It's a battle for the souls and of the souls in Tokyo. And it's fun as hell. Although "GhostWire: Tokyo" is hardly treading new waters, Shinji Mikami's imagination alone elevates it to the level unattainable for many game designers. Deeply rooted in Japanese folklore, it perfectly balances action and adventure.
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Life is not only strange, but also short, that's why Deck Nine puts Alex Chen in idyllic Haven Springs, where people are as nice as pie. So it's not another "me against the world" type of narrative, but a more collaborative effort. And that's good, which makes "True Colors" the best installment in the series since the first game.
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Biomutant is an ambitious title unnecessarily posing for an AAA one. Its vastness can make other studios envious at first, but it makes the game spread itself too thin.
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The Medium is, for better or worse, old-school at its core. The split screen mechanics aren't revolutionary at all and action sequences may leave you a bit confused, but the wholesome plot and well executed narration make Bloober Team's latest effort a compelling horror story imbued with some cool sociohistorical references.
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Gameplay hasn’t changed much, but it doesn’t mean that Crash 4 doesn’t have anything fresh to offer. On the contrary. Several new mechanics introduced by Toys For Bob make the game even more satisfying than its previous installments.
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