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It's difficult to give a score to Tomb Raider I-III Remastered. On the one hand, some of the improvements are quite good. The inclusion of extra levels for each game to make them more accessible is always welcome, and the improved modern controls are certainly welcome unless your muscle memory is attuned to the old tank-style controls. On the other hand, the very slight graphical improvements are overshadowed by the fact that the game design fails to keep modern controls in mind, and no other changes have been made to bring it up to modern standards. Considering the pedigree of the games, the result is a package that's fine but could've been much, much better.
The toughest part about all this is that I'm probably not telling you stuff you don't know and that we (or I) will still play this, just because it's football. And right now, that's all it'll be. Nothing more.
Trails Into Reverie is a hard game to recommend at the best of times. Are you a long-time Trails fan who wants one last hurrah with some of your favorite characters? Do you find it exciting to see how that baker NPC turned out? Then it has a lot to offer you. As a stand-alone RPG, however, it's almost inaccessible, and you should play the other games first. The extremely poor QA work in this title means that even die-hard fans will likely have a hard time enjoying the game; the well-translated script is surrounded by a truly unacceptable amount of bugs. If you're still on the fence, I'd recommend waiting for a patch. Otherwise, it's a crappier experience, as without those problems, Trails into Reverie could've gotten a much higher score.
Like the character itself, Gollum is an ugly, depressing, pitiable mess that's destined for a bad end and with little to recommend it. With a stronger design behind it, this title could've perhaps been redeemed, but the version we got isn't that. It's not good, it's not entertainingly bad, and it's not even interestingly broken. It's just a lackluster, licensed game that doesn't seem to have a point, and it focuses on a character that even die-hard fans don't want to play as.
There's a good idea behind God of Rock. The concept of a rhythm game with the trappings of a fighting game has worked in the past, so we know this combination can work. The execution is flawed enough for both genres that the idea can't shine through. Some more polish and perhaps a rethinking of readability would help this become more desirable, but it's currently difficult to recommend.
This should have been a victory lap for the PC iteration of The Last of Us: Part I. From the gameplay to the characters to the story, this is one of the highlights of the past few gaming generations. The appearance on the PC should've given the game even more room to show off things like higher-quality textures and reflections along with Sony's now-standard ultrawide support. Yet the game's ability to only work with reduced risk after waiting for an abnormally long time for shader caching mars the release. The game crashes, frequent pauses in gameplay and other nonsensical bugs put into question the decision to release this despite the obvious issues. There's a chance that this will recover via patches and the game can bounce back. For now, it is sad to see that one of Sony's best games has received one of the worst PC ports thus far.
I genuinely feel rather bad going on and on about the game's flaws, but the most exceptional thing about Clive 'N' Wrench is the effort that went into bringing it into existence. I'd love to say that it's a great, or even a good, game, but it's pretty unexceptional even by the standards of low-budget indie 3D platformers. There just isn't anything to recommend this game on its own merits, and it is buggy enough that it's hard to even recommend it as a curiosity.
Zorro: The Chronicles is a below-average game made worse by a litany of bugs. From an unruly camera to the ease with which you can get stuck in the environment, it tests the player's willingness to stick with it. If you are lucky enough to make it through a play session without any of these issues, you'll find an unrefined combat system that's accompanied by a childish approach that aims younger than the ESRB rating. It has the bones to be a kid-friendly version of the Batman: Arkham series, but the execution is more than lacking, and you'll be hard-pressed to give this a shot unless you know someone who just discovered the series or can find this title on sale.
I cannot currently recommend Grand Theft Auto: The Trilogy - The Definitive Edition on the PC, and a lot has to happen until I do. The truth is that I've had a decent amount of fun with this remaster; part of it is based on nostalgia, and part of it is based on some ridiculous, unavoidable bugs that weren't as frequent as I'd feared. Given all of these issues and the abysmal performance of the three games on the PC, I'd stay away from the trilogy until several major updates have been released. Even then, this remaster may not be for everyone.
At the end of the day, Monster Crown has very little going for it aside from that brief rush of nostalgia. The interesting mechanics are buried behind a poorly balanced combat system, a ridiculous story, and a mountain of glitches. There are some interesting ideas, but it's difficult to recommend the title based solely on that potential. It's a game that feels like knockoff Pokémon that you can play on the same system as the real Pokémon offerings, not to mention all of the other competitors. There are patches coming that will hopefully alleviate some of these issues, but until they do, there are much better monster trainer games out there.
Stitchy in Tooki Trouble isn't going to be fun for experienced platform players, but there are also several design decisions that prevent it from being a good choice for younger players who want to get into the genre. From an unremarkable character and story to a lack of urgency in most parts, the excitement of a platformer just isn't present here. Combine that with some flaky minecart segments, a too-sticky vertical camera, and overly long boss fights, and you have a title that conjures up more frustration than fun. Despite the nice overall presentation in Stitchy, you can easily skip this one in favor of other platformers that do a better job of catering to both kids and adults.
Jump Force: Deluxe Edition isn't a terrible title, but you have to be willing to forgive its numerous issues to enjoy it. The fighting is flashy, but it lacks depth since you can button-mash the attack button and win just about every match. The character roster is smaller compared to previous Jump games, and some of the dream interactions are hobbled by a less-than-stellar story and a lack of voices to make the interactions impactful. There are certainly better fighting games on the system, including a few licensed ones, and the only reason to give this one a look is if you really, really need to have some sort of crossover going.
I feel weird rating The Uncertain: Light at the End, since I haven't played the prior title or the upcoming conclusion, but I also think that a game, whether it's part of an intended series or not, should stand on its own. Light and the End does not. The story is all right, and the premise behind the game is stellar, but the broken mechanics and omitted quality of life options made it really frustrating to play, and I didn't enjoy it. Hopefully the next game makes up for these shortcomings, but in the meantime, if you value your time, I would suggest skipping Light and the End in its current state.
As a light gun shooter, Dead Z Meat is novel since the genre is so rare nowadays in the home console space, and players can overcome the finicky control scheme with some practice. The shooting gallery setup has so few variations that it can quickly grow old, while the lack of multiplayer seals the game's fate. If you have a remote interest in this title, you'll want to wait for a deep discount.
If R.B.I. Baseball 20 were the only baseball title on the Switch, then it would be considered serviceable yet underwhelming.
No matter how frustrating the combat became or how broken the environments turned out to be, I loved doing case work and figuring out obscure deaths or uncovering secret organizations within this peculiar game world. Given all the downsides, this is a game that is difficult to recommend, especially at full price.
Disaster Report 4: Summer Memories is a mess of a game.
Despite everything you just read, Last Encounter is not a bad game. It looks decent, it plays decently, and it sounds decent. That's all it is, though: a relatively inoffensive twin-stick shooter. Since it glosses over the woes concerning design, perspective, and heck even gameplay, but this title is pretty functional. If "functional" is the kindest word that can be mustered for this flat and frustrating game, then I wouldn't necessarily call it good, either.
One Punch Man: A Hero Nobody Knows is a game with a decent premise but lackluster execution.
While the concept behind Real Heroes: Firefighter is solid, time has not been kind to the game.