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This may not be the horror romp you're itching for, but Amnesia: The Bunker provides a fantastic map to explore with engaging gameplay to make it that much more enjoyable. It's too bad the game's stalker creature lacks the necessary delivery to generate authentic scares.
Loop8: Summer of Gods tries many ideas but doesn't execute any of them well. Most of the game involves you building your relationship with people who don't even want to help you save the world. Its combat is unrewarding and doesn't even feel like its necessary. Its only saving grace is its great art design and, on most occasions, its voice acting.
Convergence: A League of Legends Story doesn't just manage to stand on its own two feet as a gripping spin-off to the League of Legends property at large, but so too does it also craft an astoundingly accomplished Metroidvania that stands on its own two feet, tying together innovation and heart in one of the most welcome surprises of the year so far.
No One Lives Under The Lighthouse is an interesting take on Lovecraftian lore, with the focus more on letting you feel and discover the effects rather than showing them to you. Not everything pieces together conveniently, the gameplay can feel mundane if you're not into it, and some of the events leave room for improvement. Still, there's something compelling here, juxtaposing the complexity of the mythos that inspired the game with the simplicity of its overall presentation.
I had a great time with Miasma Chronicles, and I legitimately didn't want it to end. The accessible tactical combat had me coming back for more, and I loved the environments and the visually pleasing destruction the Miasma has wrought. Though its story is pretty wonky, I still enjoyed what I experienced and hope that a sequel will fully flesh out what is happening in this world.
Killer Frequency is a refreshing puzzle adventure under the guise of an 80s slasher flick. Its flirtation with real-time life-or-death decision-making serves to keep it an interesting and varied horror experience.
The Tartarus Key combines thoughtful puzzles, engaging writing, and a compelling setting and melds them together inside a PS1 package. It may not create a great deal of horror, but the writing and suspense keep you moving forward.
Chances are I'm not going to improve my take on "Euphoria" anytime soon, but Let's Sing 2023 makes it effortless to keep on trying and embarrass myself in front of my friends and family. And this is the central issue - if you're new to the Let's Sing then feel free to add a point or so to the final score as it remains a whole heap of fun and is both handsomely made and presented. However if you're a tenured veteran of the series, then the lack of innovation and the pay-walling of songs that you've already paid for before will likely grate more than the worst sonic assaults the Eurovision Song Contest has conjured thus far.
Street Fighter 6 comes out of its corner swinging and delivers a three-hit combo of modes that will leave fight fans floored.
Diablo IV takes the series to new heights, but also spends plenty of time covering familar ground. The compelling rush for loot is as strong as it has ever been, and visually, the game is spectacular. It doesn't exactly feel like a massive leap from Diablo III yet its focus on the series' core strengths ensures that's likely more than enough for long-time fans.
Though Company of Heroes 3 might lack some polish and its implementation of a console-friendly control system takes a good while to get used to, Relic Entertainment has nonetheless crafted a layered World War II RTS that combines meaningful tactical choices and consequences with compelling street-level strategy that just begs to be revisited time and again. Armchair generals should rejoice.
Much like the namesake character himself, The Lord of The Rings: Gollum couldn't be saved from what it became. Frustrating platforming coupled with boring gameplay and cheap ways to die make any experience hard to play. Unfortunately, the intriguing setting and lore exploration can't come close to overshadowing the game's fundamental issues.
Piccolo Studios has once again managed to take something dark, desolate, and painful and find the beauty in it. After Us is a haunting tale of humanity's atrocities against the planet that hits closer to home than most people would want to accept. The game's mesmerising imagery haunted me at times and at other times had me in awe with its gorgeous vistas and art direction. It may be a simply platformer but it has a power message that everyone should pay attention to.
The best boomer shooter I've played in a long time, Warhammer 40,000: Boltgun is weapons-grade catnip for genre fans and Warhammer 40,000 fans alike. Indeed in retrospect, crafting a retro style FPS in the Warhammer 40,000 universe feels like something we should have had long before now - so perfect is the fit of form and function. In the Warhammer 40,000 universe there is only war. Apparently there are also supremely great shooters too. Warhammer 40,000: Boltgun is a riotously violent and thoroughly entertaining shooter that everybody needs to play.
What begins as a charming, simple puzzler grows and evolves into something special. Humanity is one of the best puzzle games I've played in quite some time.
A highly enjoyable and delightfully chaotic racer is drowned in open-world mush that does little to enhance the core point of Lego 2K Drive. Nothing's truly awful about that side of it, but it does drag down the fun levels of the racing itself.
Death Or Treat can be a fun 2D rogue-lite at first, but the gameplay becomes bland far too quickly, well before the much more polished final stage which comes too late to be the game's savior, and the charm created by its admittedly excellent visual style and animation isn't enough to keep you going, especially when that visual style is bogged down by commentary that only distracts you from the game's world.
In terms of production values and writing, Mia and the Dragon Princess is a standout in Wales Interactive's FMV-inspired run of games. Unfortunately, it stumbles around its branching narrative device and the story's pacing and structure can suffer the consequences.
Grindstone is one of the most addictive games I have played this year. A beautiful presentation melded with a rewarding, visceral gameplay loop makes you not want to put it down. Grindstone is a bright, Saturday morning cartoon where you can meet weird people, and chop up endles amount of cute characters, what's not to like? I cannot recommend it enough, Grindstone is brilliant.
Another Fisherman's Tale may not win any awards for visuals or reinvent the wheel in gameplay. Nevertheless, the love Vertigo Games put in shines through. The story is flawless and the gameplay, while relatively simple, serves its purpose without getting in the way of itself. Another Fisherman's Tale is a beautiful game that deserves your time on PSVR2.