Maurice Pogue
- The Witcher III
- Homeworld
- Tenchu
Maurice Pogue's Reviews
Seraph conducts a makeover on the old model of side-scrolling platform run-and-guns, blessing gamers everywhere with a fantastic contribution to the SHUMP genre.
Adapting the best of emergent gameplay mechanics from the classics like System Shock, Prey raises the bar for the standard of space adventure-thrillers.
Blasters of the Universe meets my expectations in terms of a definitive VR experience, successfully reminded me of the days when I wish I could compete on Nick Arcade.
Destructive Creations has developed the kind of strategy game that puts upcoming releases like Age of Empires 4 on notice. Ancestor's Legacy raises the bar on the genre through the sheer strength of its production values and single-player content.
Many games claim to be inspired by the likes of FTL, but few actually manage to do its legacy justice like Alt Shift's Crying Suns.
Blasphemous is not just a video game; it is a digital anthropological artifact, elevating it to the best "Christian" game that I have ever played.
Streets of Rage is back, baby!
Ion Fury is the game Duke Nukem Forever should have been.
Dungeons III is a charming hommage to WarCraft III that eschews the stress of RTS micro and macromanagement with a smooth simulation interface and leisurely combat.
Total War fans looking looking to experience the fall rather than the rise of Western Civilization should definitely invest some time into Attila. However, due to the scope of the campaign map, newcomers may want to approach with caution as the learning curve is even more severe than usual.
As with Bayonetta, content concerns may give modest gamers pause, but those who choose to endure will be rewarded with a game that fits squarely among the pantheon of all-time greatest action games.
While rocking the Unreal Engine 4, and backed with the kind of quality netcode that has yet to be seen in any other fighting game on PC, Tekken 7 is the premiere fighting game experience for those seeking an endless stream of competition.
Red Dead Redemption 2 is a high-budget AAA game whose production values sometimes supersede fun.
Realistic shooting mechanics in a top-down area, enemies whose ferocity scales over time and the anticipation of opening weapon and item chests like a child on Christmas makes for a formula experience that is sure to have gamers return frequently.
Antigraviator is the kind of game that does not necessarily do anything new, but happens to perform all the old tricks that one would come to expect from an anti-grav racer with aplomb.
Despite industry inundation of roguelite shooters, AIRHEART: Tales of Broken Wings offers a series of uncommon features accompanied by a remarkable grade of polish that should renew interest within those fatigued by the genre. I offer no apologies for the following pun, only for the cliché: Blindflug Studios’ offering here soars above the competition.
Thronebreaker: The Witcher Tales is champagne on a beer budget.
Mutant Year Zero: Road to Eden is the kind of game where developer The Bearded Lady's excellent writing and prudent choice of genre preserve this game as one worthy of purchase and play despite its borrowing from a variety of sci-fi sources.
Sporting augmented graphics, remastered soundtrack, added items and earthlings, ToeJam & Earl: Back in the Groove is a remake done right.
Katana ZERO is an outstanding, though unfinished, samurai slasher.