If you're new to visual novels, and curious, then go somewhere else first; Root Letter: Last Answer could put you off the genre for life. But if you're a visual novel fan, you've played all the other interesting ones on the Switch and you absolutely cannot wait for another – and if you've considered maybe just going outside or watching TV or lying on the floor and staring at the ceiling and you still can't wait for another – then you could take a look at Root Letter and just hope you find it so bad it's good.
Like its own mysterious underground complex, Colossal Cave is obscure and unfriendly, trickily hiding some scarce but valuable treasure. If it wasn't for the fascinating source material, it would be jaw-droppingly bad. However, the source material is fascinating, and this remake is one way to engage with it. If, for that reason, you are willing to overlook both the outdated design elements you would expect and the bad design decisions and sloppy implementation you wouldn't, there could be something here to enjoy. We certainly wouldn't judge anyone who discovered an egg-sized emerald of fun in Colossal Cave, but neither can we seriously recommend it.
Little Big Adventure was always a charming and eccentric game. In modernising it, 2.21 had to ditch the trademark control scheme and revamp the wonderful isometric graphics – two major selling points. What remains is still charismatic, but bugs and a general lack of polish hold it back. Both for new players and for original fans, this is a quirky adventure game – but not one that will be remembered for another 30 years.
Save Room starts from the premise that Resident Evil 4's inventory management system might work as a full game. It left us thinking that Save Room might work as an inventory management system. It may have gone down well on Steam, where it is a couple of your local currency units cheaper, but there's just so little here that it's hard to recommend. You simply slot the stuff into the thing – there's only so many ways you can say it.
Many will see the score at the bottom of this review and immediately write off Blade Runner: Enhanced Edition. However, there is something genuinely brilliant buried deep inside this Switch release, beneath the lingering issues with pacing and narrative design as well as the myriad painful "enhancements" Nightdive Studios has dumped on top. To cut through all that, you will need a great love for Blade Runner and cyberpunk, saintly patience, a walkthrough on hand, a strict requirement to play on console rather than PC, and a pair of rose-tinted glasses. If you have all those things then you may still see life in this game's eyes, but we don't need a Voigt-Kampff machine to tell this version from the real thing.
SkateBIRD is a creative addition to a genre lacking in variety, and its fun concept has clearly been realised with a lot of love. However, despite its potential, the best parts of the concept are underused, with neither the miniature skaters nor the addition of wings bringing much to excite. While the core gameplay is functional, the play feel is not fluid and the level design and laborious structure are always working against the fun. To top it off, the rudimentary graphics are needlessly hazy. More of a turkey than a pretty boy, then, unfortunately.
Everybody's Golf Hot Shots carries on the series traditions with solid courses, a robust character levelling system, and the appropriate level of silliness. However, the experience is uneven on Switch. Fans may enjoy it in short bursts, but technical issues and patchy presentation stop it from being the standout entry it could have been.
Pine, then, is part of the video game world, but it’s far from 'just a game'. With appealing visuals and a haunting atmosphere, it demands patience and introspection. For those eager to explore its ideas of loss and moving on, it’s worth a look; for others, it might feel like the world’s saddest gardening simulator.
Hercule Poirot: The London Case delivers on its promise of a new Agatha Christie-style story in the Poirot universe. While it doesn't have the same level of tricksy, interweaving motives and relationships as Poirot favourites, the story is entirely entertaining nonetheless. However, the game lacks polish to the extent that it's distracting, progress is not always logical and the loading times on Switch are a real problem. For all its charm, you don't have to be a world-class detective to see its flaws.
Crime O’Clock adds a smart twist to the hidden object concept. By showing the characters in its lively scenes going about their business as time passes, Bad Seed has found a way to build masses of detail into the little worlds you explore. However, the minigames are very weak and we never escaped the extremely repetitive gameplay typical of this type of game. As a result, it’s one for genre fans only.
At just a handful of hours, Trek to Yomi sadly still manages to outstay its welcome. It asks its visuals to carry the gameplay, but their novelty wears off before the final act. This is particularly true on Switch, where dropped resolution and simplified scenery steal some of the magic and ugly character close-ups blemish the overall aesthetic. As imaginatively as Yomi is realised, the game still feels like a trek.
Our experience of Super Kiwi 64 comes down to this: we were having a good time, but couldn't always tell if it was despite the game or because of it. Either we've found a gold coin in a muddy field or we've found the face of Elvis in our porridge. If you're giving this a go, be sure to bring your imagination along with your £2.69.
Beyond Blue has noble intentions, with an urgent and vital message about our impact on the Earth. However, it doesn't do itself justice. Although there is some decent content in here – videos, music, sound design, gameplay, narrative – those parts do little to support or enhance one another. Gameplay is soothing but one-note, the video documentaries don't frame the missions and neither are well connected to the narrative. While there are moments of majesty in exploring the ocean, the limited draw distance and pop-in frequently interrupt the awe. Edutainment's a hard one to pull off, and Beyond Blue feels less like an awesome rock concert about dolphins and more like your science teacher trying to do a rap.
More sophisticated curation would have made this a genuinely new way to engage with games and gaming: a prompt to see all games in a new light, promote the whole indie game proposition and popularise the appreciation of gaming as – ugh, dare we use the word? – "art". But the star feature is instead just an animated menu. As it stands, Short Games Collection is great if you can bring some inquisitiveness and insight of your own to the table – the games themselves are worth the time – but it's nothing more than the sum of its parts.
All in all, Umihara Kawase Fresh! is presented smartly, if quite bizarrely. Its movement system is fiendish, sometimes frustrating, sometimes free-flowing. Unfortunately, it asks a lot of the player and manages to hide its best bits. The level and boss design are unlikely to inspire anyone, especially when already taken to wit's end by the stuttering difficulty, but that's not enough to undo the game's unique charm. If you're already an Umihara fan then Umihara Kawase Fresh! will give you your fix like nothing else. For anyone else, it's harder to love – but not impossible.
So, throw away the dud story, the awful presentation and the violence-and-shame-based soft porn and haven't we got a great little shoot-em-up here? The fact is that this mechanically competent shooter in a classic style from a proven team comes with all those crummy decorations attached. It's up to you if it's worth overlooking all the ugliness for the sake of a good game that isn't particularly world-changing.
Misc. A Tiny Tale is a charming and delightful first effort from Tinyware – albeit with some wobbles in execution. It sticks very close to classic ideas and struggles with graphical fidelity on Switch, but none of that can undo the charm of the characters and the retro vibe straight from the GameCube era. Until Chibi-Robo hits Nintendo Classics, this will serve all your miniature robot helper needs.
Survival Kids is a thoroughly competent, cosy game of cooperative gathering and crafting. It's not much of a looker, and its ideas aren't mind-blowing, but it's all good stuff thanks to its robust controls and easy-to-grasp loop. I'm not sure I'd want to be stuck with it on a desert island, but it's good company for several happy hours with a friend – especially a less experienced gamer. If you plan to get shipwrecked with a little one and giggle your way through it, go ahead and add a point to the score.
The Many Pieces of Mr. Coo is a standout title in its commitment to presenting spectacular, surrealist animation. However, it does so at the expense of having much gameplay to offer. The playtime is short, the interaction is limited, and the puzzles are obtuse. Fortunately, the animation and music are good enough to distract you from those facts and provide an hour or two of great entertainment.
With such a tight run time, Full Void’s ideas don’t have time to wear thin, but neither do they have chance to develop much depth. As a modern game, it’s far more player-friendly than Another World, its main inspiration, and looks and sounds fantastic. It also brings fresh ideas to the table, rather than simply retreading the old for the sake of nostalgia. However, it lacks a compelling narrative arc, which could have made it feel truly cinematic.