The Banner Saga 2 expands on the series' existing foundations with more of the same. There's no drastic overhaul to the text-based elements or battle segments, and similar systems are in place when it comes to managing your caravan party, fighting enemies, and talking your way out of a tight spot. If you've played the original, you'll know exactly what to expect. Subtle refinements make this a sequel that truly lives up to the standards of the first entry, however, paving the way for the final chapter.
From the beginning, this series has very much been about the journey to the destination in both a literal and figurative sense, and now we've arrived at the end, it's clear that this was the strongest point all along. The development of characters and the gradual progression of the story naturally have less emphasis this time around, as this is the end of the saga, but what you do get is multiple endings with fitting outcomes. Now all that's left is for you to decide whether or not this game and series are for you, much like the many choices present within the games themselves.
Holy Potatoes! A Weapon Shop?! isn't anything we haven't already seen before. Forging and selling weapons is fun once you get into the rhythm of it, and there's plenty within the potato world to work towards. This is a game that can be played for a few minutes or hours per day, depending on how much you enjoy the genre. What's frustrating is how this title has been adapted to the Switch. It's got a clunky user interface that doesn't really feel compatible with the Joy-Cons and even if you opt with the screen by itself as a touchpad it still feels difficult to complete the most basic of tasks. All up, this makes it the hardest version of the game to play. Overlooking these problems, it's still worth checking out if you're looking for a game of this type and one with plenty of humour - it's just far from spud-tacular.
There's nothing particularly revolutionary about Bomb Chicken, it's enjoyable predominantly because of its classic approach and how refined each aspect of the game is including the core bomb-laying mechanic. Each level is intelligently designed and has a great sense of flow. The puzzles and enemies are fair but challenging and the controls are precise and responsive. Unlike fast food, this isn't a cheap, quick and nasty solution that will leave you regretting your purchase - this is a blast.
SpiritSphere DX is possibly the closest we may ever get to a tennis game based on The Legend of Zelda series. In fact, in contrast to similar offerings currently available on the Switch eShop, this is a good budget pick. It's got a small but challenging campaign mode with three difficulties, an adequate amount of local multiplayer content for up to four players and does a sound job channeling the spirit of retro games.
Replace the blood and brutality of Super Meat Boy with paint, add invisible levels and marginally tone down the difficulty, and what you have is INK. The practical use of the featured art style is a novel idea, but somehow the title still lacks a distinctive sense of character - even with all the vivid colours on display. What's left is a streamlined but more basic fast-paced platform game that does a competent job recreating the same types of experiences we've seen in the past, requiring twitch-like reflexes and pinpoint accuracy.
Super Sportmatchen deserves some praise for including online leaderboards to help prolong the replay value of the individual experience. A lot of games of this calibre fail to add this feature. Competing against the A.I. will definitely get old, fast, so this is a great way to sustain interest. For some, this still might not be enough. The main contest here is the local multiplayer. Provided you have friends or family around, this is another one of those titles that is fun for brief sessions in between more prominent multiplayer titles.
White Night does serve up some scares and a few twists along the way, however, there's nothing particularly different about what this title has to offer over only a handful of hours, even with consideration of the black and white film noir aesthetics including the special mechanics built around it. Despite its eagerness to run with clichés, it at least sticks with its style through to the end and does everything competently enough to make it a satisfactory experience for anyone looking for a colourless curio.