Assassin's Creed Chronicles: India Reviews
Visually interesting and competently made for the most part, but the novelty of a 2D Assassin's Creed is already beginning to wear off.
The experience is also more exciting on the whole, due to a series of large set pieces. Most of these come in the form of harrowing escapes, and at one point you're asked to snipe enemies while still keeping in mind the stealth focus. Assuring guards don't notice that you're picking them off one-by-one from afar makes for a unique challenge not seen in most stealth games.
Our trip to India is not dissimilar to our original trip to China; the style and gameplay are almost identical to the first game, not that there is anything particularly wrong with that. Being given the choice to play stealthy or by using full on combat is refreshing and you are able to go through the whole game without directly harming a single enemy, but it does sometimes feel like you are forced into combat with the layout of the levels and the frequency of the enemies. The 2.5D style is used to good effect and works well for the assassination based gameplay, being able to dodge enemies and hide in hidden doorways in the background, or ledges in the foreground. Whilst there is no new ground being broken here, Assassin's Creed Chronicles: India is more than enjoyable to play through, especially if you enjoyed the first game, and it will surely keep you entertained until we get the chance to visit Russia the next time around.
In the end, Assassin's Creed Chronicles: India is a perfect example of "woulda, coulda, shoulda." There are so many highlights glinting out from this pile of mediocrity; if only the developers could've tied them all together, then we'd be treated to a more vivid and consistent display. But serious drawbacks like poor storytelling and acting, questionable AI and gameplay responsiveness, and a definite lack of pacing drag the whole production down.
This Indian Chronicle holds few surprises for those who played China, meaning frustration and contentment in roughly equal measure. Plus some half-decent artistic flair.
Assassin's Creed Chronicles: India learned from the missteps of its predecessor, as gameplay is more varied and its colorful, vibrant levels are both pleasing to the eye and fun to interact with in most cases. Open combat is to be avoided at all costs, however, limiting how you play the game—and some of the puzzle-platforming levels drag in term of pacing.
A simplistic but beautiful take on the Assassin's Creed formula, one that might've benefited from being unshackled from the series it's based on.
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The middle chapter of the Chronicles trilogy improves the formula, but doesn't perfect it.
Assassin's Creed Chronicles: India, isn't a whole lot different compared to China, which is either a good or a bad thing depending on your prior experience. It sports a slightly less interesting character and setting, but the core experience is replicated, and the addition of a few gameplay tweaks as well as the aforementioned challenge mode ensures that it's on the level.
If you liked Assassin's Creed Chronicles: China, then there's a decent chance that you'll have a good time in India, in spite of the problems outlined above. There's enjoyment to be had, but the main worry is that almost everything new that has been thrown in is flawed to the point of not being a worthy addition. With the Russian entry just around the corner, we're hoping that this is a missed step in the journey, rather than an inevitable and unalterable course.
While the gameplay foundation here is still competent, Assassin's Creed Chronicles: India just finds too many petty, annoying ways to keep me from truly enjoying it.
Assassin's Creed Chronicles: India is a good but still not great entry in the Chronicles trilogy. While it does manage to make a few improvements over China, the initial entry, it's still weighed down by problems like the clunky combat, the somewhat erratic AI, or sections that require a lot of trial and error to complete in the best way possible.
Assassin’s Creed Chronicles: India does well at fleshing out the AC Universe showing the struggle between the Assassins and the Templars reaching all cultures throughout time.
If you enjoyed the previous installment of Assassin's Creed Chronicles, then you'll find more of the same here. It won't convert anyone who didn't like the last game, but it does provide more stealth platforming at an affordable price.
The second episode in the Chronicles spin-off series is as good-looking and well thought-out as the first, but marred by frustrating stealth and platform sections and flawed controls. While the visuals are impressive and the mechanics mostly solid, the level design will test your patience yet leave you oddly underwhelmed. Here's hoping the last part, Russia, brings some big improvements.
Assassin's Creed Chronicles: India is a stealth game with Assassin's Creed adornment. Its story barely invites you to understand more about Arbaaz Mir and Climax Studios completely fails at telling one, but if you are desperate for a stealth game, you will be challenged and fairly compensated for your time and money.
Unlike its predecessor, India is a slog that wastes its beautiful setting
A good second stab for Ubisoft's latest spin-off series, India makes up for what it lacks in excitement with visual flare.
Unless you're a hardcore Assassin's Creed fan, the stellar art direction and a unique setting isn't enough to warrant purchasing Assassin's Creed Chronicles India at the moment. There are makings of a good game buried underneath, but you're better off waiting for a price drop or the inevitable retail release later this year.
Aside from the setting, Assassin's Creed Chronicles: India doesn't make much of an effort to distance itself from its side-scrolling predecessor. While its stealth system works well and its combat feels good, it's just more of the same. The dialogue is dull, the art style doesn't look good at all, and the game just doesn't have much appeal. It's certainly not bad, it's just so bang average that you'll have seen it all before.