And if you’re a fellow average joe fighting gamer like myself, “MultiVersus” is still a smooth, polished experience with beautiful art direction, zany characters and chaotic but deep gameplay. Grab three friends and give it a whirl. It’s a great way to spend a Saturday night.
There is no shortage of enjoyable things to do in “Saints Row,” but doing them means putting up with a severe lack of polish. As it currently stands, “Saints Row” is barely playable. It’s good, mindless fun, but I cannot recommend it in good faith. I offer a little prayer that a day one patch can address some of these concerns, and that the studio has a long-term plan to salvage this promising title.
By officially revealing the Secret and bringing the series full circle, “Return to Monkey Island” is deliberately closing a chapter in the franchise’s life. It’s not the end of Guybrush Threepwood or Monkey Island, but it’s a swan song for the bygone era that birthed them.
I am very pleased with the core gameplay changes and where the game is headed. Game development is a group effort, and although Kaplan is deeply missed, I see these changes as evidence that Team 4 is still capable of magic, and eager to prove it.
“Scorn” is an art house experience. I’m sure that other reviewers will plumb “Scorn” for its hidden high-minded commentary on the human condition, but for me, the appeal of the game is how it made me feel rather than think. I felt a constant, humming anxiety for simply existing in its macabre world. I was never particularly scared of anything I encountered; like the playable creature, I just wanted out.
Striking Distance’s debut is a swing and a miss, but “Callisto Protocol” ends on a cliffhanger. If the studio decides to revisit the series with a sequel, I’m hoping the second outing will be better than the first.