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Tales of Kenzera: ZAU is a decent game, but it sits in the shadow of much better Metroidvanias on the Switch. We love the setting and storyline, but as Surgent Studios' first stab at what has proven to be a wildly popular genre over the years, it struggles to set itself apart with rather bland exploration and repetitive combat. Coupled with compromised visuals and performance on Switch, veterans of the genre may want to give this one a miss. For newcomers, however, the breezy gameplay might make for a nice introduction to Metroidvanias.
Overall, Marenian Tavern Story is an engaging RPG with hours upon hours of content within it. It is a solid offering with addictive gameplay that can get slightly tedious after a while. For an RPG fan looking for a new fix, however, you won’t go far wrong with this one.
Overall, the gorgeous steampunk style with surprisingly great voice acting doesn’t entirely make up for a slow, clumpy puzzler. The music is also great and the concept ambitious, but its mechanics and sluggish pace make it feel dated. Hardcore fans of adventure puzzlers or steampunk stories will likely enjoy it, but it won’t be to everyone’s tastes.
Crimson Keep is good fun. Its gameplay is enjoyable, its graphics are fit for purpose, and its replay value is high.
Overall, Desert Child provides high-octane, arcade-style fun, with its quirky story and style providing a delicious cherry on top. The soundtrack is also great, with a unique, funky hip-hop sound that complements its offbeat humour and presentation. Combine this with its retro visuals and you have a great addition to your indie collection, with a high replay value, particularly when playing with friends.
In summary, Please, Don’t Touch Anything is a fun single-player game to mess about with and discover all the endings, but be aware that it likely won’t provide much in the way of replay value.
El Shaddai feels genuinely more creative and interesting than a lot of the titles it would consider bedfellows today. It shares a place with the likes of ICO, Nier, and Panzer Dragoon in its arcane design and historically inspired symbolism. Elsewhere, it borrows from the likes of Okami and Mizuguchi's Rez for its abstract, acid-trip beauty. It's true that the combat can become routine, the platforming occasionally frustrate, and some of the boss encounters appear slightly samey, but it runs smoothly and assuredly across 11 visually astounding stages. El Shaddai, more than anything else, is a game of moments, and a lot of them. It's certainly one of the most intriguing titles in the action-adventure, hack-and-slash genre, and deserves the attention this time around that it never achieved on its original release.
We wish we liked Library of Ruina more than we do; its world and characters touch on clever themes and storytelling devices, but never fully lean into its potential. Slapdash pacing coupled with sluggish, nerve-wracking menus makes playing Library of Ruina an exercise in courting digital whiplash as you cycle between rushed, truncated story beats and glacially-paced menus. If it had more engaging combat and a more efficient narrative setup, Library of Ruina would have really impressed us. Sadly, we don't feel very compelled to see it through to completion.
Slave Zero X is an incredibly frustrating release, because it could have so easily been a slam dunk. It's a great game - it really is - with stylish combat mechanics, beautiful 2D sprites combined with 3D environments, and an awesome, cyberpunk-esque storyline. Unfortunately, though patches may eventually turn this lump of coal into a diamond, the game as it stands is a hot mess on Switch, with a wildly inconsistent frame rate that makes the complex, methodical gameplay feel like a chore to play.
SaGa Emerald Beyond has a deep and satisfying combat system that gets its hooks into you from the jump. There's a lot of narrative content across its five adventures, as well as a diverse collection of characters, but very little that truly grips the attention.
Teenage Mutant Ninja Turtles Arcade: Wrath of the Mutants is not the steaming cash grab that you might have assumed by seeing the publisher involved. Neither is it anything close to the action-packed highs that we have seen from the heroes in a half-shell in recent years. Instead, we are left with a game that is perfectly serviceable but ultimately forgettable, let down by repetitive levels and combat and lacking any reason to go back for more. If, for some unknown reason, this is the only Turtles beat 'em up that you can access, then you will likely have a perfectly fine 90 minutes of playtime. But the alternatives on Switch deliver much more memorable, satisfying TMNT experiences.
Grounded is a fantastic survival game, a colourful, unique, and original slice of joyful adventuring that everyone should play if they have the opportunity. It nails the Honey, I Shrunk The Kids vibe, its core gameplay loops are moreish, and its setting and enemies are often breathtaking in how they reframe the mundane. However, and as usual for these big efforts on Switch, this port has plenty of issues. They've had to tank the visuals, the all-important online co-op is flaky, the frame rate is fine until you start going big on bases - just all the stuff we've come to expect at this stage, really. If you can handle the issues, or if Switch is your only way to play, this game can still deliver the goods and the quality shines through. However, if you have another way to play it, we'd definitely recommend you do that instead.
Lunar Lander Beyond is a solid recommendation for fans of the lander sim genre. It performs well on the Switch with no discernible frame rate issues and looks great. But as it stands, its missions too often feel abbreviated at around three to six minutes and too tightly sandwiched between narrative. The issue is not its gameplay mechanics, but the strictures of its campaign structure. It's a problem the developers could solve by staying the course and creating a mode focused squarely on what made the original compelling: flying, landing, and scoring better than everyone else.
Eiyuden Chronicle: Hundred Heroes is the epitome of a flawed gem-the kind of game that does a lot of things right and we're sure will command a dedicated legion of fans, but has legitimate problems that are tough to overlook. The expansive narrative, gorgeous spritework, and addictive combat all help make it an easy recommendation to any classic JRPG fan, but bear in mind that it can feel dated in its design philosophy and that the Switch version has a lot of performance problems, at least at launch. If you can get past those issues, this is an enjoyable and immersive RPG that mostly achieves what it set out to do.
Kudzu is a good adventure, and we're sure we would have loved it back in the day. We can even imagine kids at primary school asserting that, in some ways, Kudzu is better than Link's Awakening. This is in part because young kids are often deliberately contrarian, but also because Kudzu's character and game world are genuinely noteworthy. This comes through in some tight writing and an enjoyable gameplay experience. Its slight lack of polish might knock a point off, but the Switch pricing is reasonable. We're confident that fans of retro games will find a lot to love, and playing Kudzu on an actual Game Boy would be a genuine treat.
Rose & Camellia Collection gets away with a lot of its technical imperfections simply because of the strength of its concept and its solid presentation. The music and art style will keep you interested for at least a few hours – which is all it will take to complete the story mode. However, the bizarre anime logic can't distract you from the frequent loading screens or the frustratingly imprecise controls. This one is worth picking up, but only if you catch it on a good sale.
Planet of Lana intelligently combines elements of classic cinematic platformers to make something distinctive and characterful. For a tight five hours or so, it keeps up the pace, with very few taxing puzzles or tricky action segments to slow progress. Leaning into easier gameplay in favour of visual and auditory spectacle, it looks the part and runs consistently well. It's a treat for the long-suffering cinematic platforming fan – perhaps even destined to join that short list of classics.
The Gap may suffer from some overly basic puzzle design and visual ticks, but this is ultimately an enjoyably mysterious narrative that's still worth the few hours it takes to see through. Its launch price feels a bit high for what’s on offer here, but we’d suggest scooping this one up the first time it goes on sale.
We really wanted to like Moonglow Bay. It has the bones of a great fun cosy game: collectibles, a heartwarming story, fishing! Unfortunately, between the bugs, bland characters, and unnecessarily frustrating boss battles, the meat is a little thin. We enjoyed collecting the fish and restoring the town for a spell, but even the fun quests didn't have the compelling pull of many other games. If you really love fishing in your cosy adventures, this could be worth dipping your toe in. But if you're just in the market for a cosy game, there are plenty of fish in the sea.
It looks like The Witness and it plays a bit like StreetPass Garden, but Botany Manor blooms into something that's not only entirely its own, but also something quite special. Don't let its cosy aesthetics fool you - Botany Manor is packed with nicely challenging, well-designed puzzles, and isn't afraid to tackle heavy subjects, too.