Song of Horror is one of the best indie horror games out there. Taking the key aspects of genre classics like Silent Hill and Resident Evil, and combining these with an encyclopaedic knowledge of the genre in other media, Song of Horror really gets under your skin and, just like The Presence, will haunt the dark corners of your mind. But don't worry, that noise was just the wind. Or was it…
Röki is a brilliant and emotional adventure that will appeal to all lovers of adventure games and well-told stories in general. The mature themes are handled in such a wonderfully appropriate way that it would make a perfect family game, and I loved the time I spent with Tove. Rather than a flatpack indentikit product, this is a game that has all the hallmarks of true artisanal craft and skill.
I thoroughly enjoyed my time back with The Penitent One and would heartily recommend it both to fans of the original and newcomers alike. There are enough changes to make it feel like a new title whilst still having continuity in setting and aesthetic.
While The Shattering doesn’t have the scale or range of some genre entries, it's a fantastic example of a focused game that takes a vital and challenging issue and delivers a truly immersive experience.
Pixel Ripped 1995 is a VR love letter to an integral part of gaming history, building on the strengths of the original as it once again blends authentic retro games with an innovative VR world. If you remember the golden days of home gaming and the thrill of waking up at Christmas to see a console shaped box under the tree, then this is the game for you to relive. If not, then there's still plenty here to enjoy without the nostalgia.
Skelattack is a fantastic platformer with a real sense of character and gorgeous aesthetics. Blending cutesy graphics with challenging platforming and some strategic boss fights, it manages to really stand out and deserves to do well. Here's hoping for more adventures with Skully and Imber in future.
Summer in Mara is a lovely experience with an abundance of charm and a welcome engagement with environmental and emotional subjects. It makes for a perfect introduction to the genre for younger gamers, and a great relaxing escape from the real world for more mature sorts. It doesn't have the depth of last year's My Time at Portia but is both more accessible and has more developed characters. While there may be little prospect of a summer trip to sunny islands in reality, you could do a lot worse than take a holiday with Koa and explore the wonders of Mara.
Project Warlock is a Doom-like that packs a punch. The levels are full of secrets, the enemies have a great range of behaviours, and the weapons – boy, the weapons – are a joy to use. Add all of that to the 60 levels to learn and explore and the challenges provided by the higher difficulty levels and you have a winning formula. Even if the pixel graphics aren't your usual cup of tea, Project Warlock is more than worth your time. This is a journey to Hell that is well worth the ride.
Aliens: Dark Descent is a fantastic Aliens game. It absolutely nails the feel of the films and brings exactly the kind of tense and thrilling strategy combat you would want. The iconic motion tracker and creature design fit perfectly with the genre and there is even an interesting narrative that introduces some new perspectives to the series. While game over can come far too swiftly at times, there is always something to draw you back in.
Blood West is a great addition to the horror western genre with level design and a range of approaches that would be fitting for an immersive sim. The chapter bosses can be a little underwhelming, but after nearly 30 hours spent in this world, I highly recommend you do the same. Just don't expect to come back alive…
Alisa is a real standout in the world of indie horror games, both in terms of aesthetic and gameplay. It's very tough when you first start in the mansion but once you get to grips with the controls and enemy patterns it becomes relatively easy to work through the game. It ends with plenty of scope for a sequel and there are many unanswered questions so hopefully one appears. Still, in the here and now, if you like the look of the screenshots then I can heartily recommend playing in this dollhouse.
Mutazione is a great example of how games can immerse you in a world in a manner that no other medium can achieve. Whilst it doesn't push any envelopes, it is easy to recommend to anybody who is interested in games that can get an emotional response. Don't let the description soap opera put you off; this is a movingly, melancholic and meditative experience.
Moons of Madness is a welcome addition to the wider Lovecraftian catalogue, and its cosmic aspects really get to the heart of the mythos' insanity. While there are annoying moments when the developers see fit to include some of the worst excesses of modern horror games, the quality of the writing and the atmosphere is enough to justify seeing things through to a conclusion that is as epic as it is satisfying. This is one trip to insanity that you shouldn't pass up.
Simulacra 2 is a worthy sequel and an immersive take on the role that our digital presence has in defining who we are. The different playable characters help to give a different perspectives to the sotyr and the suspects are sufficiently flawed to keep you guessing as to where blame may lie, but the wider cast of characters don't feel as focussed as the original. While the virus in question here is completely digital, it's uncannily topical given our enforced switch to virtual interactions.
While clearly not as impressive in gaming terms as the Bloodlines series, Coteries of New York is a welcome addition to the digital world of The Masquerade. Offering up an immersive and atmospheric take on the politics and personalities of the undead Big Apple, it seduces with it's quality of writing and characterisation, proving to be more than a mere snack to tide the Hunger over until the main course of Bloodlines 2. If you have any taste for the Gothic you should give yourself over to the vampiric delights of Coteries.
The Procession to Calvary is very rude, very silly, and a whole lot of fun if taken as it is intended. Much like the Monty Python sketches that have influenced it, it walks the thin line between humour and heresy, but as long you don't mind a bit of irreverent blasphemy mixed in with your silliness, there is a great evening of fun to be had within. You don't even need to have spent 10 years getting a PhD to enjoy it…
When Someday You'll Return is at its best, it is one of the finest immersive horror games I've played. Its take on psychological horror and ability to create a sense of dread is second to none, but that comes with some caveats. It can drag in parts, has some frustrating stealth sections and some puzzles that are needlessly obscure, but if you're prepared to make it through the less successful moments, there is a lot to love here.
House of Da Vinci 2 is a great addition to the escape room genre, and will appeal to genre fans and history buffs alike.
I had an enjoyable time playing The Innsmouth Case on PC several times through, but it's probably better suited to its mobile iteration, as the adventure book format works brilliantly on handheld devices. As a distraction from commutes (or a companion to lengthy visits to the toilet) The Innsmouth Case is a great little tale that will entertain fans of either cosmic or comic horror.
Maid of Sker is a great addition to the survival horror genre and offers a wonderfully intimate and local threat that takes its influences from Welsh folktales. Eschewing the combat and weaponry of many entries into the genre, its gameplay loop of sneaking and hiding proves compelling and successfully manages to keep you feeling in danger at all times. When you add in some excellent sound design and atmosphere you have a Victorian horror that deserves a rousing reception. There may not be a welcome in these valleys but this is one vacation that genre fans should have no reservations about taking.