The Outer Worlds 2 is not Obsidian at their best; it might be the worst Obsidian game I’ve ever played. For now, it is a sprawling failure of focus and pacing, a game that is often interesting by accident rather than by design.
If Hades is action, Hades II is precision.
Everything a fan could want, but maybe not enough to win over newcomers.
Clair Obscur is not just greater than the sum of its parts; it completely redefines the parts themselves.
Ultimately, I can only review what’s in front of me, and as it stands, this game shows promise that isn’t fully realized yet. Given the strength of its foundation, I’m excited to see where it’s headed in two years. If Capcom delivers, the expansion could very well be the best Monster Hunter yet.
Lost Records: Bloom & Rage has a lot going for it—a compelling mystery, a strong cast of characters, and a nostalgic atmosphere that captures the era perfectly. But the technical issues are hard to ignore. From audio glitches to animation bugs, it feels like the game needed more time in the oven. I’m hopeful that Part 2 will smooth out these rough edges, because there is certainly some potential here. It’s just not quite there yet.
Suffice it to say, Shujinkou is one of the most ambitious indie games I’ve ever played. It not only satisfies the DRPG craving, but also rivals the industry and genre giants in delivering a complete experience. Whether you’re a longtime fan of the genre or just curious to try something new, this is the one.
Life is Strange: Double Exposure is a game that fails to capitalize on its premise. Although the soundtrack and occasional moments of intrigue are commendable, they are overshadowed by poor character development, confusing plot choices, and a lack of polish. The technical issues, combined with the short length and unresolved storylines, make this entry feel rushed and incomplete.
This is Atlus's magnum opus; a truly epic fantasy adventure that excels in every conceivable aspect.