Like a recently resurrected corpse, parts to ROMEO IS A DEAD MAN’s gameplay and story are cold to the touch, as it occasionally stumbles trying to grasp all of its ambitions. Yet there are just as many moments of genuine warmth, exuding confidence when expressing its boundless imagination. For my first foray into the unhinged mind of Suda51, the consistently bonkers creativity is the beating heart that gives this title strength. Creativity doesn’t automatically make for the smoothest experience. Nonetheless, this is a DeadMan I’ll look back on with both affectionate fondness, and conflicted frustration.
When Life Is Strange: Double Exposure focuses on telling a personal story about trauma and regret it soars. When it focuses on being a teaser for future entries with its supernatural spectacle, it unravels. This balancing act unfortunately causes the latter to cannibalize some strengths from the former. Still, Max's characterization and emotional journey remain the prominent highlight, offering a heartfelt and bittersweet thematic throughline at how the wounds of past guilt and grief scab over time. For the game to win me over despite my initial skepticism, that's a pretty strong achievement, flaws and all.
Nintendo and MAGES defy all expectations, delivering a grim murder mystery filled with heartbreaking characters and a tragic narrative that stands among the visual novel genre's best. Hopeful just as much as it is haunting, Emio - The Smiling Man: Famicom Detective Club is a monumental feat of storytelling from Nintendo's long dormant adventure series.