Call of Duty: Black Ops 7 looks good, but ultimately fails to bring anything new to the table. The campaign is confusing and poorly organized, the multiplayer is basically “more of the same,” and the Zombies mode has some good ideas, but it's not enough to save the game.
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ARC Raiders is an action-packed shooter where you never know what's going to happen. You can go it alone and see what you're capable of, or team up with friends and enjoy the combat and loot together. With detailed maps, retro-futuristic visuals and incredible sound, it's challenging, but gives you a super rewarding feeling when you manage to come out on top.
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The Outer Worlds 2 tries to be a great space RPG, but falls by the wayside. It has good ideas, lots of freedom and fun moments, but the story is confusing and the world feels empty. It's a game full of potential, but which never really lives up to it. An RPG that wanted to be a shooter, or maybe the other way around?
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Battlefield 6 returns to what the series does best. The campaign is just an extra, but the multiplayer mode shines with great battles, well-defined classes, and that classic war feel. It's fun and shows that the series still knows what fans like.
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Dying Light The Beast brings back Kyle Crane, now with human and zombie DNA, to explore a new region. It retains the elements that have marked the series, parkour, intense combat, and exploration, and adds Beast Mode and mutations. The result is a fun, adrenaline-fueled game, perfect for fans, even if it doesn't offer any big surprises.
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Ghost of Yōtei is a beautiful and refined open world with brutal and spectacular combat. The narrative oscillates between powerful moments and others that are more predictable, but overall it is an engaging adventure. Visually, it looks stunning on the PS5 Pro, running smoothly despite some occasional stutters.
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Cronos: The New Dawn is an ambitious step by Bloober Team, combining horror, action, and survival in a devastated world. Mechanics such as enemy fusion and time manipulation are interesting, but technical flaws, repetitive combat, and an unsatisfactory ending limit its impact.
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Efforts to build its own identity work well at times, but suffer from some technical weaknesses that prevent it from reaching another level, compounded by graphics that fall short of expectations on the PS5 Pro.
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Death Stranding 2: On the Beach is an ambitious sequel that deepens Hideo Kojima's vision. With improvements to the gameplay, new enemies, unpredictable environments and a strong visual component, it maintains the focus on human connections and introspection. Despite the questionable technical choices and the less than memorable bosses, the experience remains unique.
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F1 25 is a solid continuation of the series, with occasional improvements in physics, car behavior and game modes. Despite this, many of the changes are subtle for those coming from F1 24, which calls into question the usefulness of a new annual release.
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This is a bold reinterpretation of the Souls-like formula, which retains FromSoftware's DNA but bets on a cooperative and roguelike format marked by constant time pressure and high difficulty. The experience demands dedication, resilience and repetition, rewarding the most persistent with memorable moments of conquest.
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Doom: The Dark Ages is an experience entirely worthy of the saga's legacy, while introducing elements that boldly renew and reconfigure it. Although it is not a flawless game, especially with somewhat disappointing visuals on consoles, it is a solid offering. The pleasure of playing is constant, and the sense of reward that each battle brings is very intense. In the end, that's exactly what I look for in a video game: challenge, intensity, and pure satisfaction.
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Ubisoft has finally released Assassin's Creed Shadows, after several setbacks. It follows the formula of the series, without taking any risks, limiting itself to delivering a game that is consistent with what fans already know. Naoe is a nice surprise, while Yasuke doesn't seem to know what he's doing here. Anyone who likes the saga will love Shadows, but it's a shame it's not more daring.
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Kingdom Come: Deliverance 2 tells a deep story thanks to excellent writing, with choices that shape the story and interactions. With demanding and complex gameplay, challenging mechanics that reward learning and progression. Despite some technical problems, the game is a very rewarding experience.
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Stalker 2 features a stunning world, supported by Unreal Engine 5, where the freedom of exploration and survival mechanics stand out. However, it suffers from technical problems, poorly structured missions, and problematic artificial intelligence. The launch was obviously rushed.
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Black Ops 6 has a solid foundation, with a robust Zombies mode and a campaign that it sought to revamp, but fails to capitalize on this opportunity due to the disaggregation of the multiplayer mode, which is jeopardized by inadequate map design and the abusive implementation of SBMM and EOMM.
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This remake revisits the original classic, preserves the psychological horror elements and intensifies the player's emotional experience. Bloober Team has exceeded expectations by creating a version that maintains the game's legacy and takes it to new heights. The remake features fluid gameplay, organically integrated puzzles and reworked enemies for greater impact.
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Until Dawn is a remake that modernizes the original, with a visual reconstruction that intensifies the emotional connection with the characters. Although it has technical problems, such as frame drops, the dynamics of the choices keep the player immersed in the story.
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Disney Epic Mickey: Rebrushed is an improved remake of the 2010 classic, now available for PC, PS5, Xbox Series X/S and Switch. It retains the original charm, with graphical improvements and new mechanics, but could have made more use of the visual potential and challenged players more.
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The Sky Breaker is a DLC that does not bring any significant improvement to the gaming experience. It just adds missions that are essentially a copy of those already in the base game, adapted to a new narrative line that, in practice, is not particularly inspiring.
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