Nitro Kid has potential, but there’s a key factor missing that keeps it from just popping on the screen. The Codex is hilarious and I want to read more, the boss variety is interesting and the concept isn’t bad at all: I like the animation from rescuing the Nitro Kids and from certain enemy attacks. But the repetition and the need to basically luck into a strong route build keep it from being something I want to come back and play again. In a gaming ecosphere that is currently flooded with roguelite deckbuilders, Nitro Kid is barely able to tread water.
This is a fully formed digital release on the most profitable console on the planet at this time. It has nothing for no one, and I’m just sad that someone probably will play this in an attempt to make life a bit better. Bad news, mate: this fish is dead in the water.
It’s a dark tale about a broken man and a total disregard for everything that goes into a player’s time and money. If you’re properly gelded against cynicism, you might enjoy the graphics, soundtrack and some of the better combat moments. Otherwise, you’re stuck in the same paradox as Thorn: unable to admit that it’s all been a lie.
For newcomers, really consider what the game is and what you want it to be. If you sincerely want a full fledged experience, Factorio on the Switch will get you 80% of the way there, but I can’t conceivably think that chat or keyboards can be put in the Switch version. Still, it’s got everything important, and that should be more than enough to keep the cycle going. The machines must grow, and you shall be their farmer.
It isn’t going to prepare you for diving into Europa Universalis: if anything, it might make those big games feel even bigger coming from such a small pond with very same-ish maps and layouts. But it might let you see if you’ve got a taste for the run, and, if so, this is an inexpensive starting point, both in actual price tag and time investment. As for people like me who long for the simpler days, this could be the next great pocket game to keep around for a turn or two of research, raids and risky alliances.
But I also recognize that players can and will enjoy this challenge and get a few hours of enjoyment out of the full game, much as I did. So I say this: if you see the raccoon on the longboard and think “I love where this is going,” then come on the journey. I’ve spent far more and played far less, so let’s groove together. If you’re hesitant, just roll on by. Tanuki’s living his best life, you should too.
I imagine that Vampire Survivors is going to spawn a legion of imitators and developers trying to capture the same effect but with some variation, and I’ll be staying far, far away from them. This game is amazing, and it’s one of those titles where I don’t know or care about the lore: I just want to get those blue gems and feel the chemical reward of doing something that my brain says is good. Pick it up and play, but be sure to block off an afternoon. Any other plans you have are going to get canceled.
The minigame competitive scene is already chock full of great choices, and Garfield Lasagna Party isn’t one of them. It’s somehow both too long and too short at the same time, with minigames and animations running overtime, and gameplay being terse and light.
This game has no future for my own interests. I can nod and say “I played it,” followed by shrugging if asked if I liked it. If my friend wanted to try it, I’d give it another spin with them, but it’s far, far down the list for a game I’d recommend to pick up and play.
To say this title surprised me is an understatement. I was so torn in continuing to watch and wanting to look away that this was my entire evening, and then a rather restless night of sleep. It’s something to behold, but I would only want to behold it for a short period of time and then not behold it again for a long, long while. If you’re into a narrative that tracks in no direction and a visual novel that’s breaking the fourth wall constantly, then you’ll find something here.
This isn’t just a new version of a game, this is the updated version that actually caters to what gaming personalities expect and look for in new titles. Sure, there’s no touchscreen controls, which is a bizarre choice for something that was just on a goddamn touchscreen device, but whatever! It’s The Oregon Trail, you can play and unlock the filter to make it monochrome green if you’d like. Or you can appreciate the color, the pizazz, and the actual gameplay and realize that it’s a frigging masterpiece.
It’s not a particularly long play, and it does have a fair amount of replay value, so there is some inherent worth for Buddy Simulator 1984. What it seeks to do and what it actually does, while I suppose that could be subjective, are two very different things. I didn’t hate the game by any stretch of the imagination, but it became a bit of a chore to get through in the end.
But that’s all: it’s a good little game. I enjoyed it, but I highly doubt I’ll go back to it. My time with Stray didn’t change my life or make me rethink gaming or give me bold new insight into what it means to be alive. It was a game, and I appreciate that it exists, and that’s sort of it. If you can wait till you can play it on Gamepass or the like, I think it’s perfectly acceptable to wait. If you are unfathomably into cats and cyberpunk, then sure, pick this up. But as for me? I’ve had my Fancy Feast fill, and now I’m going to wander off into the tall grass. Just like I was taught.
This feels like a game that really speaks to people who were in the sweet spot for certain points of the release window. If you played this on the DS as a younger person, it’s great to revisit it. If you really enjoy Front Mission titles and want to appreciate the first game, it’s perfect. If you’re an absolute turn-based, grid based, isometric combat beast and can’t wait for the Final Fantasy Tactics remake, this scratches some itches, though in a lesser way. It’s fun, it’s comprehensive, but it’s just not…great.
Players ready for the second or third choices need little else to bring them into the experience. However, if you want to piecemeal Samurai Maiden, you’ll lose steam quickly and get distracted by long dialogues between fights and stages. Personally, I went right down the middle, and I think that’s the best course for everyone. It’s fun, it’s funny, and it keeps me coming back for more, and that’s all I want in a game.
There’s a real good reason that Nintendo’s House of Indies featured Melatonin, and that it reeks of everything that makes a Nintendo game a Nintendo game. It’s taken a simple idea and sharpened it till it can split atoms, and then put it in a visually noticeable package. You could take Melatonin and port it to every platform imaginable, but I’m thrilled that it exists on PC and Switch alone, the sweetest pairing of choice and accessibility.
It’s a bizarre moment to look at a game that I should, fundamentally, love from top to bottom, and just walk away feeling a bit disappointed and bored. Romancing SaGa: Minstrel’s Song has so much about it that is engaging and exciting, and then so much that is schlocky, aimless and visually unappealing.
Burrow of the Fallen Bear: A Gay Furry Visual Novel really stressed the point that people who enjoy this game also enjoy multiple sexual encounters with multiple partners with zero connection other than physical. That all beliefs, ideas and personal codes can be thrown out the window if arousal is observed. If this is just meant to be erotica, put that in the title.
This game was just the greatest cup of coffee for me to help start the new year. Last year started with a bang when I had the pleasure of playing Infernax, and 2023 got off to a great start as well with Vengeful Guardian: Moonrider. It’s not terribly involved, the storyline is a bit heavy handed, and you need to figure out how it handles, but it’s exactly what it needs to be.
I hope that we see further building on this idea from Lizardry in the future: a version with voices might actually be better, since I’m more of an audio learner than a visual. But, as it stands, this experiment in connection and communication is neither satisfying nor dissatisfying: it simply is, and I can appreciate it as such.