The Game is a Lie

With a gameplay style very similar to its predecessor - but very much improved -, 60 Parsecs! can be fun, but lacks variety right on its most prominent aspect: the plot.

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Guns, Gore & Cannoli 2 offers a good experience, but there are vestiges of monotony and a lot of issues, be it in mechanics, level design and soundtrack. Besides that, it's extremely short.

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I notice a lot of lost potential here, be it a potential to expand this lovely world, or a potential to add compelling gameplay elements. Shape of the World is, ultimately, a pretty shell: gorgeous on the outside, but hollow on the inside.

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Donut County is a very pleasant and fun experience, that was undoubtedly a labour of love from its creator. Some flaws, though, prevent it from being an excellent game.

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Armello is a misunderstood work of art, despite some simple flaws. It has great mechanics - in spite of a weak tutorial -, an excellent art direction and, even if it looks like a niche game, is really good and should be played by all. Being its developer's debut game, it honours its multiple genres, pleasing both older and newer players.

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In a world full of issues, CHUCHEL feels like a recomforting hug with its childish and innocent atmosphere. It has various patent problems, however, and doesn't even get close to the level of quality of previous Amanita Design games.

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Whispering Willows is a very different game from any other. It has a good story, fun mechanics (despite maybe too simple) and a terrifying atmosphere, all made with love by Night Light. It has a lot of issues in all of its aspects, unfortunately, but it's worth it to try and play.

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Dead Cells mixes elements from two different genres that are starting to oversaturate to create its own genre: the roguevania, offering refreshing originality. All of its very well-executed aspects create an experience like no other.

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Retimed gets almost every gameplay-related aspect right, but the lack of a singleplayer mode is a problem. It's an extremely pleasant experience that fulfils what the developers wanted it to. It will be an even better game when it's completed.

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Anamorphine, despite having a good idea in hand, suffers from an excessive sloppiness in its execution and ends up becoming a highly flawed experience that doesn't engage emotionally.

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It's impossible to describe Gorogoa in words. All the sentimentality and complete harmony in all of its elements, together with an innovative gameplay, make this a unique game that will hardly be replicated.

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InnerSpace is a relaxing experience, a polished game, a work of art. Unfortunately, only people who look for something more peaceful will be able to enjoy it, since it is so zen. The way in which it sets this alternative universe is exceptional, and even with a lacklustre narrative and not-so-clear objectives, it deserves the attention of many.

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Too short to be memorable, Minit is painfully average. Its attempt at innovating fails, as well as its art direction, but fortunately it can still grant a few moments of fun on an uneventful evening, especially if you're a speedrun enthusiast.

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Steredenn is a great game that tries to innovate in various aspects but is alas impaired by lacklustre graphical design in most of its stages. It creates an adequate atmosphere for its themes, well-thought-out modes and a satisfactory gameplay, but fails in one of the most crucial points.

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ABZÛ is a rich audiovisual experience. Its universe was made to be appreciated, and every single gameplay hour serves to fill an internal void in the player themself. At every moment, the game reinforces that its art direction is its strongest aspect, provoking strong emotions. On the other hand, its narrative leaves some blank spaces, and the variety in its mechanics is virtually null.

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Oxenfree is a game where player choice matters a lot, and that fact mixed with an incredible atmosphere and an even better narrative create great memories for the player. Alas, it has a few flaws, such as the camera positioning and the walking speed, but the whole experience can make you forget them.

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Life is Strange: Before the Storm is a game that makes you think about every single aspect of your life thanks to a very strong plot. Because the developers have a relatively predictable story, this game being a prequel, some points were flawed, but it's still an overall enjoyable experience. Despite some graphical and gameplay shortcomings, this prequel is able to honour the Life is Strange name.

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Despite being technically competent, The Adventure Pals alas becomes forgettable because of the lack of ambition from the developers. Because of the fear of making mistakes, Massive Monster played it safe, dooming the game to mediocrity. It can still be a fun pastime, though, especially if played with a friend.

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Moonlighter turns a boring chore into innovative gameplay. Its concept is unique, and it deals with overcoming in its most varied senses. Its flaws, such as the unbalanced bosses, are too small and can be easily ignored. It's a charismatic adventure that you have to try for yourself.

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The Messenger is a game that, despite being heavily influenced by the classics, should be played by all. It has very few flaws and is good through and through. Its art direction is stunning, its soundtrack is exceptional, its level design is marvellous and its gameplay is intuitive, but it's not as innovative as it should be.

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