High on Life 2 is Squanch Games’ second chaotic ride, and it’s as wild as it is messy. Stellar voice acting and striking visuals shine, but middling gameplay and rough optimization hold it back. It’s a mixed bag of highs and lows, and if that chaos appeals to you, we won’t judge, though your guns might.
While not a true successor, Mewgenics carries The Binding of Isaac’s roguelike spirit through its sharp cat-based tactics, dense content, and clear devotion to McMillen’s ideal vision. It’s pricey, brutally slow, and unapologetically harsh, but its addictive music, bizarre systems, and deep strategy make it hard to put down. Not quite purrfect, but very close.
It’s hard to make magic feel monotonous, but YAPYAP manages it. Despite a strong, well-executed premise, issues with map variety, economy balance, and progression hold it back from becoming the next big friendslop hit.
Like a low-budget ’80s horror flick, I Hate This Place is all flash and no bang. Though it nails the vibe with its visuals and sound, rough voice acting aside, the gameplay is too shallow to hold up. After the early thrills fade, it’s mostly cheap jump scares without the depth to stay engaging.
Cult of the Lamb shows that sacrilege can be playful rather than off-putting, and that juggling two core gameplay styles can elevate a game instead of dividing it. The blend of irreverent themes and dual mechanics is impressively well executed. It does drift into repetition over time, but the journey there is wild, stylish, and gleefully heretical.
Cult of the Lamb’s latest expansion is a welcome return, adding new mechanics, biomes, and hours of play that enrich the world. The music, visuals, and added lore bring the Lamb’s ascension to a satisfying close. A slow start aside, it’s a rewarding expansion for both veterans and newcomers.
Animal Crossing: New Horizons is as good as it always has been. The Switch 2 port still earns its praise, of course, but not because of any standout next-gen additions or mechanics. Returning players should expect largely the same experience as their first playthrough, while newcomers will find a charming and thoroughly enjoyable customization craze waiting for them.
Constance shines with its vibrant 2D art, crisp platforming, and some clever progression ideas, but ultimately plays second fiddle to one of the genre’s greats. It’s far from a bad game—quite the opposite—but its strengths don’t make it easier to choose over a top-tier rival at the same price. Still, it’s enjoyable in its own right and serves as a refreshing break when Silksong has you worn down.
Rome wasn’t built in a day, and neither was Pax Romana. Every hour of craftsmanship shows in its design, every detail polished to perfection, creating a monument to the genre, crowned with a golden eagle and a banner to match. Flaws remain, of course, with minor bugs serving as reminders that no edifice is perfect. Yet the game still stands tall, and unlike the empire, your own Rome can rise much faster. Some may even expect it in a day.
Europa Universalis V doesn’t just impress, it devours. It weaves diplomacy, conquest, faith, and culture into a tapestry that first humbles, then enthralls. What begins in confusion ends in obsession, as you are crowned by the systems that mystified you on first pass. If not for Paradox's usual optimization fumbles, this game would've been the absolute pinnacle of strategy forever. Regardless, it stands above many of its ilk as the grandest of grand strategies.
ARC Raiders blends cinematic flair with extraction-shooter grit, delivering stylish action and just enough fresh ideas to stand out in a crowded genre. Its fast-paced mechanics, striking presentation, and surprisingly solid story keep it engaging—though console players may feel a stumble or two. Still, it’s definitely a raid worth dropping into.
The Outer Worlds 2 expands on everything that made the first game shine — sharper writing, bigger worlds, and richer choices — all wrapped in Obsidian’s signature corporate satire. It’s funnier, deeper, and far more polished, though the no-respec rule might test your patience. Still, it’s a clever, confident sequel that proves refinement can be just as satisfying as reinvention.
Although brought low by a bland story and a somehow blander antagonist, Jurassic World Evolution 3 still delivers a solid and distinctively scientific park management experience. It’s not the apex of its genre, but it's not at the bottom of the food chain either.
BALL x PIT is one of the few roguelikes that truly stands out today. Devolver Digital let it go wild, resulting in a chaotic, creative experience powered by its brilliant Ball Fusion system. It’s fresh, fun, and unlike anything else—just buy it and see for yourself!
Much like classic Disney, Bye Sweet Carole exudes a nostalgic charm that’s hard not to admire—its visuals, sound, and story all steeped in vintage flair and period commentary. Sadly, much like Disney today, it’s hard to love despite that beauty. With sluggish pacing, thin gameplay, and only half the heart of a point-and-click adventure, you’re better off rewatching an old Disney classic and experiencing the magic where it still lives.
Flick Shot Rogues is tougher and deeper than it first appears, but all the better for it. Its precision, physics-based, pool-inspired gameplay makes every run engaging, while its storybook charm and high synergy form an addictive loop—just don’t expect much variety in bosses, enemies, or endings.
Like any good slot machine, this game’s a gamble—fun if you’re here for quick spins and rogue-lite flair, but don’t expect to hit the jackpot if you’re chasing a story, because while there is one, you're better off just staying at the slots and making that number go up.
Mythical. Simply mythical. This is the Odyssey to the first game’s Iliad—no cheap imitation, no lazy follow-up. It’s the natural evolution of everything that made the original resonate: the music, the gameplay, the writing, and the very soul of the roguelike. One would struggle to overstate the sheer divinity of its aura as it carves its place in history as a fine way— nay, the only way — to spend your time.
Metal Eden just needs a little more to truly stand out. Its intriguing story could use tighter pacing and sharper dialogue, its refreshing gunplay could use more variety, and its strong audio could benefit from a bit more polish. It falls just shy in most areas, though its visuals shine as brightly as its setting, but it’s far from awful, just not quite the best.
Heretic + Hexen is aimed squarely at those nostalgic for the originals. Without that, most won’t stay hooked, though these classics still stand as genre-defining works now showing their age.