Return To Castlevania integrates into Dead Cells without distorting it, revealing itself as a heartfelt tribute and well inserted within the flow of the main game.
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The inspired environments and tactical element behind the gunplay are certainly appreciable but they fail to overcome the boundaries of sufficiency to Scars Above.
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Wild Hearts fits into a genre landscape dominated by an extraordinary contender. The "tested" elements are many and evident, but the game still finds its dimension thanks to the introduction and management of karakuri.
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Evaluating Wanted: Dead means coming to terms with the past of the action genre. We repeat: we had a lot of fun during the most agitated moments, fighting against some of the most peculiar bosses, or noticing the constant references to pop, cyberpunk and the history of video games of the 2000s. Unfortunately, however, the weight of technical inaccuracies and the inconsistency of the plot, the slowness of the interludes between an explosion of violence and the next, are evidently out of tune notes and condition the charm of an experience that in any case is able to entertain the most irrediculable fans of the action.
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Warhammer 40,000 Darktide is a title that needs more content and some adjustments. Graphically it is excellent and the play of light and shadow, in particular, make some moments even memorable. However, the balance between the classes is to be reviewed, as well as the in-game economy and the cost of aesthetic elements.
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Marvel's Midnight Suns kept us glued to the screen for hours, making the most of each of its playful components.
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New Tales from the Borderlands amused us, excited, even moved us at times
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