Aaron Bacabac
Forever Skies stuns with its visuals, score, and storytelling—but its true magic lies in the freedom to build and pilot your own airship through a post-apocalyptic sky. It’s thrilling, thoughtful, and wrapped in a tight gameplay loop with real emotional weight. The launch had a few bumps, but with updates on the horizon, this game’s future is nothing but skyward.
Tempest Rising blends old-school RTS brilliance with the power of modern technology, delivering a nostalgic yet fresh experience for everyone. Built in Unreal Engine 5, it looks great, plays even better, and hits all the right notes—gameplay, troop variety, quality-of-life, and sound. The multiplayer mode’s still catching up to the campaign, but with more content on the way, this game could easily surpass the classics it pays homage to.
South of Midnight is a creative triumph trapped in the wrong medium. Its gorgeous animation, heartfelt voicework, and rich world-building shine—but a dull, vestigial combat system drags it down. It’s not just missed potential; this should’ve been a movie, not a middling action-adventure game.
Assassin's Creed Shadows isn't awful, but it’s not the game fans deserve. Clunky combat, awkward animations, and a departure from the series' standard make it a mixed bag. Still, its expansive world, production value, and new mechanics might justify giving it a try when it's on sale, if you aren't an AC purist, that is.
Blood Typers is a wildly creative idea executed with impressive finesse—though not without a few stumbles. Its bonkers premise and unique gameplay make it worth checking out, even if sparse save points and stubborn bugs cause frustration. Still, the aesthetics and sound design nail the vibe, and at just ten bucks, it’s a steal. Not bad for a game where you type random words to cave in skulls.
Reality Break is a game of extremes. The combat is fantastic, the loot system is top-tier, and the in-run mechanics are engaging across the board (except, perhaps, the story). On the other hand, the metagame progression and accessibility options are about as barebones as they can get. For all its sci-fi pedigree, Reality Break comes with an equal share of issues that need fixing.
As much as I’d love to give it a perfect 100, Civilization VII isn’t quite the full evolution of the Civ formula it was hyped up to be. Don’t get me wrong—it’s still a fantastic game, just not as refined or complete as it ought to have been, with some oddly incomplete systems and uneven pacing. But if you can look past that? Then, sure—this might just be the perfect 4X experience you’ve been waiting for.
Orcs Must Die! Deathtrap feels like the result of expanding in every direction except forward. While it throws plenty of new elements into the mix, none of them stand out as true innovations over Orcs Must Die! 3. That said, it does have its strengths: a few great ideas, an enjoyable soundtrack, wide-open maps, a skill tree, and even and genuinely engaging gameplay. Just don’t even think about playing solo—you’ll end up suffering twice as much for the effort.