Life Eater is a game I'm a little sad I can't rate on concept and premise alone. Snooping through timelines of activities of potential targets and investigating tidbits to try and correctly take down those requested is good on paper, offering the same highs of franchises such as Hitman. However, its execution is a little underbaked. The qualifiers for targets are equally too vague and too simple with little variety, leading to friction and distrust about whether or not you're on the right track. There is quality design in the way you're managing meters to avoid suspicion and maximising your time, along with some stellar returning performances from the likes of Xalavier Nelson Jr. However, Life Eater needed a little more time bunkering down, taking notes, and just getting every little thing right. The perfect hunt it is not.
Children of the Sun is an incredibly vivid and creative puzzler-shooter. It is thoroughly engaging to find the perfect thread of headshots to line up, poking holes in a setpiece cultist encampment, linking each bloody kill to the next with both finesse and inventive solutions. It is quite simply the best sniping game I've ever played and, better yet, it has a story, vibes and atmosphere you just want to bathe in, much like the blood of your enemies. In the plethora of 'cool' video games to have graced our screens over the years, Children of the Sun is near the tippy top.
I'm so glad Konami are in the business of publishing good video games again. Entrusting the Contra franchise to WayForward for Operation Galuga was an incredibly smart decision, resulting in a thoroughly replayable and enriching return to the grandfather of the run-'n'-gun franchise. There is so much fun to be had learning levels, dying and grinding it out as you become familiar with level design patterns and weapon skills. Challenge levels are also fantastic gauntlets that'll make any seasoned Contra player sweat. Though the story is neither here nor there and the HUD driving it is a bit barebones, none of that gets in the way of the romping and stomping good time you'll have fighting for liberty and taking it to the alien threat once more. Contra is back.
Pepper Grinder is a good video game but it doesn't feel like a complete video game. The mechanic of burrowing away through different biomes is always satisfying as you make platforming leaps of faith between different bodies of ground. What exploration, world and mechanical growth is there is really strong, it's just limited and brief. Fun throughout but over before you know it, Pepper Grinder is a charming title that is just missing that extra little spice.
Alone in the Dark has fumbled once again, with this reimagining circling the drain to a pit of mediocrity. Though the game itself and the environments can be beautiful, it doesn't take advantage of its star-studded cast nor does it tell a story that is remotely sensical or engaging. Always offering just the bare minimum of staples for the survival horror genre and nothing more, it's sad to see the grand daddy of the genre be a shell of its former self. Maybe Alone in the Dark should remain exactly like its namesake.
Death of a Wish is a great moody action game that's worth adding to your list of must-play 2024 indies. It's a narrative with textbook Catholic guilt, a heartfelt journey of self-discovery, and the exploration of queer acceptance. With its pulsating chalk-like line work that makes the images and action leap off the page, a diverse combat system, and an oh-so-satisfying parry to boot-style and substance are at the forefront of the game at all times. Though you can occasionally get lost in the weeds of the prose-like writing and confusing map design, it's hard to stay mad long at Death of a Wish. It's a damn cool video game.
Final Fantasy VII Rebirth defies all expectations and is the new benchmark for what a remake should be. Bold and unapologetic with something to say but also true to its roots. I've loved, I've laughed and I've cried while playing this game and if you fall into the right crowd, you very will too. Provided is an unforgettable journey, a magnetic cast, and a world that is magic and an experience that is transcending. From combat to graphics to music to side activities to writing to performances, Rebirth is one for the books and I can't wait to see where we go from here.
Taking the franchise to new heights and new locales, Like a Dragon: Infinite Wealth is the pinnacle of the longstanding franchise. The game magnificently pulls off the difficult task of giving new and loyal players the best of both worlds with a new Ichiban-led story while also nailing emotional pay-off years in the making with Kiryu's story portions. Providing quality side content that is addicting and seemingly endless, there isn't a single drip of the game that is dry, dull, or not worth your time. Never have I played a title this rewarding and satisfying with its delightful humour found in substories and over-the-top turn-based combat. It may be largely set in a different country with the picturesque and gigantic Honolulu but this is the Like a Dragon series through and through. Infinite Wealth is like an ocean. Let it all sink in. I promise it's well worth it.
Turnip Boy Robs a Bank is another successful voyage for the root vegetable. Making the leap to the roguelite genre is form-fitting, providing really enjoyable jaunts through a mysterious bank full of many enticing environments, bosses, and enemies as you engage in frenetic gunplay and melee action. This is achieved via valuable upgrades and a creative arsenal at your disposal to experiment with. The game would benefit from endgame content and modifiers to give it more staying power, but it's largely made up for by the weird, sometimes irreverent whims provided. Turnip Boy Robs a Bank is hilarious, weird, oh-so-fun, and a joy for every second of play. I can't wait to see where our little hero goes next. A turnip-led Soulslike? A life simulator? The sky's the limit!
NARUTO X BORUTO Ultimate Ninja STORM CONNECTIONS is quite the disappointment. Presenting as a step back for the series in many ways, there are simply better adaptations to spend your time with. The game comes with a middling story combined with a lack of spectacle that serves as a mediocre attempt at celebrating the IP. Whilst some fun can be had with the stacked roster and it's easy to jump into, you'll often be reminded that there are greener pastures elsewhere.
Avatar: Frontiers of Pandora is a big misstep and feels like Ubisoft's biggest missed opportunity in a while. Not even the fantastical and majestic sights of Pandora and some engaging hunts can cure the buggy, unoptimised product presented to the world. Offering a dull story while it trips and stumbles on delicate themes, it too is simply a confused formula of everything you've seen before from other titles, almost all of it ill-fitting. Two adaptations under their belt and it seems Ubisoft just can't get that voyage of Pandora right.
Come for the time-loop mechanics and Undertale inspirations, stay for the beautiful, heartfelt and guttural story. In Stars and Time is an artful indie RPG that explores a found family's battle with time. With this, it explores complex topics with grace and utmost reverence. Though it's a little long in the teeth and could have been a bit tidier in how you unravel some of its mysteries, within is a magical world much worth exploring, backed by fantastic chip-tune music, a sense of place and some real good vibes. Unlike protagonist Sifrin and his problems with memory in the time labyrinth, your foray into In Stars and Time won't soon be forgotten.
Persona 5 Tactica is another successful voyage for the Phantom Thieves. Little is better than the warm feeling inside of revisiting this cast of characters I've come to know so fondly and intimately in a new, but familiar style. There are small ways Atlus could've made this a more blown-out affair, but it's never too much of a bother when the game is this solid and satisfying to play.
Like a Dragon Gaiden: The Man Who Erased His Name more than justifies its existence. It creates fantastic points of tension and a real constant threat in Kiryu's attempts at anonymity as he butts head with the Yakuza and some mysterious, shadowy figures. Always keeping me on the edge of my seat, it's a heavy-hitter in the narrative, having me actively weep at the conclusion. This kind of magnificence is the payoff of years upon years of hard franchise work, entirely rewarding for longtime fans though boldly unapologetic and unforgiving to the newcomers. Slamming enemy's heads into walls and getting emotional over the franchise-long angst and baggage our beloved protagonist holds has truly never felt this good. Despite now hosting more than a dozen entries, Gaiden proves the Like a Dragon name is still endlessly valuable to this day. Bring on the next dozen, I say.
Star Ocean: The Second Story R serves as a reminder from Square Enix that this is an RPG property not to be ignored. On offer is one of the most enjoyable of its genre I've played in some time with a heartfelt story, colourful cast, and a wonderful fusion of both fantasy and science fiction goodness. The quality doesn't end there, though. Deep leveling and specialistion systems make for meaningful refining of your party, becoming more self-sufficient the further along you get. This complements some battle encounters that are deeper than many other RPGs on the market, always keeping you on your toes. One or two quality-of-life additions that could've been better implemented aren't a worry for long when you also consider how gorgeous the world of Expel really is, with its characters popping off your screen. A killer title to convert newcomers and satiate longtime fans, this remake is one for all and all for one. Star Ocean forever.
Jusant is wonderful and never fails to impress. It's at its best when it's offering you the quiet, contemplative moments, teasing passed on civilisations with its very apt environmental storytelling. Offering climbing gameplay that is more focused on fluidity and responsiveness than gruelling or trivial makes for a smoother and more enjoyable experience, bolstering the cinematic and picturesque world painted. Basking in the glow of the sunlight, reaching a peak and in turn being greeted with beautiful pieces of music that feel almost like they're cheering you on… they entirely more than make up for the brief moments the game overshares in its otherwise mystique nature. At the end of it all, Jusant is worth the climb, remaining all peaks and no valleys.
Hellboy Web of Wyrd isn't the worst video game adapted from comics I've played, but it certainly could've been better. Lance Reddick delivers a wonderful performance in what is one of his final roles. Similarly, the Hellboy universe is as tantalising in its grim dark fantasy as ever before. It too has some fun brawler combat with upgrades that will make or break your run. This should be a roguelike foray made in harmony with one of the punchiest and most unique adaptation spins we've ever seen. Instead, Web of Wyrd is never in pursuit of anything all that meaningful. Narrative threads aren't all that engaging. The Mike Mignola art-style charm only lingers, ruined by the repetitive level design and jaunts through the same narrow hallways and combat scenarios. Never invigorating itself, Web of Wyrd is another in a long line of IPs adapted into video games that is, at most, a damn shame.
Lords of the Fallen may be better than its predecessor in many regards, but it isn't quite worthy of standing among the genre giants yet. However, this isn't from a lack of trying. Excellent and varied biomes are on offer that are truly striking and immersive to be beheld to. There are quality improvements to make the experience smoother. Still, balancing for builds, boss fights… the whole gambit is a little all over the place so far. Consider this with some of the bugs currently experienced in-game and it's not quite smooth sailing yet. Hopefully, before long Lords can be patched into a state where it stands solidly amongst the genre giants.
More than just a meme game with a meme name, Lies of P is a thrilling Souls-like that delivers on its promises. On offer is a charming and over-the-top dark Pinocchio story, made all the more impactful by its blunt environmental storytelling. Genre fans also get to have their cake and eat it too, having functions from a lot of the titles in the crowd that work together in tandem to create a thrilling and delightfully challenging combat experience with memorable and grandiose environments and boss design. There are small mechanical additions such as breaking foes' weapons and a morality system explored through lying or telling the truth that are both valuable in distinguishing itself just that little bit more. Topping it all off is a thorough journey with meaningful upgrades and a changing of world states to have you coming back for more. I cannot believe this silly little game actually pulls it all off, providing one of the better action games we've had this year. Lies of P isn't just a wannabe. It's a real game standing with giants.
Gunbrella is another example of developer doinksoft proving they know how to make a wicked cool video game. Featuring rainy nights and gorgeously bleak environments overrun with pollution as the backdrop, the steampunk and noir vibes are palpable as you investigate the inner politics of a town and, most importantly, your wife's killer. Thankfully all that deliberate dreariness is complemented by a cool traversal system with the umbrella and frenetic 2D action that does a good job balancing the difficult task of empowering and challenging the player. Topping it all off is a final area and twist seen to be believed. Gunbrella is amazing and a must-have modern action title for your library of games.