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SpellPunk VR's magic fizzles out from barely-working controls and limited engagement to keep players coming back after the first time.
In trying to combine shoot-em-ups and brick breakers, Sky Racket misses the point of both genres.
The Dark Crystal: Age of Resistance Tactics has nothing to offer that isn't better in other games, comics books, or movies.
Oninaki has some good ideas, but they're overshadowed by a weak story and tedious combat.
I wanted to love Omensight: Definitive Edition, but I am left feeling both disappointed with the quality of the game and equally perplexed at how this Switch port turned out.
With a stronger endgame and a solid loot treadmill, The Division 2 preaches to the choir, fully uninterested in converting those who find the series unpleasant to play for one reason or another.
WWE 2K19 is the best this series has ever been. It's still not good enough.
The Crew 2 has a beautiful open world, but average driving, strange design choices and weak multiplayer prevent it from utilizing it to its full potential.
Gravel is aptly named: rough, mildly broken, and dull.
Even with an IP as interesting as The Seven Deadly Sins, The Seven Deadly Sins: Knights of Britannia is held back by buggy controls and even more buggy mechanics.
Metal Gear Survive is the most expensive survival game on the market right now, even at a budget price as far as AAA games go. This, mixed with the fact that almost all the game is made of reused assets, makes the number of microtransactions on offer frankly disgusting, even if none are required to complete the game. Asking players to pay $10 to make a second character is the most offensive money grabbing crap I've ever seen in a video game in the history of the medium.
Fe is an artsy and clunky platformer that feels artsy for arts sake. The story is barely there, the movement isn't fun, and it is an all-around let down.
Mario Party: The Top 100 feels like a party no one showed up to.
Disneyland Adventures is a not-so-magical adventure through a game that is unable to keep up with the player.
Bubsy: The Woolies Strikes Back is thankfully only about an hour long so we can go back to forgetting Bubsy exists.
Super Lucky's Tale is a generic and forgettable 3D platformer. Xbox fans deserve better.
Who Needs You pulls out tedious nonsense and meaningless set pieces all to keep you away from Guardians of the Galaxy's actual story.
Last Day of June wants you to feel a certain way, but the way it goes about it is clumsy and haphazard, and the visuals are unsettling.
Plague Road's visuals may tell an intriguing story, but the rest of the game has very little to say.
You would expect the team behind Saints Row to make something with more verve and fewer grey hallways, but here we are with Agents of Mayhem.