Inverse's Reviews
The core gameplay of Company of Heroes has never felt better, and there are hours upon hours of fun to be had simply blasting your way through other players or teaming up against AI opponents. The dual campaigns are honestly a bit of a letdown, but I’m hopeful things could be streamlined or improved with future patches and updates. The RTS genre has undoubtedly been in a slump over the last decade, but Company of Heroes 3 might be just the shot in the arm it needs to keep going.
Kirby’s Return to Dream Land Deluxe is a fine remaster of an incredibly tight platformer. It may not have the same scope or energy as Kirby and the Forgotten Land, but it doesn’t need to. If you want a solid Kirby game for your Switch and don’t mind some of the lackluster add-on modes, then Kirby is worth a shot.
Although Atomic Heart is fun to play for its combat encounters, it’s packed to the brim with frustrating platforming and horrendous writing, making it tough to recommend. Ultimately, Atomic Heart feels like a Ubisoft game made by edgelords who love BioShock and Russia in equal measure. It’s a jack of all trades and master of none, which lands it somewhere near “decent.” The end result is an uneven gaming experience that has fun moments sprinkled throughout a marathon of cringe.
Despite my frustrations with the limited ways that Octopath Traveler II improves upon the original, at its core the game still scratches an itch that no other game can satisfy. I still spent more than 50 hours in the world of Solistia, exploring every part of the map I could and seeking out new stories to immerse myself in...For those who lament the modern state of Final Fantasy, or want something that feels truly inventive in its design compared to many cookie-cutter AAA games, Octopath Traveler II is a journey well worth taking.
Call of the Mountain succeeds where so many other ambitious VR projects stumble for one reason — it keeps it simple. Core mechanics like traversal and combat have a generous margin of error, and can be customized extensively depending on your appetite (or lack thereof) for a challenge. This keeps the focus on immersion and exploration, rather than fiddling with finicky button inputs and timing.
While Blanc is a cute cooperative puzzle that may satisfy players for the short runtime, it does not bring anything original to the table. Despite its obvious charms, it winds up feeling rather paint-by-numbers — but every color is white.
It’s refreshing to see how much care was put into the development and localization of Labyrinth of Galleria: The Moon Society. It’s in a niche genre, but the game has a staggering amount of content that’ll keep its players entertained for hours on end. Despite the immense potential runtime, the game's progression and overall pacing always feel just right. And between the charming art style and characters, you'll never get bored.
I simply can’t imagine not seeing Chai and 808 again, whether it’s in another game or some kind of animated spinoff. As triple-A gaming starts to feel more homogenized each year, Hi-Fi Rush is a stark reminder of how this industry was built on taking chances and experimenting. It’s a gutsy move from a developer known for only making “spooky” games, but it’s a gamble that’s clearly paid off.
Season is an extremely chill game about leaving home for the first time, touring the world on a bike, and recording the wonders you find along the way. Also, the world might be ending, but no one is letting that ruin their day. While it’s filled with scenes of beauty, Season’s awkward pace and muddled message leave it feeling a little undercooked.
Dead Space is a shot-for-shot recreation of the original that manages to recapture the 2008 game as you want to remember it — meaning it’s actually better than ever.
Forspoken is vibrant, experimental, and undercooked all at once. It feels like a throwback to the Xbox 360-era of Square Enix games that were weird and experimental, like The Last Remnant and Infinite Undiscovery, only with a much bigger budget and flashier visuals. Its traversal and combat mechanics shine, but they’re trapped underneath a story and setting that feels painfully average and completely unwilling to engage with more challenging themes.
A Space for the Unbound is a brisk 15-hour story that is full of surprises and potent emotional beats. While it doesn’t offer much in the way of replayability, it’s a hugely memorable experience nonetheless.
Some publications call One Piece Odyssey the best One Piece game ever made. Heck, I wouldn’t be surprised if it’s the best anime game ever made. That’s not saying much in a consistently underwhelming subgenre, though. The long wait to get to the meat of the story and a genuine challenge makes it difficult to recommend to others, even fans.
Fire Emblem’s tradition of focusing on character relationships hit a peak in Three Houses, and we all kind of assumed that would continue into Engage. Sadly, that’s not the case. Fire Emblem Engage scales its social interactions down to a bare minimum, leaving a cast of underdeveloped characters in its wake. At the same time, it features some of Fire Emblem’s best tactical combat, making the game feel as sharply divided as its protagonist’s over-discussed red-and-blue hair.
Midnight Suns is easy to recommend for fans of comics, strategy, and roleplaying games. While Firaxis does go overboard with the base-building and crafting side of the game, I did enjoy getting to know my heroes better. This game truly shines thanks to its unique and memorable combat system. Thanks to the mission structure and DLC on the way, it feels like a game I’ll revisit again and again.
Despite its flaws, I found myself always craving one more race; I could drive faster, customize my car better, and drift in even cooler ways than before. While not perfect, Need for Speed Unbound is the best the franchise has been and years — and hopefully a sign of even better things to come.
Crisis Core Reunion doesn’t alter the story of the original PSP game, but it lands somewhere between a remaster and a remake on account of its gorgeous graphical updates and gameplay improvements. That being said, the limitation of the original game being on a handheld still shines through, becoming obvious through the game’s simple structure that uses mostly small confined environments and linear pathways. For anyone coming from the tremendously ambitious Final Fantasy VII Remake, Crisis Core is going to feel remarkably limited. Still, the overwhelming positives of experiencing the Crisis Core story on modern consoles make its minor flaws totally forgivable.
The Callisto Protocol succeeds as a desolate and brutal survival horror experience in its opening hours. But the second half is hindered by massive difficulty spikes and clunky melee combat.
Warzone 2.0 tries to cater to a wider audience by borrowing ideas from its competition, but it delivers a hodgepodge of ideas that seems to forget what made the original Warzone so iconic.
Pokémon Scarlet and Violet give you more choices than ever before. In exchange, it expects you to adapt to its half-baked open world and mostly optional new features. These latest games aren’t the great leap forward from Pokémon Legends: Arceus that fans were hoping for, but it is a small step.