In a lot of ways for someone like me, Dragon Quest Monsters: The Dark Prince is weirdly validating for a video game product you purchase. This series has been living in relative obscurity for decades, either going unlocalized entirely or simply being seen as a niche within a niche destined for handheld gamers looking for more Pokemon. But there’s so much meat, life, and ambition in this one. It’s a console game, it’s got a story it wants to tell, it has ideas beyond “catch slimes, win tournaments”. I hope this is the direction Dragon Quest Monsters keep moving in. It’s no Digimon Story: Cyber Sleuth, but what is?
It helps that you can see what you're doing when you're driving around a desert.
It’ll take a specific kind of person to get the most out of Turok 3. Shadows of Oblivion is an impressive remaster of an interesting retro game, but even when it came out it wasn’t blowing any minds. Did you grow up on games like the Turok series, those chunky, 90s shooters made for consoles before Halo? Are you interested in fascinating, specific corners of gaming history, and what kinds of restorative efforts can be applied thereof? Players just looking for a new shooter to play probably won’t have a great time. For me, I feel like I just slingshot time-traveled inside my own brain. I don’t know what that means, either.
Robocop: Rogue City is an argument that not only can licensing IP work well in smaller-scale games, but given the right combination of creativity and focus a more dormant IP can be especially effective. A property like Robocop does not have a clear position in pop culture right now, beyond the obvious late-80’s movie nostalgia. But the team at Teyon, with a combination of awareness and sincerity, definitely found one. I had so much fun blasting through waves of jabronis and laughing at Robocop’s earnest policing antics. In a crowded year like 2023, Rogue City is an unexpected gem.
If there are indeed plans to continue, Metal Gear Solid: Master Collection Vol. 1 is a hell of a first volley. From tweaks and fixes of previous re-releases to an abundance of supplemental material across a whopping seven (arguably more) games, Konami really rolled up its sleeves. Even with some problems and weird choices here and there, this collection exceeded my expectations for sure. Whatever follows this will really put the format to the test, as there’s less precedent and/or existing ports for games like Metal Gear Solid 4 or Metal Gear Acid. The foundation laid is awesome though, and shows that despite past drama there are people at Konami who definitely care.
Honestly, unless you’re a big fan of Hot Wheels themselves, and derive a lot of joy from unlocking the different digitized versions of real-world toys, you can do better. Cruisin’ Blast came out the same year the first Unleashed did, and that game captured the essence of banging toy cars together in over the top racing environments perfectly. In comparison, Turbocharged is more scattershot, trying to be a Jack of All Trades and only hitting the bullseye with the IP’s aesthetic.
Even if the story isn’t my favorite, Fate/Samurai Remnant still holds court in the greater Fate universe. There’s a lot of detail and depth in this game, far more substantial than the average Musou joint. And I love these kinds of games for the record, so my expectations were fairly high. Some of the new Servant characters are awesome, and the way the game plays with its own series’ tropes to adapt the source material rules. At the end of the day, there’s a lot for Fate sickos to sink their teeth into, and there’s no outside required reading bogging it down. If the word “Saber” makes you think of angular bangs and a cutesy stray hair instead of a Civil War sidearm, this is a game for you.
Infinity Strash plays with its own legacy a bit, mostly by using models from Dragon Quest proper instead of imitating the manga’s art style. But the rest of the game, while fun in that lizard brain kind of way, doesn’t do a ton to separate itself from its peers. Fans of the series will have a decent time, but there’s not much here for folks on the outside. If you’re curious about Dragon Quest as a whole, we recommend starting elsewhere.
I’m down for another one of these, especially if I get to keep bludgeoning monsters with a greatsword-sized turnip.
For a while there, things weren’t looking so great for Bomberman, one of the most underappreciated gaming mascots out there. But it feels like the weird, little guy’s alive and kicking now, with two retail games within a few years of each other and more. Super Bomberman R 2 isn’t the ultimate Bomberman experience, but it’s a cute, wholesome package of old school, multiplayer videogame glee. Which is weird to say about a game with Pyramid Head in it.
Each game has been distinct in nearly every way, and Gunbrella is once again a standout among its peers. I came away with some disappointments, but those hours I spent going through the game twice melted away unnoticed. If that’s not a sign of quality, what is?
It’s amazing how talented Studio Sai is, and how much it got right with Eternights. I had a great time despite some rough patches in the early hours, and I’d love to see what these folks can do with more time and resources. And a better joke-writer. Don’t go into Eternights expecting an alternative to Persona; that’s not what this game is. Instead, put your action shoes on and keep an open mind about playing a more “true” dating sim, and I’ll be shocked if you don’t walk away with a smile on your face. And make sure you have a QR reader handy. You’ll see.
At the end of the day, Rune Factory 3 Special is a fine game, and its only crime is how closely it sits to games that use it as a stepping stone. If you love the “cozy” genre and are looking for some farming action, but only have the budget for one game, it’s hard to recommend this. But if you’re more of a fan of Story of Seasons and/or Rune Factory as a series, there’s absolutely room for Rune Factory 3 Special on the shelf.
Sea of Stars hits a lot of notes with ease, not only wearing its inspirations on its sleeve (and hiring them; they got Mitsuda on the score!) but leveraging them to try new things. For the most part, this game is a standout indie RPG with a level of style, polish, and storytelling that makes it stand out in the crowd.
If you’re an old school Segahead, there are definitely a few holes in your heart in need of filling. Jet Set Radio, which hasn’t seen a new game since the Xbox, is one of the biggest. Bomb Rush Cyberfunk has appeared like a beacon of hope to fill that void, and it does so while bringing new stuff to the table. This game is like a long-lost Dreamcast game in so many different ways, and most of them are good. Clearly, the developers at Team Reptile understand the concept of love.
Double Dragon Gaiden is an interesting game with a lot of creative ideas. We’ve seen roguelikes and brawlers mixed before, but not nearly as intricately. I could feel that spark of passion as I played. Unfortunately there are some key drawbacks that betray many of those neat ideas and really hamper the experience. From getting slapped out of defensive tags and juggled to death to subsequent runs feeling more and more like a grind, I had less fun the more I played. I love that Arc System Works has been producing cool, experimental games since snagging the Double Dragon and Kunio-kun/River City licenses. This one has a lot going for it, but stumbles toward the finish line.
The latest marquee RPG from Square Enix goes for broke at every opportunity and then some.
There are lots of ideas in Amnesia: The Bunker that are truly intriguing. I love the World War 1 setting as a backdrop for a horror story, especially the way it intersects with technology of the era. But the way gameplay elements are introduced as friction meant to induce tension simply feel overtuned. I often felt like I was fighting the game just to get around, which was frustrating in a software kind of way rather than an atmospheric enhancement. I wasn’t scared because I was too busy squinting or yanking on the flashlight’s pull cord just so I could pull on doors and latches. No amount of spooky ambiance in the background could bring me back into the experience.
Even with my figurative shrug at World Tour mode, it’s easy to see Street Fighter 6 as an achievement for Capcom. There was so much up and down with Street Fighter 5 that sucked the joy out of having a new one, and really only people who showed up years later got the full package. The esports vibe was an understandable experiment, but not one that fully landed. Street Fighter 6 on the other hand is like smashing open a pinata. It’s bursting with energy, style and content in a way very few fighting games have ever managed, even ones praised for single-player offerings. It not only feels like there’s something for everyone here, but it feels like there’s a genuine foundation for a community to grow and thrive. And I definitely plan to stick around and see how that shakes out.
That’s the fascinating thing about games like Diablo IV. There’s so much of it, and so much context, I can see so many ways it can be meaningful for players. It’s because of that near-perfect mixture of agency, progression, social texture and depth. The fidelity and polish afforded by Diablo being… Diablo is crucial as well. Diablo IV is a tremendous game in scale and scope, but it still feels authored and managed instead of bloated and frivolous. That it was put together amid so much external and internal strife and holds together as well as it does is a mind-blowing accomplishment. I’m beyond stoked to start it for real soon.