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Life Is Strange 2 is everything a good sequel should be: It builds on what makes the first game great, establishes a thrilling new storyline and, ultimately, is far more comfortable taking risks. It still retains the first game’s issues, but this is ultimately a bold new step for Dontnod’s beloved franchise.
Fire Pro Wrestling World is a hardcore wrestling game made for hardcore wrestling fans. While it’s simply a tonne of fun, it also welcomes creativity and strategy, its rich gameplay making it a wrestling toy box that feels brimming with limitless potential. There’s a lack of variation and an intimidating learning curve, but it’s easy to look over these missteps when Fire Pro Wrestling World ticks so many boxes.
The Golf Club 2019 certainly isn't everybody's golf game, but if you're in the centre of the (admittedly small) Venn diagram of "prefers the intricacy of SKATE to the button-mashing of Tony Hawk's Pro Skater" and "is really hardcore into golf" then you're in for a massive treat.
With exemplary visuals and audio, Abzû takes the player on a memorable journey to the depths of the ocean. It’s not a hard, complicated, or long game, but it’s aesthetically impressive, delightful to control, and emotionally rewarding.
Mutant Year Zero: Road To Eden is an engaging, fun and fresh turn-based strategy game that plays with the genre’s conventions in unexpected ways. It could do with some fine tuning, but the interesting world, brilliant combat and challenging stealth mechanics mean this journey through the apocalypse is one that never wears out its welcome.
There’s no denying Desert Child is a stylish and unique RPG, but beneath its striking facade, it’s simply too hollow to make a mark. The racing is repetitive, the side-activities lack variety and the lack of technical fidelity is too noticeable to avoid, overall, making this bland racer an underwhelming disappointment.
As loathe as we are to re-open the old "are video games art?" debate, it's no exaggeration to say that Gris (along with the likes of Journey, Ico, and Everybody's Gone to the Rapture) is one of the examples you should roll out to prove that they most definitely are.
The Long Dark is by no means perfect, but what it lacks in finesse it makes up for in attention to detail. The survival is tough but addictive, coming with a vast array of supplies to find and stats to manage, while the challenge mode and story accommodate players with different levels of experience and ability. It’s got a lot of ground to cover in patches and updates, but there’s still a mighty fine game underneath its shortcomings.
Horizon Chase Turbo is a slick, polished, pulsating love-letter to the arcade racing games of yesteryear. It's just a shame that in a genre known best for what felt like endless rolling roads, what's on offer here – thanks to its transition to tracks and unlock-to-progress mechanics – feels rather more repetitive in comparison.
Pikuniku is an unbridled joy. It's rainbows, ice cream, long weekends and kittens, combined and distilled into their purest, most potent form.
If Resident Evil 7 was the game that put the legs back under Capcom’s iconic zombie franchise, Resident Evil 2 is the game that sees it clear the way back atop its bloodied throne. From the beautiful visuals to the nail-biting scares and frantic combat, this is a horror-experience that not only scares the life out of you, it makes you think as well.
While Life Is Strange: Episode 2 has a lot of much-needed character-building, it suffers from some significant pacing issues and occasional technical trouble. It’s by no means a major failure, and I can’t wait to see where the story goes next, but after the four months we’ve anticipated seeing the brotherly companions return, it’s not quite worth the wait.
The Switch may not have the power for a game as expansive as Observer, but even with its technical faults and the occasional gameplay misstep, it’s still an incredible experience. Whether it’s the morbid story, the disturbing atmosphere or the deeply involving detective gameplay, this is a genuinely brilliant horror-thriller that works its way under your skin and lingers long after you put the controller down.
Ojiro Fumoto’s smartly designed arcade game loses none of its appeal on Nintendo Switch, where a variety of display options and a budget price make it an essential purchase.
Much like the previous games in the franchise, Metro Exodus isn’t perfect. Yet, despite that fact, this threequel’s bold decision to take its world in a new direction means that its glaring positives outweigh its lack of refinement. The gameplay is solid, the visuals are terrific and Metro Exodus’s decision to try new, courageous gameplay mechanics makes it a thrill to play, overall, meaning that this is not only a fitting culmination to Artyom’s story, but also 4A’s studio-defining work on the franchise as well.
Warhammer 40,000: Mechanicus is a rare exception to the iconic tabletop game’s line-up of video game offerings. The combat is engaging, the visuals are striking and, most importantly, it’s a blast to play. Its attempts to diversify itself from other examples of the genre don’t always land, but it’s a solid RTS that’s as deeply addictive as it is ruthlessly entertaining.
Ape Out is a dynamo of a game, simultaneously stylish and meaty, that manages to succeed as both a technical demonstration of procedural generation – particularly that magical audio – and a bloody fun game to boot. Between this, Gris, and Pikuniku, Devolver Digital is absolutely crushing it right now.
Tropico 6 is a visually impressive, unbelievably charming and ruthlessly enjoyable role-playing city-sim. It lacks the depth of the genre’s more intricate modern hits, but its fun political systems, tongue-in-cheek moral choices, and challenging task management make it a worthwhile investment for genre aficionados.
While Dangerous Driving desperately wants to declare itself Burnout’s successor, it’s simply too hollow to ever truly earn that title. It’s buggy, repetitive and lacks all the depth that made Criterion Software’s acclaimed franchise such a phenomenal hit. There are the fundamentals for an explosively fun driving game within this barebones arcade racer, but ultimately Dangerous Driving is more a knock-off Burnout clone than a worthy spiritual reboot.
Like the movie it's loosely based on, World War Z is in no way scary. It's not even particularly compelling as a piece of horror. But like the movie, it is a relentless piece of AA action fluff that, if played with the right group of people, makes for a riotous and frenetic – if shallow – action tower defence game.