Killing Floor 2 is a great co-op experience with pick up and play appeal that promises to keep delivering with frequent updates and community driven content. It's been a long time since there's been such an addictive standalone co-op game on the PS4.
The overall experience at the centre of all Skylanders: Imaginators' toys and loot chests is so charming and feature-rich that kids will enjoy it and adults won't begrudge playing it alongside them. If you don't mind the potentially large financial undertaking that a Skylanders game represents, then this is perfect for younger players. The return of Crash is also good value; it's simply heartening to see that the 90s mascot feels at home in a modern platformer.
BioShock: The Collection is the best way to experience the world of Rapture and Columbia. All three games and their DLC look great and, despite a slightly creaky port of the first game, perform well. Unfortunately, series veterans won't find anything new, meaning that the visual upgrade and the convenience of having everything pulled into one package are the only reasons to return to games that you may have already experienced multiple times.
Brut@l is a fun dungeon crawler regardless of whether the historical significance of collecting letters and throwing the @ sign at goblins is lost on you. A distinctive visual style complements simple and enjoyable combat, a satisfying collection of craftable weapons, and a rewarding learning curve. Dungeon runs can get a bit samey, but a co-op mode and robust dungeon creator reward further visits.
It would be unfair to dismiss Romance of the Three Kingdoms XIII as yet another niche instalment in Koei's ageing series of war sims. There is real depth to city management and a refined complexity to the relationship system, bolstered by a welcome sense of fun. Some minor technical issues mar the battle scenes, but this is such a solid package overall that it's hard to grumble. There isn't much competition, but this is still the best strategy game on the PS4.
Whether it's sniffing out clues with Holmes trusty basset hound, planning an elaborate diversion in slow motion like you're in a Guy Ritchie film, or dodging spike pits and giant rolling balls a la Indiana Jones, the Sherlock games are always throwing something different at you. Devil's Daughter focuses more on story, with a larger plot taking over from the case work in satisfying ways. Some extended sequences of button mashing can become tiresome and the moral choice system doesn't add anything substantial, but the overall experience is great fun.
Wales Interactive's Tron-like puzzle game has great atmosphere, a compelling setting, and an engaging concept – but it's ultimately not that interesting to play. The story lacks pace and substance, while the puzzles are lacking in difficulty and nuance – especially given that the powers used to solve them quickly become tiresome.
LUMO is a surprisingly fun throwback to a genre of puzzle adventures lost to the winds of time, and also a loving nod to the career of its creator. It's an enjoyable dungeon crawler with some fiendish puzzles and punishing death traps.