Joey Thurmond's Reviews
Trine 2: Complete Story is an impressive realisation of a magical and whimsical tale that you can see and play. The plot is innocent fun; the graphics, colourful environments, and audio are unbelievably captivating; and the gameplay, while falling short in minor areas, shines with excellent puzzles and platforming. Simply put, it's an exemplary indie game that has the makings of a blockbuster title – and that is no fairy tale.
Don't Starve may make your stomach rumble in frustration if you're not willing to invest the required time to master its complex systems, but triumph over its crushing difficulty, and you may find a satisfactory dish here. The beautiful art style, entertaining music, and solid gameplay mean that you owe it to yourself to at least give the title a try – but know that not everyone will want to stick around for seconds.
Finish Line Games has attempted to inject some colour into the car combat genre with Cel Damage HD, and there is some reasonably entertaining action on display here. Sadly, while the cartoony visuals and creative power-ups are a highlight, the lack of replay value will soon put an end to your enjoyment. This is fun for an evening if you've got some buddies nearby, but without an online option and with a pretty tiring cast, you'll quickly tire of this comic book clash.
The story and characters are nothing to write home about, but the innovative spin on the genre's gameplay results in mentally engaging challenges that reward both quick thinking and deliberate planning, and the satisfactory visuals and sound effects don't hurt in augmenting this amazing abnormality's appeal either.
[T]his game is like the One Ring: it'll take much for it to ebb away into the shores of time, but will surface in our memories for years to come due to its "preciousss" novelty.
Rollers of the Realm strives for true innovation by fusing the pinball and RPG genres. There are some clever spins on traditional pinball gameplay, and it's bizarre yet fascinating to see how a story, characters, and RPG stats and abilities are interwoven with this. It's unfortunate, then, that irritating design faults and questionable ball physics significantly mire the ideas at work. It's certainly an unexpected journey, but it's wrought with joys and pains that you should take into consideration, whether you're a pinball connoisseur or not.
I had to adjust to the quicker than usual speed of the character and didn't expect much from the story for the first two hours, but it grew on me in so many ways I don't usually expect from a FPS. I empathized and cared for the cast of characters, fell in love with the mix of modern and archaic FPS mechanics and features, was taken aback in a fitting way with how the Nazis are portrayed in all their evil and schemes through an unadulterated lens, and so forth.
There are some good ideas in this modern interpretation of Q*Bert, and we love that the original's included as part of the package, but iffy controls undermine the experience. It's a quaint little curio for fans of arcade games, then, but it's not exactly a must have.
While we think that anyone who enjoyed Shadow of Mordor should submit to the Bright Lord's rule and purchase this DLC for the slight gameplay variations and advanced difficulty, those who aren't really drawn in by it might consider passing it up due to the low replay value and less than stellar storyline. Either way, it's more Shadow of Mordor with some slight twists, and that's still as good a reason as any to go there and back again with one of 2014's most triumphant titles.
When we played Bastion for the first time a few years ago, we literally gave it an instinctive standing ovation as the credits began to roll, and our pleasantly surprised reaction remains justified. This game is a testament to the type of human creativity, innovation, and wonder that are sometimes only possible with indie games, and now that it has graced Sony's systems, you can understand why it will continue to entrench itself as a classic for years to come.
As a whole, We Are Doomed doesn't quite meet its asking price. While what's here can be compelling for a short while, it quickly loses appeal. However, it's certainly not doomed, as it's a solid arcade shooter with a gorgeous – if occasionally distracting – art style and fitting music. Take it all in slowly, then, and you may be able to appreciate it like a fireworks display that you're in control of.
There's a sincerity evident in Ether One's DNA that really shows the developer's passion and skill. With an attention-grabbing story premise, clever puzzles, and gorgeous music, this game seeks to tackle mental illness in a profound way. While cracks show in the sound effects, technical issues, and convoluted aspects to the narrative and puzzle solving, there's a charm and respect that you cannot help but feel for the game, which will be sure to remain in the canals of your memory banks for some time.
This is The Order: 1886's downfall. It's so caught up in its orderly appearances that it fails to impress where it truly matters with gameplay and story, which is where the cracks start to show with its internal disorder.
I like to look at [The Evil Within] as a meaningful love letter to pure survival-horror with gameplay that demands you to take your time and conserve your resources against aggressive foes in devilish settings. While a small portion of the design and features are rough, the majority of this game is a rock solid title sure of itself with a beautifully desolate world to explore and an insane story that's a fun albeit slow ride to watch unfold.
The cartoony, minimalist graphics and eye-catching presentation will hold your attention, but like a fanciful daydream, the breezy experience will abruptly end, leaving you sighing in disappointment as you snap back to reality and stow away its pleasant aspects at the back of your mind for a good, long while.
Despite everything that Dishonored still does right, the Definitive Edition is a lacklustre port. The 'improved' graphics can hardly be called remastered, and the lack of a better frame rate is very disappointing. As such, we wouldn't recommend this to those who've played it before.
Super Meat Boy is an exercise in patience. You may in fact deplore it in the first one or two hours due to its unforgiving gameplay and level design, but if you take the time to consume much of what it has to offer, you may just acquire a taste for it.
Darksiders II was one of the more memorable titles from the previous generation, with breathtaking, mythical settings supported by interesting characters, fascinating lore, and snappy gameplay. This very decent Deathinitive Edition includes all of the DLC and commendably improves the assets and lighting effects, but it gets slightly cut down by our scythe of criticism for minor glitches and framerate woes.
We extend our sympathies toward Frozenbyte since Trine 3's weaknesses are due to unforeseen costs that exceeded its budget, but this doesn't alter the reality of the game's state. While it may surpass expectations as a picturesque fairy tale come to life with a lovely score and promising tale, your childlike wonder will fade and be cut short due to abrupt closure, trite puzzle-solving, and dumbed-down gameplay that spells a fumble for this middling entry.
Whether you act upon fight or flight, the restrictions imposed on the moment-to-moment gameplay never fail to make sneaking or making a scene filled with excitable tension. While some design choices, a lack of diverse objectives, minor issues with the controls, and passable characters will contribute to varying bouts of boredom, it's more than worth to see Amanda through to aurally and visually absorb every second of the distinct retro-futurism that Creative Assembly perfectly replicates and improves upon.