Teslagrad is an excellent platform inspired by the classics of the metroidvania genre, with focus on exploration and puzzles. There are some minor shortcomings, such as some uninspired boss figths, but the title from Rain Games is still a worthy addition to the rich roster of indie games on Switch.
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The Nintendo Switch version of L.A. Noire finally does justice to a game that deserved a little bit more consideration when it first came out, six years ago. The porting is far from perfect (especially in TV mode), but the gameplay suits perfectly the idea of playing on the move.
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One of the worst "real something" ever. There's nothing good in Real Farm, a game you wouldn't neither present to your worst enemy.
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The Flame in the Flood is a strange survival roguelite. Despite an interesting setting and a charming OST, the game lacks in offering a balanced gameplay, mostly becouse of the high incidence of random events.
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The game offers nothing more than some good animal visuals. What remains is a management game without any challenge and spoiled by an awful UI.
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Wuppo is the kind of game you kinda want to remove from your memory, just to be able to play it again, and enjoy it like the first time. Despite its childish graphics and some gameplay flaws, Wuppo is a truly entertaining, light-hearted experience.
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Divinity: Original Sin 2 is a critical success on a persuasion test. At first, you can only feel enthusiasm in the face of such a majestic work, yet as the effects of the test begin to disappear you realize that something is wrong. With his latest effort, Larian Studios does everything a role-playing enthusiast would like from its ideal title, except to create an engaging and compelling story. This and a few problems too much in the balance of the combat system prevent Original Sin 2 from establishing itself at the top of the genre, while still remaining a great product.
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A broken game, without anything good and imbued with a tragicomic approach to international economy and politic.
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