 10 years ago, and now looks even better.
It's rude, it's crude, and until Rockstar decides to port something better than LA Noire over or Sucker Punch stops being a Sony studio, it is the most fun you're going to have in an open world crime or mayhem type game on the Switch.
The Walking Dead: Saints and Sinners is a great game.
A brilliant world is offset by some cheap level design, a fantastic toolset and movement is offset by some terrible throw mechanics when left tooless. However, Budget Cuts 2 takes two long strides forward for every half step back and does deliver on its promise. It hits the mark this time around to provide a really good VR experience and would be recommended to anyone with the gear to run it.
It won't convert a casual fan of the sport into a rabid follower of the series, but it is one that will take anyone who wanted to live the fantasy of managing a football club and give them every opportunity to find their heart's content.
As far as turn-based 4x games, the Civilization series remains the best in the business, and Civilization Vi is no slouch in the lineup.
This score is ultimately a reflection of both Sniper Elite 3 Ultimate Edition the game (which is excellent) and the Nintendo Switch hardware (which while also excellent, I found not up to this task when trying to play handheld). The determination here is: if you're happy to play this game with your Switch in console mode, you're in for a grand old time; if you want to keep things handheld, better to try something else.
John Wick Hex is a fantastic game. It combines real strategy in a gameplay that feels truly unique in the RTS genre. It really captures the world of John Wick and brings the character from the silver screen faithfully onto the PC. There is a fluidity to the combat, but one that falls ever so slightly short of the effortless slickness that we've come to love about the title character. Missing that trick takes a near perfect game to just a notch below, but puts it squarely in good company as a top game of the year.
An engaging 80's world is the playground for a romp through a procedurally generated dungeon crawl. But it's not really the changing landscape that spices up the experience, its the wildly shifting abilities earned via in-game mutations that drastically alter one run to the next. The package oozes style and has enough substance to back it up. I just find it lacking that last little bit of polish to help me decide how I want to play, not how the random number generator is going to direct me.
While the game itself is really quite good, the lack of gameplay options and lack of thought into porting over the control scheme make for an average experience overall. This is a port that feels very much like one done with the absolute minimal effort required, and that's just not good enough for 2019 when so many other games this year have done so much better in this same PC to console space.
There is a decent survival gameplay loop at the core of Fade to Silence. It's just that everything that emanates from that core is either cheaply cropped from another game or poorly executed in this one. I just kept coming back to this feeling I was playing disjointed parts of these other games, not a unified experience of this one.
The Division 2 takes a step forward on the original in just about every area.