Neil Bolt's Reviews
This is another chance for one of the most underappreciated adventures to appear on a PlayStation console to gain a new, much deserved, audience. Time has been fairly kind to Okami despite minor gripes. If you've yet to experience the wonderful world of Okami, then this is as good a chance as any.
This is definitely a Dead Rising game, but it certainly isn't the Dead Rising it once was. This is the greying, shuffling husk of a lovably naff series, turned horrifically bland.
It may be occasionally janky, and despite best intentions, it isn't always as easy to understand as it could be, yet Ashes Cricket's bright spots shine through the flecks of grime. This is not a perfect game of cricket, but it is a good one.
There's a lot of well-produced content packed inside Call of Duty WWII's bunker, but very little of it is exciting, engaging, or original. The World War II setting papers the cracks, but constant mixed messaging about that historical conflict reveals the game for a gimmick.
Apart from a small UI overhaul, a fragmented hub, and a batch of new and redesigned characters, this is more Lego, more Marvel, and more collecting. For better or worse.
The good news is that Sonic Forces is not the disaster it could easily have been. There's a fairly enjoyable, silly romp here, that's got some nicely handled fan service. The bad news is that it still makes so many of the same mistakes synonymous with the series' 3D past.
There's a perfectly fine racing game somewhere in this mess of half-baked ideas. A fun arcade racer has been drowned in enough ‘one more thing' additions to fill the entire run of Columbo, and the result is a rather unpleasant muddle of bland story, stop-start driving, and player control being ripped away just as things get juicy.
Pretty much the same, boringly dependable Just Dance experience at heart, but the addition of a kid friendly mode, and a much-needed subscription service in Just Dance Unlimited, make this far more worthy a purchase for front room dance fans than the last few iterations.
Wuppo, despite a couple of small issues, is a heartening adventure in a winsome, self-contained world that's full of quirk-riddled characters and adorably monstrous bosses.
There's no denying that Spintires is a different take on the transportation simulator game, but different isn't enough if the game in question doesn't keep consistency in its simming. A decent title to potter about in, especially with others, but whenever additional rules are implemented, Spintires is apt to suffer.
Whether it's delivering chaos or absurdity, grim drama or theatrical villainy, Wolfenstein II handles it all superbly.
When AER: Memories of Old is focused on soaring through the skies, or tackling a multi-room temple puzzle, it's at its best. The rest of the time it fails to register much interest in its lackluster story and world.
Poorly presented, and lacking in mode variety, Rugby 18 is salvaged by the fact that it's actually a pretty decent representation of rugby union on the pitch. It may not be the definitive version of the sport that the PS4 needs, but it's easily the best available.
Age has slowed this old soldier down, despite some snazzy new upgrades to its core. The best and worst thing about Rogue Trooper Redux is that it plays exactly like a modernised PlayStation 2 shooter. It's decent enough, but 2000 AD fan service aside, there's little about it that stands out in a sea of other shooters that are 'decent enough'.
The most telling thing to say about Detention is that it carves its own niche into the videogame horror genre. It shows a maturity and storytelling finesse for much of its brief run that eludes many within its medium. Despite a slump in the final act, and a couple of coldly logical puzzles that feel out of place with the story, Detention is a smart and sophisticated survival horror that draws from reality to fuel fear.
A mixture of realistic hunting simulation and literal walking simulator with a fairly gentle introduction, The Hunter: Call of the Wild is certainly not a game for the impatient. It's beautiful vistas and sedate pace make it a very chilled out experience for the most part, full of relaxing exploration, but to engage in the hunt itself is a tremendously time-consuming act.
The sequel boxes are generally ticked off with Shadow of War, it's bigger, better, and a touch more ambitious than Shadow of Mordor was, but there are aspects that feel somewhat dated now, and there's a lack of polish to certain controls that dilutes the fun just a smidgen. The Nemesis system remains the star, and with the addition of sieges and tribes, it's a star that burns brighter than ever.
As a videogame, Fragments of Him falters far too often, providing very little interactivity, and dragging things out to pad the brief runtime. Yet there's something here worth experiencing from a narrative perspective. This is a well-written eulogy of a recently deceased man by the people whose lives intertwined with his, covering his flaws, strengths, and sexuality in frank and brutal fashion.
War of the Chosen overhauls the already fabulous XCOM 2 and turns it into absolutely essential fare. The introduction of the Chosen, the soldier bonding system, and the photobooth mode, are perfect additions in that they amplify the base game's best qualities. It's just a shame the shine is dulled ever so slightly by a bunch of needless technical issues.
Marvel vs Capcom Infinite isn't the massive step back that was feared, but it's not exactly kept up with the frontrunners of the genre either. There's lots of fanservice in the daft melodrama of it's story, and the fighting itself is still flashy and as punchy as before. Just don't go in expecting an evolution of the series.