Lou Contaldi's Reviews
As it is right now, Overwatch remains an achievement in multiplayer-only games, offering a dynamic, new playstyle with both interesting characters and an interesting world. While it may lack some slight components, there are more than enough Heroes and maps to make the game worthwhile, whether you're a casual player jumping in for the first time, or a veteran shooter player needing a new experience. More importantly, the gameplay is always fluid and fun — it is hard to find another game in this (or any genre) that is consistently this enjoyable. Overwatch is a master class in the class-based shooting genre and gaming itself.
Even with the $5 asking price in North America, I’m hesitant to recommend VEV: Viva Ex Vivo to most. The game can be “beaten” in exactly two hours, and the gameplay felt stale before I had even played 30 minutes. With all that said, the game should be on the shortlist for any prospective PlayStation VR owners. Given the absurdly affordable price and diverse visual environments, VEV already feels more at home as a visual “experience” game than its marketed “arcade shooter” genre.
In my 10-12 hour time with Corpse Party (and the handful of endings I stumbled upon), I had lost a handful of friends and witnessed a fair amount of frights. More importantly, the twenty year-old game delivered on a captivating ghost story, fit for the most veteran horror-buffs. And while the art style and themes may turn a few people off, the game is a rewarding, terrifying experience that shows the limits of what a well-told story can accomplish in spite of its artstyle’s limitations.
Experience has delivered a resoundingly solid dungeon-crawler that will give any seasoned a JRPG fan a run for their money. Beyond a difficult barrier to entry, players will find rewarding innovation, stunning art, and core mechanics that keep drawing you back. And while this game may not be for everyone, gamers able to notice genre-bending nuance will be able to find something to enjoy.
Plants vs. Zombies: Garden Warfare 2 isn't a perfect game, by any means. However, unlike other titles, Garden Warfare 2 revels in its imperfections, making it all of its minor flaws, imbalances, and awful puns a joy for the player. But before you pick up the title, make sure you are lighthearted enough to enjoy it.
As I rafted lazily down the river, passing churches and camp grounds, I found a moment or two to reflect on my time with The Flame in the Flood. I wonder "How much time have I spent with in-game menus?," "I wonder how far I can make it before my resources run dry?," and "How in the world can anyone kill a bear?" The game had lost its challenge an hour or so ago, but I remembered my first 10 or so hours fondly as constantly challenging and enjoyably tense. And while I don't see myself playing the game for too much longer, the The Flame in the Flood is a solid recommendation for anyone looking to diversify their catalog with a short, challenging, and artistically crafted indie title.
If you're looking for gameplay that could be called anything better than unobjectionable (or you simply aren't a fan of platforming), you may be better off somewhere else. Yet, even if you fall with the latter, Sahlin and Coldwood Interactive's persona which permeates the title is hard not to support.