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While it’s not my favorite of all time, Homura: The Crimson Warriors was a fun bit of escapism from everything else that surprised me with plenty of action and excitement that I wasn’t ready for. We have a good female lead, a compelling story, and a solid addition that reminds me why I really enjoy Idea Factory 90% of the time. The carnage, the historical information and, of course, the lovely bits of affection that get your pulse racing. If you’re interested in your quest for romance to get a bit bloody, I’d say Homura is a fantastic “slice” of life.
Everything is Crab succeeds because it manages to feel fresh and creative in a genre known for feeling bankrupt of ideas. It’s a really simple roguelite with superficial combat and basic visuals, but its take on biological evolution and ensuring your adorable little freak will survive against predators is actually quite engaging and addictive.
Instead of being just like every other safe and overbudgeted action adventure by the company, this is a gameplay-first experience, just like how Returnal had done five years prior. It shows, once again, that Housemarque might actually be Sony’s most important internal development team, masterfully mixing arcade-like controls and an endlessly replayable gameplay loop with higher quality visuals and cinematic storytelling.
There’s truly no other racing game like Screamer, and I commend how innovative it is. Furthermore, it’s got great visuals, excellent voice acting, and it miraculously manages to blend in a heavy visual novel narration into its story mode, without ruining its pacing. It’s just quite complicated to control, however, requiring you to basically forget everything you’ve ever learned about driving cars in a videogame in order to get used to its bizarre mechanics.
Little Nightmares VR: Altered Echoes is a fantastic addition to the Little Nightmares series. Not only does it successfully bring it to a new perspective and medium like VR, but it does it in a very natural way. Diving deeper into a previously untold part of the story without feeling forced was genuinely fantastic, as well as keeping the soul of the series intact. It isn’t perfect, and I’d love to see another one that expands the gameplay, puzzles, and length. That being said, if you’re a fan of the series this is a must play!
Sigma Star Saga DX is a unique game, but unique does not automatically mean good. There are fun moments throughout the adventure, and the added quality of life improvements certainly help smooth over some of the original game’s rougher edges, but when you look at the overall package, it’s still an awkward, albeit ambitious, experiment that never quite balances its two clashing ideas properly.
Wax Heads checks all the boxes with gusto. It takes the simple concept of recommending songs to people and transforms it into a clever puzzle game that not only revolves around knowing a bit about music, but also tests your logic and attention skills. Then, when the gameplay loop starts getting a bit samey, the game stops it for a while, transforms into a visual novel, and captivates you with a surprisingly well-written story until the next chapter starts.
Some minute frustrations aside, Motorslice really had its hooks in me. It pulls together elements from some of my favourite games and turns them into something that’s genuinely fun to play. I had a great time exploring its world, experimenting with movement, and yes, parrying massive construction machines just because it looks and feels cool.
There’s nothing else to say. Constance is the new flagbearer for the metroidvania crowd. While it may not usurp longtime favorites in the field, it’s a bold and proud example of narrative storytelling with excellent gameplay elements and a strong boss presence. If you haven’t already, get this game. If you already own it, consider a second run with fresh eyes from a different angle, on the Switch.
At the end of it all, there isn’t a lot of replay value to Jay and Silent Bob: Chronic Blunt Punch. I didn’t expect them to change gears and make an epic RPG, but players have been waiting for ten very long years for this game to arrive. Now that it’s finally here, it looks fantastic and that’s it. It handles pretty poorly and can be wildly frustrating.
Ground Zero is pretty much everything I wanted it to be. It’s a strong throwback horror game with excellent level design that had me checking every corner, a story that knows not to take itself too seriously, and that classic, slightly clunky gameplay the genre is built on. It’s not perfect, but it absolutely understands what makes this style of horror work, and that goes a long way. I can only hope we end up seeing a lot more of it in the future.
The greatest strength of Bus Bound lies in its relaxing and satisfying gameplay. Whether you’re enjoying the sight of happy passengers or the sound of their screams, it consistently delivers. At the same time, the driving model in the game lacks realism, wheel support is limited, and the visuals and animations feel dated. There’s also the question of content – for now, Bus Simulator 21 still offers the more complete package, which leaves room for further development of the newest game by Stillalive Studios.
While it has the look and aesthetic, Teenage Mutant Ninja Turtles: Empire City lacks fun with static maps and lackluster mission/level design.
Even if the prospect of wanting to play a game about shoveling snow and dealing with the darkness of winter might not be the most interesting idea in April and May, Moomintroll: Winter’s Warmth is a pretty game with an easygoing gameplay loop which will provide you with a good time. Granted, don’t expect it to be the coziest, most inviting children’s game in existence, with some slightly heavier subject matters being tackled every now and then (loneliness, overcoming adversities, dealing with the prospects of people dying), but it’s a beautiful, well-put adventure, still worth your time.
Total Chaos will land well with the crowd who devours the single player survival aspect and want a challenging twist on the formula. It’s got bones for something great, but it lacks the execution to push it into a realm where it appeals to me or gets me to notice it. It runs well on the Switch 2, so fans who’ve been waiting to play this in handheld are finally given the opportunity. But it’s just not a fun game if you’re not already in a very accepting mindset for what the game can and can’t do, and what it needs of you.
Instead of wanting to soak in the world, I often found myself pushing forward just to see it through to the end. That’s probably the biggest disappointment. This is a game that feels like it should be better than it is. There’s enough here that some players will connect with it more than I did, but for me, it never fully lived up to its potential.
OPUS: Prism Peak is an awakening disguised as a game. This is SIGONO’s finest creation yet. I implore you to come experience the Dusklands for yourself. Follow the embershine petals: the path ahead awaits.
In the end, everything comes together to make Pragmata feel like something special. The gameplay brings a fresh twist with its dual protagonist system, steadily building on its ideas throughout. It’s supported by strong level design and engaging encounters, all wrapped around a story that may be simple but still lands thanks to the bond between its two leads. For the third time this year, Capcom has delivered another standout experience.
To say I enjoyed my time with Tides of Tomorrow would be an understatement. I’m still obsessing over this game, even after having beaten it. Just like with Road 96, this is a game I’ll be playing many times. There’s so much left to uncover, places to explore, and characters to understand. With seven different endings to unlock (and to truly get the whole picture), Tides of Tomorrow is a game that doesn’t just encourage multiple playthroughs, it insists on it. This is a challenge I’ll gladly take up time and time again.
What I can say is that it still absolutely lives up to its name in the best way, and remains incredibly satisfying to play, especially on the Nintendo Switch 2. If you’ve been holding off for any reason, this really feels like the perfect time to jump in. There’s so much content here now, and the pick up and play nature makes it easy to get hooked. It’s the kind of puzzle game that’s easy to lose track of time with, and well worth diving into just to see what kind of chaos you can create along the way.