There are other complaints, such as the front-loaded need to make money, which evaporates after Mineko acquires all the crafting tools and benches, immediately negating one of the few mechanics that kept anybody playing. But, ultimately, Mineko’s Night Market is a melding of boredom and frustration, and a lot of that frustration stems from the fact that the game could have been good. It had the graphics, music, story, and the makings of a gameplay loop that should have been thoroughly engaging. Instead, it just feels like nothing was pushed to its full potential, leaving both the game and the player wanting more.
Published by Sega, Amplitude Studios' Endless Dungeon is a roguelike twin-stick shooter built around a tower defense mechanic. Featuring a range of playable characters who each come with their own nuances, the game's missions are taken on by squads of three, with players having to clear procedurally-generated levels while defending a special bot. Endless Dungeon can be played solo or in co-op.
There’s little doubt that gamers who liked The Talos Principle will enjoy its sequel. It offers much the same experience in a more cohesive package. The puzzles are more accessible to the layman while still presenting a satisfying challenge, and very few will have to be skipped, even for someone who doesn’t consider themselves a puzzle person. And while the philosophical meanderings can be a bit long-winded, most of them can thankfully be ignored. Overall, any complaints pale in comparison to the fully engaging adventure puzzle experience that Croteam is offering with The Talos Principle 2.
The combat in Lysfanga really seems to do all the heavy lifting, and it’s unfortunate that the rest of the game leaves so much to be desired and feels like it’s just there as ungratifying filler. However, it’s a hack-and-slash game, and the fighting is what’s ultimately most important. For non-completionists, the game can be finished in about 15-20 hours, and most of that time will thankfully be spent in combat taking out bad guys.
This release really needs two separate review scores: one for people who’ve never played the originals and one for players who will frolic through the levels with experience and rose-tinted glasses of nostalgia. Fans of the original Tomb Raider games will probably be thrilled with these remasters. For non-veterans, though, it will be an arduous journey, and the new textures, lighting, and “modern” controls won’t make much difference. It will be hard to judge these titles through the lens of ’90s tech and game design rather than 2024’s, and new players might have a tougher time overlooking issues that veteran players embrace as quirks or don’t see at all. However, it seems safe to assume that most people picking up Tomb Raider 1-3 Remastered already appreciate the originals, and so this score is aimed more at them. Newcomers, approach with caution.
Brothers: A Tale of Two Sons Remake is an ideal opportunity for gamers who may have missed the original release, but it’s also worth another playthrough for those who enjoyed the 2013 version. While the game developed by Starbreeze remains a classic and has aged decently well, Avantgarden’s remake improves upon it in nearly every way to bring the delightful, sometimes emotional odyssey to modern platforms.
The game is a snapshot of the lives of three women, uncovered over the course of a few days, the discoveries they make about each other, and how the whole experience brings them closer together. And like most people’s lives, it’s not all action, dungeon crawling, and loot collecting. It’s mainly emotions, arguments, secrets, heartache, and love; in other words, what the game has to offer simply won’t seem very interesting to everybody. But for anybody looking to spend a relaxing afternoon with a heartwarming tale, taking a brief road trip with Tess and Opal in Open Roads may be just the answer.