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Deus Ex: Mankind Divided doesn't reinvent the wheel, nor does it need to. Compelling, tightly paced and most importantly, fun to play, Mankind Divided has created an exquisitely detailed world and now it wants to turn you loose in it. A stronger contender for Game of the Year in a year already filled with great games, what are you waiting for?
With The Phantom Pain Hideo Kojima has realised his Metal Gear dream.
This fault only prevents Hitman Episode Two from achieving near-perfection, it is still an exceptional example of the series at its very best. IO's strong start is becoming a hot streak, and all eyes will be on the third episode, set to be released in May.
Titanfall 2 boasts the best FPS campaign since Modern Warfare, and it comes bundled with an exciting, hyper-fast multiplayer that will keep you entertained for months. This is proof that Respawn is still the best shooter developer in the business. Like a Pilot zipping along a vertical surface, I can only hope the developer maintains its impressive momentum.
Battlefield 1 is a bold reinvention of the Battlefield series, proving not only that DICE aren't afraid to move in brave new directions, but also that they have a genuine understanding of what makes a Battlefield game really tick. Series veterans will feel immediately at home in the multiplayer, while those scared by the online battlefields will find the campaign, while short, provides a great diversion and a good way to ease yourself into the chaotic world of Battlefield.
Inside is a worthy successor to Limbo, that improves upon it in many ways. It's visually richer, less obtrusive with its puzzling elements and tells its evocative, grim fairy tale with a greater panache.
I was expecting Watch Dogs 2 to be more enjoyable than its predecessor, but I didn't expect it to be so well designed and full of heart. Watch Dogs 2 isn't reinventing the open-world game and fans of Ubisoft's special brand of go-places-and-pick-things-up gameplay will feel right at home, but it's one of the best examples the genre has to offer – as long as you don't want to shoot anything.
Despite some small niggles – such as stealth being so rudimentary it feels redundant, and the aforementioned uninspired late-game location – this is the best horror game since Creative Assembly's wonderful Alien Isolation. It's best if players slowly creak open the game's doors themselves, discovering the story and set-pieces on their own, as this is an experience that works best when it's free to surprise you, like a rotting doberman crashing through a window.
Sloppy combat inherited from its handheld predecessor thankfully fails to smother Gravity Rush 2's gleefully avant-guarde design and its enigmatic leading lady. Kat and Dusty's sophomore outing sees the series' potential explode in vibrant, joyous fashion. The rough edges are still there, but you'll have to squint to see them as PlayStation's refreshingly eccentric franchise soars to spectacular new heights.
IO Interactive's new, episodic Hitman is a triumph. The developer knew how to revive its ailing series and did so with aplomb, crafting a robust set of core mechanics and designing superb levels around them. Reminiscent of everything Blood Money did so well, from its focus on gameplay over story to its cold, sardonic presentation and dark sense of humour, this is Hitman as it is and always should be.It falters when the game leans too heavily on optional Opportunities, but counter to this hand-holding system are Elusive Targets – a fantastic test of any Hitman player's abilities. While these one-chance contracts are only available for a few days at a time, IO's consistent, quality support of the game ensures many more will follow this first season's physical release.
Before playing it, I had Nier pegged as a fun hack-and-slash game. What I didn't bargain for was an existential RPG that would soon have me questioning almost everything I saw. Featuring a gripping plot that tackles surprisingly hefty themes, its brilliant writing not only makes you think twice about your role in the game's world but occasionally even about your place in our world too. It's certainly not without its flaws, but regardless of your typical gaming preferences, you owe it to yourself to check this wonderfully weird experience out.
Outlast 2 is a true improvement on its predecessor, with Red Barrel Studio planting its flag to claim the standard for horror games in 2017. From the beautifully horrific environments, the ambitious ideas to the sheer unsettling nature, it's disturbing in the ways you'll want from it. It makes this title truly interesting, even affecting. While it's aggressive in its assault on the player, perhaps to the point of becoming tiring, on the whole the game is very, very good. This is especially true of the exquisite second half of the game that sings to a developer in tune with its vision. Outlast 2 serves up an expertly crafted horror experience that will likely find itself burrowing into you even after your time in the Sonoran desert has come to an end.
This is a sequel that refines a formula rather than shaking it up, and while that does the job for now, the focus will soon shift to what Bungie can do to keep Destiny moving forward.
Rime is a beautiful ode to life, loss and childhood that's as much a pleasure to behold as it is to play. Genteel puzzling and exploration make for great bedfellows in a memorable adventure only let down ever so slightly by some minimal frame rate stutter and a final act that while emotionally resonant provides little challenge or escalation in terms of gameplay. Nearly four years on from its much-hyped debut, Rime proves itself to be have been absolutely worth the wait.
It's quite literally everything the first game was and more, which might not mean more revolutionary features but does mean a greater depth and variety of options for the new players it is sure to ensnare. With free updates promised for the best part of a year, the game will only improve, and this time it'll have the audience it deserves.
Celeste is an beautiful, optimistic game about how triumph can outweigh any number of failures . It's about reconciling your pain, frustrations and defeats. It's about getting better, in every sense.
Project Cars does so much right, but gets enough wrong to be excluded from the grand echelons of Forza and Gran Turismo.
Not perfect, but one of the most absorbing, challenging and fun games of the year so far, which makes the fact it was developed by just one person all the more astounding.
The Telltale style, successfully applied to an original, supernatural coming of age story. It's now up to Dontnod to continue the fine quality over three more episodes.
A fine evolution of the Far Cry 3 formula, and an improvement in every way, but all without that same wow factor.