Who loves Supports in Fire Emblem as much as I do and misses the more nuanced characters and connections of Three Houses might find Fortune's Weave somewhat lacking. But most of the time it is engrossing strategy fun that will make you wonder how the last few hours have vanished so quickly.
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I'm having a blast with the skills and directional blocking. The time limit doesn't rush me, but the meaningful day-and-night-cycle enriches the quests. And when I think I know what to expect in the open world, The Blood of Dawnwalker uses it's nonlinear structure for great surprises.
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Splatoon Raiders got great shooter qualities. It''s a perfect game for turning my head off after a long day and just splat away. But I would be more happy, if I could raid a treasure island that got more moments that stick out besides cool boss fights and well made cutscenes that are few and far between.
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The gameplay of Motorslice is pure fun most of the time. Smooth movement like Prince of Persia - The Sands of Time meets flow moments like in Mirror's Edge. And dare I say: No other game interpreted boss fights like in Shadows of the Colossus in it's own way quite so good as Motorslice does! Likewise the mechanical imitations of living spaces the slicer P fights her way through are just wonderful in the way they're not meant for humans. And if I look down after a long ascension and spot the level geometry of the place where I started 30 minutes prior, the sense of space of the interconnected world is astonishing.
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If you can ignore a bad story and lacking quests with a "the more the better" approach, but enjoy turning every stone in a world in search of loot, you will have fun with Crimson Desert. But while a really like good games with friction in the design, even after 20 hours this game manges to grind my gears all too often and of all the many, many things I could potentially do in Pywell, there are too few worthwhile to make me stick around for much longer.
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Clair Obscure celebrates the japanese design school of RPGs with so much bravura, it stands as a modern classic of the genre on it's own. It's not perfect, but damn close.
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