Yakuza Kiwami 3 & Dark Ties is a sad microcosm of the state of Ryu Ga Gotoku Studio: a developer spinning its wheels, no longer caring for quality, content to chew up old assets and discard what made the original special in order to spit out a yearly release that cashes in on love for what the series used to be.
Hollow Knight: Silksong is caught in a web of trying to bind two conflicting genres together, with the expectations and norms of each half damaging the other. The beauty of its art design and precise, joyful feel of its movement are inarguable wonders, but the tiring and demotivating nature of its sadistic approach to challenge ripples throughout the entire experience of exploration and combat. It's more of what was good about Hollow Knight, but it failed to avoid some very clear pitfalls in design on its long path to release.
Like a Dragon: Pirate Yakuza in Hawaii is what happens when Ryu Ga Gotoku Studio fires on all cylinders, iterating on previous successes and failures to create its most satisfying and airtight game in years.