Like I said at the beginning, you kind of want these games at some point to stop working, but… Assassin’s Creed: Valhalla really works. It works in all the ways it wants to work. It takes the bones of its predecessor and improves the overall gameplay significantly, giving players plenty to do, characters to invest in, and a satisfying core gameplay loop that’s been refined down to a careful formula at this point.
But if you loved these games before, these remasters are perfect for what they’re trying to do. They’re charming. They feel like a sudden rush of nostalgia not because they’re exactly the games you remember, but the rare form of remaster that does add some stuff on top while still preserving all of the spirit and intent perfectly. And if you’ve never played these games but want to understand why people loved them so much, these are the perfect way to try them out.
In no uncertain terms? Unsighted is awesome. More people should know about it and play it, especially considering that the game goes out of its way to be accessible even to people who usually find Souls-like titles too hard, or people who dislike the timer mechanic but still want to experience the game, or even people looking for a harder ride. This is a good game and you should go play it. It’s not quite for everyone… but it’s as close as any title I’ve reviewed comes to being a must-play.
The glory of The Stanley Parable was always that it was a game supremely confident in itself, giving you branching choices that were not choices, inviting you to push up against the boundaries of its world and see how far you could go. The Stanley Parable Ultra Deluxe expands those boundaries and gives you new things to explore, and in the process it managed to surprise me even as someone who had picked over the original game quite extensively. While it may not be as truly groundbreaking as the original, The Stanley Parable Ultra Deluxe is a must-play for fans of the original – and if you’ve never experienced the game, it’s the perfect place to learn what made the original so brilliant while finding a number of new twists.
Lest that feel like a sharp criticism, though, I want to make it clear that this is not a bad game by any means. I enjoy it. I have fun with it. I think it’s a crisp, responsive, and neat hack-and-slash title wherein my biggest criticism is that the strategic depth it has is enough that I want more. And considering that I expected the game to have less depth than its predecessor, I am comfortable and happy to report that it instead highlights and manages its depth, keeping itself a sprightly and engaging title while also giving players a lot of chances to take more tactical control. So in summary, Three Hopes is really good. Really, really good. If you’ve already loved Three Houses, this is beyond a worthwhile purchase. If you haven’t, then here’s another point of entry to a world I love. And considering how different this game is from its predecessor, it makes me happy to see that the game’s setting and characters can hold up even in a very different context.
Seriously, this is one of those reviews where I want to keep writing because I want to convey how much fun this game is overall. I had a blast with this game. In moments where I was stuck, I didn’t have the urge to throw the game away and never pick it up again; I wanted to figure it out, convinced that there was a path through. I felt happy at each success, rejoiced each time I made a nice sale, felt comfort as I slowly started making money and turning the tides against the forces arrayed against me.
If it weren’t already clear from the review up to this point, I adored this game. 9 Years of Shadows is a rare delight in a subgenre that has become a bit overstuffed of late, a careful and fun romp that speaks to the best of its genre by at once feeling almost effortlessly engrossing and yet impossible to put down. Every time I stopped playing I couldn’t wait to get back into the castle, and even though I saw where the major plot twists were very early on I was still happy as they unfolded.
What Roboquest aims to do is to be a game that is quick on the surface but brimming with depth underneath, and it fulfills that goal not just adequately but admirably. Every part of this game feels lightweight, like a short romp, but as you keep hammering away at its intricacies you find yourself dealing with ever-greater depth and complexity. It encourages you to just keep going for one more run, time and again. If you like first-person shooters, you will have an absolute blast with Roboquest. The game scratches the itch for a satisfying and active shooter in a way that few other titles manage, and you can expect to spend hours just ducking back in for another round of shooting and jumping in the hopes of reaching the end this time. I can’t recommend this one highly enough.
So at the end of the day, despite everything that made this look like it was going to be a disaster, Granblue Fantasy Relink is not just an alright game. It’s a really good game, a delight in terms of action RPG gameplay, and easily a title that you can start sinking a huge amount of time into whether you know this crew or not. I’m excited for the prospect of more, from more characters to more stories. And if you’re looking for a new RPG to sink your teeth to at the start of the year, you already have a strong example.
This is the sort of thing that I recommend people buy anyway because it sends a message that even if it’s coming over some two decades late, we do want these titles we’ve never seen before. It’s also the sort of thing I recommend people buy because it’s just a darn good remake in terms of attention to detail, and it’s also the sort of thing I recommend people buy because it’s a good game underneath all of that. That’s a lot that went right.
So this one deserves a high rating. Because if it had a lot of stuff stacked against it and I still wound up really being sucked in at the end, I think more people should give this off-beat combination a try. For all its flaws, there’s a beauty and warmth within that could be just as charming to you.
Seriously, what downsides it does have are either due to its age or just the fact that the designers prioritized a fun dungeon crawl over character building. That’s fine. The game you have here is a fine, crisp, energetic dungeon crawl that’s good to pick up and play and rewards you with bosses that are tough enough to matter but not so hard that you’ll want to throw the game in the garbage.
But the whole thing is presented with such care, patient attention to detail, and downright love that it’s impossible not to enjoy the heck out of this game. It’s the sort of game that I highly recommend to people who may naturally only be inclined to one side or the other of this particular melange, because you might find yourself enjoying it more than you expected.
I loved the original. I love this remake. And if you’ve never played the original or you did, you owe it to yourself to give this one a check. It’s a game that was always good made that much better, and it’s going to stick with you a long time after the credits roll on the final ending.
It’s not an instant classic, but I think fans of the original are going to really find stuff to like here. And if you’re like me and never played the original, you still owe it to yourself to give this one a solid look. The weirdness of its controls and some of its quirks mean that it might not be for everyone… but give it a fair shot, and I have a feeling you’re going to get a lot more out of it than you might initially expect.
It feels like a throwback to the PlayStation era in the best way, when there were always new JRPGs showing up in the hopes of getting the same sort of cult reception as Final Fantasy VII, always new titles to try out and new stories to experience, some of them winding up a bit generic but others turning into unexpected little gems along the way. Astria Ascending feels like one of those gems, except it’s a new game right now and benefits from all the hindsight that implies.
But I think that on balance, the whole thing works out to the game’s favor. This is definitely a title made with a lot of love and attention to detail, and while it’s hardly a flawless production, I think it’s worth checking out for people who sit on either side of the fence. If you’ve always wanted to love a Soulslike title but never quite got there, this might help get you over the hump; if you love them but don’t mind something being a bit more Souls-lite, this will delight you. It’s not going to make it on to my short list of worthy Game of the Year contenders, but it’s a solid outing all around, and that’s not nothing.
Fans of exploration and shooters are strongly encouraged to try out The Knight Witch, because it’s a little indie title that’s going to charm you with both its story and its gameplay. What do you know? Mashing concepts together worked out pretty well here after all.
I can’t recommend the game to everyone, and maybe not even to most people. But I think it’s commendable in what it’s trying to do. And if you, like me, have fond memories of picking up games you knew nothing about based on weird art and a love of cyborg ninjas on motorcycles for no reason… this is the modern descendant of those, and it’s having a good go at it.
The biggest worry I had about this game, as I related in my initial preview, was that this is a bit of a wisp of a thing. Fortunately, looking at the price compared to what is actually on display here… I don’t think that’s actually a problem. Yes, it’s a light thing, but it’s not being priced as a high-end experience. It’s asking you to drop a little money on a game where you can do some fun puzzle gameplay within an RPG framework. That’s exactly what it delivers, and for that I think it’s definitely worth a look. If you enjoy a bit of RPG and strategy in a game and enjoy yourself a match-three game, you will be well-served by Might & Magic: Clash of Heroes. I can’t tell you how well it stacks up compared to the DS version, maybe, but now it’s available on more modern devices and it’s still fun. What more could you ask for?