FIFA 22 is either the leap into a new generation, depending on the version, more or less of the same ... or the annual impudence.
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For Hot Wheels fans a must, for friends of arcade racers also a recommendation with compromises.
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25 years after the beginning of the 2D saga, Samus is at his best and has tied us to the Switch for many hours.
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The best setting of the series and an improved camera do not hide the sometimes glaring weaknesses of House of Ashes.
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Forza Horizon remains the king of arcade racing games, which captivates to the Xbox thanks to a lot of driving fun, great optics, but also a lot of the well-known.
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Chorus brings back what has been forgotten: arcadic, story-driven space shooters that tie us to the console in an action-packed way.
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Dying Light 2 is a fantastic game in its best moments, but leaves an enormous amount of potential as the playing time increases.
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FromSoftware surpasses itself and creates a magnificent masterpiece that is unique in terms of open world design.
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Ghostwire: Tokyo is now representative of games that have been massively harmed by an open game world.
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Codemaster's F1 series continues to offer a great racing game package despite poorly thought-out innovations.
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Cult of the Lamb is a great mix of roguelite and build-up sim, but it remains a bit too shallow
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Steelrising is the epitome of a solid, low-highlight soulslike that will pass you the time until the next genre hit.
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A wonderful love letter to Monkey Island fans that left us with a tear of joy at the end.
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FIFA 23 is a very good football game, but it comes without a highlight and sometimes half-baked in the implementation of new features.
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Gotham Knights obviously suffers from its difficult development, which buries a thoroughly fun core under many problems
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With slight compromises in pacing, Ragnarök is the brilliant finale that fans of its predecessor have dreamed of.
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A must-buy for all those who like motivating and humorous puzzle games in the style of a portal and for whom graphics are not everything.
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Interesting reorientation with open-world design, where fast movement is fun, but which stumbles over technical problems.
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The Devil in Me is the best part of the series, but its technical problems always tear us out of the otherwise good horror.
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The Callisto Protocol is an atmospheric graphics blender that can only compete with Dead Space in a playful way.
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