Even after achieving "G.O.A.T." status, I have a hard time peeling away from UFC 4. After hours and hours of play, I still feel like there's a lot more to learn about the fighting systems and all the moves that can branch out from each ground position. It's addicting to tinker around with it or map out a new career for another created fighter, messing around with building (or burning) bridges with either fighters to see how his or her path maps out. Whether you want a little action distraction or want to get lost in what the MMA world has to offer, UFC 4 has it. Just remember to apologize to your training partners in advance.
Considering that this could be the closest thing we see to "normal" football for a long time, Madden NFL 21 works. However, I can't shake the feeling that more could be done. Some things feel practically untouched. The create-a-player faces are still weird. Why can there be such a discrepancy in head sizes? Why can't I seem to port over the player I created in Face of the Franchise into a regular roster or at least have him available in regular create-a-player? The array of quarterback throwing motions still seems limited, and it pales in comparison to the way players in other sports games are so heavily signaturized. I still feel there's plenty of work to be done with this franchise, and that so-called "next level" we keep looking for can be reached. For now, I might tighten up my Yard skills, see what new decisions I can make in a new career mode, and beef up on my RPO mastery while I hope for more in next year's Madden outing.
Huntdown has been out for a while, but it's a good, silly tonic for players looking for a nice distraction from all of the heavy and involved open-world adventuring out there. It'll scratch most of your action itches and, if you're a certain age like me, it'll bring back a few memories of a bygone era. It's not the worst thing to think about.
Neversong is one of those games that feels like an impactful and interactive art piece rather than the kind of title you envelop yourself in for hours and hours at a time. As with many indie projects, you can tell it was crafted with great care and a message that doesn't need a lot of time to register. I enjoyed it and would recommend it to anyone looking for a little dark adventure.
While NBA 2K21 is clearly different from its predecessor in several ways, I can't say it's significantly better than what we saw last season. The game still looks fantastic, the commentary is still top-notch, and many of the same battles you might have had with the previous edition are still there, like whether you want to spend so much virtual and real money. If you don't have any basketball games in your library and want to change that, then by all means, this is as good as it can possibly get.
My only real gripe about Marvel's Spider-Man: Miles Morales is that I wish there were more of it. Miles and the rest of his circle are absolutely capable of being compelling enough to carry a game for twice the length. I just like this kid, and I think a lot of other people will, too.
Fans of the franchise and many gamers of a certain age, especially those who have a next-gen console in the hopper, will still find enough to like in Call of Duty: Black Ops - Cold War. I personally still replay the mission with the arcade shootout just to get a little '80s cheeseball energy going, but I think the strategy of overwhelming people with as much content and as many shooter modes as possible might be starting to wear thin. We're not there quite yet, but I'm hoping the next Black Ops might have just a bit more than poking at my childhood memories of a culturally iconic president.
The 2016 Hitman was one of my favorite games of the year, and the same could be said for the follow-up. As I said before, it truly made assassination a game, and an extremely replayable one at that. Hitman III is an excellent third act, and it will probably stay as one of the more fun titles you can have in your early PS5 library.
I could delve into more, but I'd just be filling space at this point. I did have some nuggets of fun with Werewolf: The Apocalypse – Earthblood, but there's too much I can't ignore to recommend it to anyone, especially with the dawn of next-gen systems and titles that execute their concepts much better and simply look like what current games should be.
If there's a sticking point to Returnal, it's that it's a big PS5 exclusive that is most definitely not for everyone. It's next-gen beautiful all the way, but if you've never played a game like this before, even all that beauty and amazing design might not be worth the sense of dejection you might feel as the body count starts mounting. Returnal and other games like it will force newer players to ask questions about what kind of games they want to experience. It takes a little bit of weird thinking to relish the prospect of repeated punishment. I recommend it, just for the experience of it. If you're part of that wider audience who wants to give a next-gen roguelike a shot, then be prepared for an awakening. And another one. And … another one.
The Show has been one of the more consistently excellent and complete sports series for years, and MLB The Show 21 maintains that excellence as it steps into the next-gen batter's box. The cover athlete choice of the aforementioned Fernando Tatis, Jr., is no coincidence, as the young star is being seen as one of baseball's next big things, ushering in a possible new era of personality and Q-rating power that the game could sorely use. He can also do everything, and everything is what this series has offered to fans for years at a high level. Time will tell if there is yet another level to reach.
Ratchet & Clank: Rift Apart could be one of the first true all-encompassing showcases for the PS5. Every time I sat down to play it, I felt like I was about to start a really long episode of a good show. If there's one small nitpick, it's that I felt that some of the larger confrontations got slightly repetitive - I mean, how many versions of "juggernauts" am I supposed to fight? Also, one might get the sense that not enough risks were taken and that the game's design, as cool as it is, feels comfortable and safe. That feels like a discussion for the artists among us, and this doesn't feel like the time for a literary salon. I am on my third playthrough of Rift Apart, and I'm enjoying it as much as the first time I went through it. Sometimes, all a game has to be is fun.
I think the world of Scarlet Nexus has a lot to offer, and I enjoyed getting a significant taste of it. Its concepts on brain power and psionic combat feel fresh, at least artistically, and I want to see where it possibly goes. I'm still abuzz over the final boss confrontation. I don't think it's quite for everyone, but fans of the anime style of storytelling will find something to connect with here.
To that end, I'm headed back into Hell with a smile. Hades is some of the most fun I've had playing something, and I would recommend it to anyone.
I always find a message within the selection of the Madden cover athlete, and in the picks of Tom Brady (arguably the greatest quarterback of all time) and Patrick Mahomes (arguably the most naturally gifted QB of all time), the message felt like a dual nod to Madden's age and enduring legacy as well as the promise of a bright future. However, even with the new stuff, I can't shake the sense of sameness in the experience of Madden NFL 22. The love of football keeps me playing, but there were no moments that made me think, "OK, we are in the next generation." That holds the series back while other games have passed it by. It looks like another year where "the leap" will have to wait - if it ever comes at all.
Ghost of Tsushima Director's Cut feels like the truest, purest way to experience this title, so much so that I'm willing to go through it once again from the top, when Jin rode into battle with his uncle and almost died. I want to ride through the grass, stumble into duels, climb mountains and battle Mongols for another few dozen hours while making a stop on a freaky island to fight a crazy woman who likes poison and the color purple. I want to do it all, and I would recommend that anyone with the time should look into doing the same. It's still the samurai game of my dreams: Now it looks even better, and there's more of it.
Bloober Team is no stranger to making games that feature concepts with immense potential, like Blair Witch or Observer. The Medium is probably my favorite of theirs to date. It's got a couple of warts, but it's easy to get lost in its world (both of them), even with its pitch-black narrative overtones. It makes it feel important, though perhaps not something you'll feel compelled to play on repeat.
NBA 2K22 is generally a beautiful representation of next-generation console hoops, but it's a little disturbing that many of the newest things I noticed didn't have a whole lot to do with basketball. The on-court product is good, but it's not perfect. Basketball is still my favorite sport to watch, and I love the game, so I'll keep playing, but I can probably put the music and fashion career on hold - and I don't need to spend any more money.
That said, I found Kena: Bridge of Spirits to be one of the best treats of the year, both for the eyes and for the soul. Not only does it show elaborate craftsmanship, but it also feels like it was infused with joy and awareness. I'm happy it's here, and I look forward to seeing where Kena's bridge can lead.
As much of an odyssey as it was, I thoroughly enjoyed my time with Deathloop. It's one of the more thoughtful and well-crafted games out there and one of the best things you can play on the PS5. In addition to everything else, I liked the game's sexy, graphic-novelish cartoon vibe in its visuals that made every area burst to life and fun to explore. It's a true piece of art and is definitely worth your time … over and over.